The Song of the Lark/Part 3/Chapter 5
V
MARCH began badly for Thea. She had a cold during the first week, and after she got through her church duties on Sunday she had to go to bed with tonsilitis. She was still in the boarding-house at which young Ottenburg had called when he took her to see Mrs. Nathanmeyer. She had stayed on there because her room, although it was inconvenient and very small, was at the corner of the house and got the sunlight.
Since she left Mrs. Lorch, this was the first place where she had got away from a north light. Her rooms had all been as damp and mouldy as they were dark, with deep foundations of dirt under the carpets, and dirty walls. In her present room there was no running water and no clothes closet, and she had to have the dresser moved out to make room for her piano. But there were two windows, one on the south and one on the west, a light wall-paper with morning-glory vines, and on the floor a clean matting. The landlady had tried to make the room look cheerful, because it was hard to let. It was so small that Thea could keep it clean herself, after the Hun had done her worst. She hung her dresses on the door under a sheet, used the washstand for a dresser, slept on a cot, and opened both the windows when she practiced. She felt less walled in than she had in the other houses.
Wednesday was her third day in bed. The medical student who lived in the house had been in to see her, had left some tablets and a foamy gargle, and told her that she could probably go back to work on Monday. The landlady stuck her head in once a day, but Thea did not encourage her visits. The Hungarian chambermaid brought her soup and toast. She made a sloppy pretense of putting the room in order, but she was such a dirty creature that Thea would not let her touch her cot; she got up every morning and turned the mattress and made the bed herself. The exertion made her feel miserably ill, but at least she could lie still contentedly for a long while afterward. She hated the poisoned feeling in her throat, and no matter how often she gargled she felt unclean and disgusting. Still, if she had to be ill, she was almost glad that she had a contagious illness. Otherwise she would have been at the mercy of the people in the house. She knew that they disliked her, yet now that she was ill, they took it upon themselves to tap at her door, send her messages, books, even a miserable flower or two. Thea knew that their sympathy was an expression of self-righteousness, and she hated them for it. The divinity student, who was always whispering soft things to her, sent her "The Kreutzer Sonata."
The medical student had been kind to her: he knew that she did not want to pay a doctor. His gargle had helped her, and he gave her things to make her sleep at night. But he had been a cheat, too. He had exceeded his rights. She had no soreness in her chest, and had told him so clearly. All this thumping of her back, and listening to her breathing, was done to satisfy personal curiosity. She had watched him with a contemptuous smile. She was too sick to care; if it amused him—She made him wash his hands before he touched her; he was never very clean. All the same, it wounded her and made her feel that the world was a pretty disgusting place. "The Kreutzer Sonata" did not make her feel any more cheerful. She threw it aside with hatred. She could not believe it was written by the same man who wrote the novel that had thrilled her.
Her cot was beside the south window, and on Wednesday afternoon she lay thinking about the Harsanyis, about old Mr. Nathanmeyer, and about how she was missing Fred Ottenburg's visits to the studio. That was much the worst thing about being sick. If she were going to the studio every day, she might be having pleasant encounters with Fred. He was always running away, Bowers said, and he might be planning to go away as soon as Mrs. Nathanmeyer's evenings were over. And here she was losing all this time!
After a while she heard the Hun's clumsy trot in the hall, and then a pound on the door. Mary came in, making her usual uncouth sounds, carrying a long box and a big basket. Thea sat up in bed and tore off the strings and paper. The basket was full of fruit, with a big Hawaiian pineapple in the middle, and in the box there were layers of pink roses with long, woody stems and dark-green leaves. They filled the room with a cool smell that made another air to breathe. Mary stood with her apron full of paper and cardboard. When she saw Thea take an envelope out from under the flowers, she uttered an exclamation, pointed to the roses, and then to the bosom of her own dress, on the left side. Thea laughed and nodded. She understood that Mary as sociated the color with Ottenburg's boutonnière. She pointed to the water pitcher,—she had nothing else big enough to hold the flowers,—and made Mary put it on the window sill beside her.
After Mary was gone Thea locked the door. When the landlady knocked, she pretended that she was asleep. She lay still all afternoon and with drowsy eyes watched the roses open. They were the first hothouse flowers she had ever had. The cool fragrance they released was soothing, and as the pink petals curled back, they were the only things between her and the gray sky. She lay on her side, putting the room and the boarding-house behind her. Fred knew where all the pleasant things in the world were, she reflected, and knew the road to them. He had keys to all the nice places in his pocket, and seemed to jingle them from time to time. And then, he was young; and her friends had always been old. Her mind went back over them. They had all been teachers; wonderfully kind, but still teachers. Ray Kennedy, she knew, had wanted to marry her, but he was the most protecting and teacher-like of them all. She moved impatiently in her cot and threw her braids away from her hot neck, over her pillow. "I don t want him for a teacher," she thought, frowning petulantly out of the window. "I 've had such a string of them. I want him for a sweetheart."