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@AuFCL: Feel free to tweak the formatting below. I have started an abbreviated version of this TOC (2nd section below). It would be a good guide for me for future projects, as it seems to require several different "models". Although you might come up with a better example... There is also this example, which uses four columns... I also have questions below if you have any input/answers. Thanks, Londonjackbooks (talk) 18:10, 8 November 2015 (UTC)

Firstly apologies if I missed a "ping" since I noticed an earlier note to the effect you had "re-pinged" me. AuFCL (talk) 16:28, 10 November 2015 (UTC)
No problem. I hesitated to re-ping in case you got the first one, but I was rewording/reworking the page and thought to re-ping just in case. (More comments below) Londonjackbooks (talk) 16:42, 10 November 2015 (UTC)

[edit]
  1. CONTENTS
    A CHILD'S GARDEN OF VERSES
  2. PAGE
  3. I.
    Bed in Summer
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		17
  4. In winter I get up at night
  5. II.
    To Any Reader
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		180
  6. Whether upon the garden seat

[edit]

1. Can the padding be removed between the Roman Numerals and the titles for certain cases where it would be desirable?

Quite right: model(CD.P) in fact pads the Chapter column on the right with a 1em gap (so in fact only 4em is available for content...thus your following point...) Maybe I shall prepare new "C5D.P"?: 5em-wide Chapter: right-aligned with no padding; otherwise same Description and Page? AuFCL (talk) 16:28, 10 November 2015 (UTC)
There is no need presently, unless you would like to. Londonjackbooks (talk) 16:42, 10 November 2015 (UTC)
That is a relief as I'm going to be pressed for time today. Longer term I'd like to do something about this situation but for now I'll let the needs "mature" a bit more if that is not affecting you too badly? AuFCL (talk) 18:27, 10 November 2015 (UTC)
Fitted in a bit of minor re-jigging before my first commitment today. Two new models (are these names too cryptic?): "7h2": small-hanging-indent, itself indented to "fit" beneath "Chapter" yet remain clear of "Page" columns; and "C5D.P" which is the unpadded version of "CD.P" (i.e. direct answer to your question at the top.) AuFCL (talk) 19:41, 10 November 2015 (UTC)

2. Also note the discrepancy betw. I and XXXVIII. I assume that has to do with the set width of col. 1? or no.

More or less by accident the other stuff addressed this issue as well. AuFCL (talk) 19:41, 10 November 2015 (UTC)
Great! :) Thanks, Londonjackbooks (talk) 19:44, 10 November 2015 (UTC)
  1. THE NEW DAY
  2. PRELUDE
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		3
  4. PART I
  5. I—
    Sonnet
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		4
  6. XXXVIII—
    Sonnet
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		4
  7. INTERLUDE
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		6
  9. PART II
  10. Love and Death:—
  11. I—
    "Now who can take from us what we have known"
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		62
  12. II—
    "We know not where they tarry who have died"
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		63
  13. Impromptus:—
  14. "From love to love." (For a wedding)
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		420
  15. "I asked you to read my poem"
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		420

Transclusion

[edit]
Several modifications made in Page: space relating to headers/footers/continuation etc. AuFCL (talk) 16:28, 10 November 2015 (UTC)
Thanks, I knew it had to be more 'complicated' ;) Also, I think Cygnis insignis prefers 100% width, but I'll inquire before assuming. Londonjackbooks (talk) 16:42, 10 November 2015 (UTC)
You got it in one. Most of this stuff is just "complication" at this level and only comes into effect later on at transclusion. (The main motivation for the |footer=yes stuff is when the page contains (say) a page number in the footer. As the TOC may be still "open" ready for the next page the number gets mixed up inside the table... you get the picture?)

Oops. To restore 100% width get rid of the |compact=yess from the first (starting) page and each of the second...last page headers. The first instance controls both the local Page: space display and transclusion behaviour; the subsequent headers only the local Page: is affected. Sorry about the misunderstanding. AuFCL (talk) 18:27, 10 November 2015 (UTC)

​

  1. CONTENTS

  2. PAGE
  3. ................................................................................................................................................................................................................................................................................................................................................................................................
    		v
  4. ................................................................................................................................................................................................................................................................................................................................................................................................
    		xi

