User: SnowyCinema
File: Forbidden Fruit (1921).webm
Author: Cecil B. DeMille
Publisher: Paramount Pictures
Year: 1921
PD: PD/US|film=yes|1967
Note:
Cat: Drama film
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00:01
{{ft/s|
{{c|
''Jesse L. Lasky''<br>
''Presents''<br>
{{lg|{{sc|[[Author:Cecil B. DeMille|Cecil B. DeMille]]'s}}}}<br>
''Production''<br>
{{lg|{{sc|Forbidden Fruit}}}}<br>
''by [[Author:Jeanie Macpherson|Jeanie Macpherson]]''
{{dhr}}
{{sb|''A Famous Players-Lasky Super-Production''<br>
{{asc|Copyright—1920.}}<br>
{{asc|Famous Players-Lasky Corporation}}}}
}}
}}
----
00:16
{{ft/s|
{{c|
''Produced by''<br>
{{lg|{{sc|[[Author:Cecil B. DeMille|Cecil B. DeMille]]}}}}
}}
}}
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00:21
{{ft/s|
{{c|
''Photographed by''<br>
{{uc|Alvin Wyckoff}}<br>
''and''<br>
{{uc|Karl Struss}}<br>
{{dhr}}
''Production Manager''<br>
{{uc|Howard Higgin}}<br>
}}
}}
----
00:31-00:57
{{ft/s|
{{di|W}}hat does "{{uc|For better—for worse}}" mean to you?
>/b
Does "Worse" include a selfish, lazy Husband who lives like a parasite on his Wife's energy and loyalty?
{{dhr}}
Do you think a Wife has the right to turn from this Man, to a strong, efficient Mate—whose love can raise her out of the depths?
>/b
Or should she drag on "Till Death us do Part"?
}}
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01:03
{{ft/s|
{{c|{{di|M}}rs. James Harrington Mallory, otherwise Mrs. "Fix-it"—who has still to learn that in taking the reins from Destiny, one always risks a Runaway.
{{dhr}}
{{uc|Kathlyn Williams}}
}}
}}
----
01:17
{{ft/i|
{{sm|{{cursive|Mrs. James}}}}{{gap}}{{uc|The Host}}
}}
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01:51
{{ft/d|
{{c|"The new Butler, Madam."}}
}}
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01:58
{{ft/s|
{{di|G}}iuseppe—<br>
by vocation a Butler, who has served, not only the best families in New York, but two years in Sing Sing.
{{dhr}}
{{uc|Theodore Kosloff.}}
}}
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02:20
{{ft/i|
{{c|{{sm|{{uc|Burglar Alarm}}}}}}
}}
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02:49
{{ft/s|
{{di|J}}ames Harrington Mallory—who has two hobbies in life: his Oil Interests and his Wife.
{{dhr}}
{{uc|Theodore Roberts}}
}}
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03:20
{{ft/s|
{{c|{{di|B}}ut Mallory needs just one link to complete his biggest oil merger—and this "link" is Nelson Rogers, a Young Man who Thinks for Himself.
{{dhr}}
{{uc|Forrest Stanley}}
}}
}}
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03:47
{{ft/d|
{{c|"I'd be interested in the merger, Mr. Mallory, if I had more time to go into it—but I'm leaving today for the West."}}
}}
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04:25
{{ft/d|
{{c|"For Heavens sake, Grace, help me out! I could <u>land</u> him, if I could keep him here—but he's going West today!"}}
}}
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04:42
{{ft/d|
{{c|"Leave it to me! There's one bait that will catch any fish—a pretty woman!"}}
}}
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05:07
{{ft/i|
{{c|{{sm|{{cursive|Mr. Davis}}}}}}
}}
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05:14
{{ft/i|
{{c|{{sm|{{cursive|Mr.}}}}}}
}}
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05:20
{{ft/i|
{{c|{{sm|{{cursive|Mr. Rogers}}}}}}
}}
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05:40
{{ft/d|
{{c|"I'm giving the cosiest little dinner tonight, Mr. Rogers—and I've absolutely counted on you!"}}
}}
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06:04
{{ft/i|
{{cb|
Miss Reeves
{{dhr}}
Mr. Rogers
{{dhr}}
Mrs Hanson
}}
}}
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06:13
{{ft/d|
{{c|"Please don't spoil my party—especially as I promised the Prettiest Girl in New York that she should be your dinner partner!"}}
}}
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06:35
{{ft/d|
{{c|"I'll stay—if you promise me that your American Beauty has no thorns!"}}
}}
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06:52
{{ft/s|
{{c|{{di|M}}ary Maddock, a little Seamstress; whose experience with matrimony has been so little for {{uc|"better"}}—and so much for {{uc|"worse,"}} that she is obliged to do mending, and other odd jobs, at fashionable uptown houses, to support her shiftless Husband and Herself.
