The Woman at the Washtub
The Woman at the Washtub,
She works till fall of night;
With soap, and suds and soda
Her hands are wrinkled white.
Her diamonds are the sparkles
The copper-fire supplies;
Her opals are the bubbles
That from the suds arise.
The Woman at the Washtub
Has lost the charm of youth;
Her hair is rough and homely,
Her figure is uncouth;
Her temper is like thunder,
With no one she agrees –
The children of the alley
They cling around her knees.
The Woman at the Washtub,
She too had her romance;
There was a time when lightly
Her feet flew in the dance.
Her feet were silver swallows,
Her lips were flowers of fire;
Then she was Bright and Early,
The Blossom of Desire.
O Woman at the Washtub,
And do you ever dream
Of all your days gone by in
Your aureole of steam?
From birth till we are dying
You wash our sordid duds,
O Woman of the Washtub!
O Sister of the Suds!
One night I saw a vision
That filled my soul with dread,
I saw a Woman washing
The grave-clothes of the dead;
The dead were all the living,
And dry were lakes and meres,
The Woman at the Washtub
She washed them with her tears.
I saw a line with banners
Hung forth in proud array —
The banners of all battles
From Cain to Judgment Day.
And they were stiff with slaughter
And blood, from hem to hem,
And they were red with glory,
And she was washing them.
“Who comes forth to the Judgment,
And who will doubt my plan?”
“I come forth to the Judgment
And for the Race of Man.
I rocked him in his cradle,
I washed him for his tomb,
I claim his soul and body,
And I will share his doom.”
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
- government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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