  5. SARTOR RESARTUS

    BOOK I

    CHAPTER I

  6. Preliminary
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		3

  7. CHAPTER II

  8. Editorial Difficulties
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		8

  9. CHAPTER III

  10. Reminiscences
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		13

  11. CHAPTER IV

  12. Characteristics
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		24

  13. CHAPTER V

  14. The World in Clothes
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		30
    15. ​

  15. CHAPTER VI

  16. Aprons
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		36

  17. CHAPTER VII

  18. Miscellaneous-Historical
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		39

  19. CHAPTER VIII

  20. The World out of Clothes
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		43

  21. CHAPTER IX

  22. Adamitism
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		49

  23. CHAPTER X

  24. Pure Reason
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		54

  25. CHAPTER XI

  26. Prospective
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		60

  27. BOOK II

    CHAPTER I

  28. Genesis
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		69

  29. CHAPTER II

  30. Idyllic
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		77

  31. CHAPTER III

  32. Pedagogy
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		86
    33. ​

    1. CHAPTER IV

    2. Getting under Way
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		101

    3. CHAPTER V

    4. Romance
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		113

    5. CHAPTER VI

    6. Sorrows of Teufelsdröckh
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		126

    7. CHAPTER VII

    8. The Everlasting No
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		136

    9. CHAPTER VIII

    10. Centre of Indifference
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		144

    11. CHAPTER IX

    12. The Everlasting Yea
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		155

    13. CHAPTER X

    14. Pause
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		167

    15. BOOK III

      CHAPTER I

    16. Incident in Modern History
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		175

    17. CHAPTER II

    18. Church-Clothes
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		181
    ​

  33. CHAPTER III

  34. Symbols
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		185

  35. CHAPTER IV

  36. Helotage
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		192

  37. CHAPTER V

  38. The Phœnix
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		196

  39. CHAPTER VI

  40. Old Clothes
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		202

  41. CHAPTER VII

  42. Organic Filaments
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		207

  43. CHAPTER VIII

  44. Natural Supernaturalism
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		216

  45. CHAPTER IX

  46. Circumspective
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		227

  47. CHAPTER X

  48. The Dandiacal Body
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		231

  49. CHAPTER XI

  50. Tailors
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		244

  51. CHAPTER XII

  52. Farewell
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		248
    53. ​

  53. ON HEROES, HERO-WORSHIP, AND THE HEROIC IN HISTORY

    LECTURE I

  54. The Hero as Divinity. Odin. Paganism: Scandanavian Mythology
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		257

  55. LECTURE II

  56. The Hero as Prophet. Mahomet: Islam
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		297

  57. LECTURE III

  58. The Hero as Poet. Dante; Shakspeare
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		333

  59. LECTURE IV

  60. The Hero as Priest. Luther; Reformation; Knox; Puritanism
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		370

  61. LECTURE V

  62. The Hero as a Man of Letters. Johnson, Rousseau, Burns
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		408

  63. LECTURE VI

  64. The Hero as King. Cromwell, Napoleon: Modern Revolutionism
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		449

TOC extraction

[edit]
​

ON HEROES, HERO-WORSHIP, AND THE HEROIC IN HISTORY


    ​

  1. ON HEROES, HERO-WORSHIP, AND THE HEROIC IN HISTORY

    LECTURE I

  2. The Hero as Divinity. Odin. Paganism: Scandanavian Mythology
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		257

  3. LECTURE II

  4. The Hero as Prophet. Mahomet: Islam
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		297

  5. LECTURE III

  6. The Hero as Poet. Dante; Shakspeare
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		333

  7. LECTURE IV

  8. The Hero as Priest. Luther; Reformation; Knox; Puritanism
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		370

  9. LECTURE V

  10. The Hero as a Man of Letters. Johnson, Rousseau, Burns
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		408

  11. LECTURE VI

  12. The Hero as King. Cromwell, Napoleon: Modern Revolutionism
    ................................................................................................................................................................................................................................................................................................................................................................................................
    		449

Ledwidge

[edit]

  1. CONTENTS

  2. PAGE
  3. SONGS OF PEACE
  4. AT HOME
  5. A Dream of Artemis137
  6. A Little Boy in the Morning152

  7. IN BARRACKS

  8. To a Distant One157
  9. The Place159
  10. May161
  11. To Eilish of the Fair Hair163

  12. IN CAMP

  13. Crewbawn167
  14. Evening in England168

  15. AT SEA

  16. Crocknaharna173
  17. In the Mediterranean—Going to the War175
  18. The Gardener176

  19. IN SERBIA

  20. Autumn Evening in Serbia181
  21. Nocturne183
  22. Spring and Autumn185

  23. IN GREECE

  24. The Departure of Proserpine189
  25. The Home-Coming of the Sheep192
  26. When Love and Beauty Wander Away194

  27. IN HOSPITAL IN EGYPT

  28. My Mother199
  29. Song201
  30. To One Dead202
  31. The Resurrection204
  32. The Shadow People205

  33. IN BARRACKS

  34. An Old Desire209
  35. Thomas McDonagh210
  36. The Wedding Morning211
  37. The Blackbirds213
  38. The Lure215
  39. Thro' Bogac Ban217
  40. Fate218
  41. Evening Clouds220
  42. Song222
  43. The Herons223
  44. In the Shadows224
  45. The Ships of Arcady225
  46. After227
  47. To One Weeping228
  48. A Dream Dance229
  49. By Faughan230
  50. In September232

Muse in Arms

[edit]
  1. CONTENTS

  2. THE MOTHER LAND

  3. PAGE
  4. I.
    If I should Die
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Rupert Brooke 3

  5. II.
    At the Wars
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Robert Nichols 4

  6. III.
    Reverie
    ................................................................................................................................................................................................................................................................................................................................................................................................

    William Noel Hodgson 6

  7. IV.
    Farewell
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Robert Nichols 7

  8. V. Home Thoughts in Laventie

  9. E. Wyndham Tennant 9

  10. VI.
    Marching at Home: Pictures
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Edward Shanks 12

  11. VII.
    Strange Service
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Ivor Gurney 14

  12. BEFORE ACTION

  13. VIII.
    Into Battle
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Julian Grenfell 19

  14. IX.
    Before Action
    ................................................................................................................................................................................................................................................................................................................................................................................................

    William Noel Hodgson 22

  15. X.
    Love of Life
    ................................................................................................................................................................................................................................................................................................................................................................................................

    John W. Streets 24

  16. XI.
    Big Words
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Robert Graves 25

  17. XII. The Approach (Robert Nichols):
    1. 1.
      In the Grass: Halt by the
       Wayside
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		26
    2. 2.
      On the Way Up
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		27
    3. 3.
      Nearer
      ................................................................................................................................................................................................................................................................................................................................................................................................
      		28
  19. XIII.
    To the Poet before Battle
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Ivor Gurney 30

  20. XIV.
    Absolution
    ................................................................................................................................................................................................................................................................................................................................................................................................

    Siegfried Sassoon 31

  21. XV. Better Far to Pass Away

  22. Richard Molesworth Dennys 32

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