{{dhr}}
{{uc|Agnes Ayres}}
}}
}}
----
07:22
{{ft/s|
{{c|{{di|S}}teve Maddock, her husband; who has slid gradually down Life's ladder—until his principal labor, is waiting for Mary to return from work to get his supper.
{{dhr}}
{{uc|Clarence Burton}}
}}
}}
----
08:22
{{ft/s|
{{di|B}}ut the ways of the Fates are strange—and on this particular Night, Steve's evening meal is peculiarly delayed.
}}
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08:57
{{ft/d|
{{c|"The lady you are seating next to Mr. Rogers, Madam, is phoning to say that she can't possibly be present."}}
}}
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09:25
{{ft/d|
{{c|"I can't possibly be at your dinner tonight, dear—my tooth has developed nerves—and I look a <u>fright</u>!"}}
}}
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10:16
{{ft/d|
{{c|"That spineless Beauty I was counting on to 'vamp' your young Oil King, can't come—and every unmarried Girl in town, has an engagement!"}}
}}
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10:59
{{ft/d|
{{c|"Jim—I believe that girl can do it!"}}
}}
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11:29
{{ft/d|
{{c|"Mary—I'm short one pretty girl for my dinner tonight: suppose I play fairy-godmother to you—and turn you into 'Cinderella'!"}}
}}
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12:12
{{ft/d|
{{c|"Throw off your worries just for tonight, Mary—and <u>trust</u> your Fairy-Godmother. You'll be gowned by 'Poiret'—perfumed by 'Coty'—jewelled by 'Tiffany'—think how Cinderella would envy you!"}}
}}
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13:20
{{ft/d|
{{c|"My Sisters have gone to the Great Ball—but no shabby clothes are wanted there—so I must stay at home!"}}
}}
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13:49
{{ft/d|
{{c|"But remember to return before 12 o'clock strikes—when the Dream Gown will turn back into rags—and the glistening Pearls into Cinders!"}}
}}
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14:12
{{ft/d|
{{c|"But my train is so long—how shall I carry it?"}}
}}
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14:45
{{ft/d|
{{c|"Phone 'Celeste'—tell her to open her shop and send me her best selection of gowns, lingerie, slippers, stockings, gloves and fans: Size 36—a 2½ shoe—and <u>one</u> hour to do it in!"}}
}}
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15:36
{{ft/d|
{{c|"It'll never work! She'll probably use the wrong fork—and drink out of the finger-bowl!"}}
}}
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16:12
{{ft/s|
{{di|C}}{{uc|lothes}} may, or may not, make the Man—but they go a long way toward making the Woman.
}}
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17:19
{{ft/d|
{{c|"You ought to be wearing a number <u>Nine</u>!"}}
}}
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19:00
{{ft/d|
{{c|"Keep an eye on my jewels!"}}
}}
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19:51
{{ft/s|
{{di|T}}he most perfect Lie in the World, is the Face of a Hostess. It is an impenetrable Mask—behind which Tragedy and Comedy stalk unseen.
}}
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20:39
{{ft/d|
{{c|"If the 'Prettiest Girl in New York' doesn't show up pretty soon—I'm going to sue you for damages!"}}
}}
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21:00
{{ft/d|
{{c|"You don't suppose do you, Jim, that that Girl has lost her nerve—and run away?"}}
}}
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22:08
{{ft/d|
{{c|"Allow me to introduce my very dear friend—Miss Natalie Webb of Washington."}}
}}
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22:45
{{ft/d|
{{c|"Dinner is served."}}
}}
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23:04
{{ft/s|
{{c|End of Part Two.}}
}}
----
23:08
{{ft/s|
{{c|Part Three.}}
}}
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23:10
{{ft/s|
{{c|Forbidden Fruit
{{dhr}}
"Adam" would never have eaten—if "Eve" had not been a feast for the eye!
