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Three Sonnets (Instrumental Music, Beethoven, Mozart)

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Three Sonnets (Instrumental Music, Beethoven, Mozart) (1846)
by Margaret Fuller

From Papers on Literature and Art, Part II: … so far interesting as showing the degree of truth with which these objects appear to one, who has enjoyed few opportunities of hearing the great masters, and is only fitted to receive them by a sincere love of music, which caused a rejection of the counterfeits that have been current among us. They date some years back, and want that distinctness of expression, so attainable to-day; but, if unaided by acquaintance with criticism on these subjects, have therefore the merit of being a pure New England growth, and deserve recording like Sigismund Biederman’s comparison of Queen Margaret to his favourite of the Swiss pasture. “The queen is a stately creature. The chief cow of the herd, who carries the bouquets and garlands to the chalet, has not a statelier pace.”—Anne of Geierstein.

3782241Three Sonnets (Instrumental Music, Beethoven, Mozart)1846Margaret Fuller

INSTRUMENTAL MUSIC.
The charms of melody, in simple airs,
 By human voices sung, are always felt;
 With thoughts responsive, careless hearers melt,
Of secret ills, which our frail nature bears.
 We listen, weep, forget. But when the throng
Of a great Master’s thoughts, above the reach
Of words or colors, wire and wood can teach
 By laws which to the spirit-world belong,—
When several parts, to tell one mood combined,
 Flash meaning on us we can ne’er express,
Giving to matter subtlest powers of Mind,
 Superior joys attentive souls confess.
The harmony which suns and stars obey,
Blesses our earth-bound state with visions of supernal day.
 
BEETHOVEN.
Most intellectual master of the art,
 Which, best of all, teaches the mind of man
 The universe in all its varied plan,—
What strangely mingled thoughts thy strains impart!
Here the faint tenor thrills the inmost heart,
 There the rich bass the Reason’s balance shows;
 Here breathes the softest sigh that Love e’er knows;
There sudden fancies, seeming without chart,
 Float into wildest breezy interludes;
The past is all forgot,—hopes sweetly breathe,
And our whole being glows,—when lo! beneath
 The flowery brink, Despair’s deep sob concludes!
Startled, we strive to free us from the chain,—
Notes of high triumph swell, and we are thine again!
 
MOZART.
If to the intellect and passions strong
 Beethoven speak, with such resistless power,
 Making us share the full creative hour,
When his wand fixed wild Fancy’s mystic throng,
Oh nature’s finest lyre! to thee belong
 The deepest, softest tones of tenderness,
 Whose purity the listening angels bless,
With silvery clearness of seraphic song.
Sad are those chords, oh, heavenward striving soul!
 A love, which never found its home on earth,
 Pensively vibrates, even in thy mirth,
And gentle laws thy lightest notes control;
Yet dear that sadness! Spheral concords felt
Purify most those hearts which most they melt.

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.

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