}}
}}
----
23:40
{{ft/i|
{{c|{{sm|{{cursive|Miss Webb}}}}}}
}}
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23:46
{{ft/i|
{{c|{{sm|{{cursive|Mr. Rogers}}}}}}
}}
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24:57
{{ft/d|
{{c|"Orchids are very like you lovely super-civilized women—who know so little of Life's knocks, or bruises!"}}
}}
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25:57
{{ft/d|
{{c|"Engaged—?"}}
}}
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26:14
{{ft/s|
{{c|{{di|B}}ut Orchids fade—and even an Enchanted Night must end.}}
}}
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26:32
{{ft/d|
{{c|"May I see you home?"}}
}}
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26:51
{{ft/d|
{{c|"I shall keep you here a prisoner—until you promise to let me see you home!"}}
}}
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27:37
{{ft/d|
{{c|"You can't very well see her home, Mr. Rogers—she's spending the night here!"}}
}}
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28:11
{{ft/d|
{{c|"At least you'll give me your address, so that I may write to you."}}
}}
----
29:37p
{{ft/i/s}}
{{illegible}} <!-- Partially attempted at [[User:SnowyCinema/Balancesheet]], asked for help at [[Wikisource:Scriptorium/Help]] -->
{{ft/i/e}}
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29:59
{{ft/d|
{{c|"It's time I took the first train for home!"}}
}}
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30:23
{{ft/d|
{{c|"You mustn't <u>think</u> of leaving, Mr. Rogers—Miss Webb and I have counted on you for a week-end party!"}}
}}
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31:53
{{ft/s|
{{di|H|fl="}}ome, Sweet Home."
}}
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32:39
{{ft/d|
{{c|"I was late on account of night work—but I got $20.<sup><u>00</u></sup> for it!"}}
}}
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34:14
{{ft/d|
{{c|"<u>Night</u> work, eh!"}}
}}
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34:29
{{ft/d|
{{c|"I've stood it as long as I can, Steve! Since you won't support yourself—and <u>insult</u> me for supporting you, I'm going to leave!"}}
}}
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34:44
{{ft/d|
"You married me 'for Better, for Worse'! If I'd make a million, you wouldn't kick—so don't whine because I've struck a little hard luck!"
}}
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35:13
{{ft/d|
"Haven't I always loved you, Mary—and been true to you? You wouldn't leave a man when he's down and out, would you?"
}}
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36:47
{{ft/s|
{{di|I}}t's a long cry from Orchids to Wash-tubs—from Silken Gowns to Gingham Aprons—from "Cinderella" to Mary Maddock.
}}
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37:34
{{ft/d|
{{c|"Can't you stop that bird's singing long enough to let me sleep?"}}
}}
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38:38
{{ft/d|
"My dear—I'm in a most {{SIC|embarassing|embarrassing}} predicament! I've told Mr. Rogers you were spending the week-end with us—and now I've got to make good!"
}}
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39:15
{{ft/d|
{{c|"I wouldn't <u>dare</u>!"}}
}}
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39:43
{{ft/d|
"Mr. Rogers will be <u>so</u> disappointed! And remember my phone number is Lenox 2202—if you should change your mind!"
}}
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40:30
{{ft/d|
{{c|"I thought I told you to keep that bird <u>still</u>!"}}
}}
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42:00
{{ft/d|
{{c|"Lenox—2202!"}}
}}
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42:19
{{ft/d|
"I've changed my mind, Mrs. Mallory! I'll come to you today—and stay as long as you want me!"
}}
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42:34
{{ft/s|
{{di|T}}he Law provides healing for the big "wounds" of Matrimony—but none for its "scratches".
>/b
Yet a Human Being can die of Pin-Prick!
}}
----
43:09
{{ft/d|
{{c|"I've got a couple of {{SIC|day's|days' }} work—in a laundry in Jersey."}}
}}
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43:34
{{ft/d|
{{c|"I swear I'll have some money for you when you come back, Mary!"}}
}}
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43:47
{{ft/s|
{{di|T}}he Devil is never too busy to make a new acquaintance—and is always "at home" at the Happy Hour Social Club—where Steve goes into business.
}}
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44:15
{{ft/i|
{{c|{{sb|
{{sc|Gordon<br>& Co's}}
{{dhr|2}}
{{sc|Dry Gin}}
{{dhr}}
{{asc|New York}}
}}}}
}}
----
44:20
{{ft/i|
{{c|{{uc|Soft Drinks Only}}}} <!-- see also 45:15 for proof -->
}}
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44:22
{{ft/d|
{{c|"I've got to get some cash—and I've got to get it <u>quick</u>!"}}
}}
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44:46
{{ft/d|
{{c|"If you want some <u>easy</u> money—there's a lady visiting at the house where I'm working uptown, with wonderful diamonds! I <u>might</u> leave a certain bedroom window open some night—and you and I might split fifty-fifty!"}}
}}
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45:09
{{ft/d|
{{c|"Do you think I could do it?"}}
}}
----
45:45
{{ft/s|
{{c|Forbidden Fruit is a dangerous diet.
>/b
And after three golden days, Mary realizes that she is enmeshed in a love which she dare not accept—and cannot deny.}}
}}
----
46:35
{{ft/d|
{{c|"I love you—and I want you to be my wife!"}}
}}
----
46:48
{{ft/i/s}}
{{c|'''Morris Marvin'''
>/b
Presents
>/b
{{xxxx-larger|{{uc|Forbidden Fruit}}}}
>/b
A Drama in Three Acts<br>
By Stanislaus Uladowsi
>/b
'''Cast of Characters'''<br>
(In order of their appearance)}}
{{TOC begin}}
{{TOC row 2-1|The Girl|[[w:Margaret Loomis|Margaret Loomis]]}}
{{TOC row 2-1|The Man|[[w:Conrad Nagel|Conrad Nagel]]}}
{{TOC end}}
{{ft/i/e}}
----
47:02
{{ft/s|
{{di|L|fl="}}ove always hopes—where Reason would despair."
}}
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47:19
{{ft/d|
{{c|"If you don't mind, I should like to have a few moments alone with Miss Webb!"}}
}}
----
48:03
{{ft/d|
{{c|"Does this mean that you love—someone else?"}}
}}
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48:21
{{ft/d|
{{c|"Tell me if you can—that you don't love me!"}}
}}
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49:41
{{ft/s|
{{di|T}}here is no Enigma like a woman's Soul—and two o'clock finds Rogers with it still unsolved.
}}
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52:56
{{ft/d|
{{c|"Well, wifey—!"}}
}}
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53:06
{{ft/d|
{{c|"<u>Some</u>—laundry!"}}
}}
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53:32
{{ft/d|
{{c|"You, with your martyred air of virtue—and your whining about my getting honest work! Honest like <u>this</u>, eh!"}}
}}
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53:57
{{ft/d|
"You can't pull this sort of stuff with me—the law'd be on my side if I <u>killed</u> you!"
}}
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54:42
{{ft/d|
"Anything wrong, Mary—did you call?"
}}
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54:48
{{ft/d|
{{c|"I'm all right, Mrs. Mallory—it was just a bad dream!"}}
}}
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55:13
{{ft/d|
{{c|"You get some <u>decent</u> clothes on—and meet me out in front in five minutes!"}}
}}
----
57:06
{{ft/d|
{{c|"Good evening!"}}
}}
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58:03
{{ft/d|
{{c|"To what, do we owe the honor of this visit?"}}
}}
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58:44
{{ft/d|
{{c|"I just came here to see—my <u>wife</u>!"}}
}}
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59:14
{{ft/d|
{{c|"I don't know him—I've never seen him before!"}}
}}
----
59:54
{{ft/d|
{{c|"I'll take care of Natalie's jewels, Mr. Rogers!"}}
}}
----
1:00:09
{{ft/d|
{{c|"You watch him—while I phone for the Police."}}
}}
----
1:00:29
{{ft/d|
{{c|"You never can explain to Mr. Rogers—if you don't let him go before the police come!"}}
}}
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1:00:55
{{ft/d|
{{c|"Not that way—you've got to make it look like an <u>escape</u>!"}}
}}
----
1:01:15
{{ft/d|
{{c|"You're not through with me yet—and I'm not through with <u>him</u>!"}}
}}
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1:01:49
{{ft/d|
"Before I go, I have something to say to Mr. Rogers—alone!"
}}
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1:02:59
{{ft/d|
{{c|"May I suggest, in future, that you utilize your charm and beauty toward reforming your <u>husband</u>—rather than in tempting other men!"}}
}}
----
1:03:33
{{ft/s|
{{di|T}}he Cinderellas of the Fairy Stories, may "live happily ever after"—but the Cinderellas of Life, usually "<u>pay</u> heavily ever after".
}}
----
1:04:10
{{ft/d|
{{c|"Before I go, I just want you to try to understand <u>why</u> I did it: I had been shabby and lonely and heart-hungry for so long, that when the chance came to play 'Cinderella'—I couldn't resist!"}}
}}
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1:05:30
{{ft/d|
"And I still might have turned back before it was too late—but then 'Prince Charming' came!"
}}
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1:06:24
{{ft/d|
"But in my happiness, I forgot that twelve o'clock must strike for 'Cinderella'—and for <u>me</u>!"
}}
----
1:07:22
{{ft/s|
{{c|End of Part Six}}
}}
----
1:07:25
{{ft/s|
{{c|Part Seven}}
}}
----
1:07:48
{{ft/d|
"But my Happiness has turned into Ashes—my fine Coach, into a Pumpkin—my Golden Gown, into a 'Hand-me-down'!"
}}
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1:08:12
{{ft/d|
"There's no law of God, or Man, which forces a Wife to stand by a Husband who offers her only degradation—and deny the man who offers her Honor and—Love!"
}}
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1:08:58
{{ft/d|
{{c|"<u>If</u> Love were all, dear, I would follow you through eternity! But there is <u>Duty</u>—and for Duty's sake I must return to my gusband, and give him the fighting chance!"}}
}}
----
1:09:48
{{ft/d|
{{c|"Jewels—h—l! Your swell dame was my <u>wife</u>—and I'm looking for a gun, to get the guy that stole her!"}}
}}
----
1:10:32
{{ft/d|
{{c|"Don't kill him—just 'bleed' him! If he loves your wife, make him <u>pay</u>—and we'll still split fifty-fifty!"}}
}}
----
1:10:55-1:11:03
{{ft/i|
{{cb|
Dear Mr. Rogers,
>/b
Am in desperate
}}
}}
----
1:11:12
{{ft/s|
{{c|{{di|D}}eception is a profiteer—who exacts our last farthing!}}
}}
----
1:11:23
{{ft/d|
{{c|"It all comes of trying to dress up a Chimney-Sparrow like a Peacock! I told you from the first, it wouldn't work!"}}
}}
----
1:12:04
{{ft/i|
{{Forbidden Fruit (film)/Dear Mr. Rogers}}
}}
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1:12:31
{{ft/d|
{{c|"It would be unfortunate for the Lady—if you did <u>not</u> come!"}}
}}
----
1:12:52
{{ft/s|
{{c|"Paying the Piper."}}
}}
----
1:13:18
{{ft/d|
{{c|"He's going to—<u>pay</u>!"}}
}}
----
1:14:18
{{ft/i|
{{Forbidden Fruit (film)/Dear Mr. Rogers}}
}}
----
1:14:37
{{ft/d|
{{c|"Loving other men's wives is an expensive game, Rogers! And it'll take just <u>ten</u> <u>thousand</u> <u>dollars</u>, to keep the papers from printing this touching little romance!"}}
}}
----
1:15:16
{{ft/d|
{{c|"I brought this money down here, Maddock, to give you the opportunity of proving to your wife, whether you're a man—or a <u>blackguard</u>!"}}
}}
----
1:15:49
{{ft/d|
"Steve—if you take that money—I am going with him!"
}}
----
1:16:10
{{ft/d|
{{c|"I'll give you half an hour to make up your mind—then I'm coming back, for one or the other!"}}
}}
----
1:16:52
{{ft/d|
"Think what this money means to us! Instead of splitting it with that Butler—let's take it <u>all</u>, go somewhere else—and start over!"
}}
----
1:17:11
{{ft/d|
{{c|"Which—are you going to take?"}}
}}
----
1:18:13
{{ft/d|
{{c|"I ought to kill you—for trying to double-cross me!"}}
}}
----
1:19:01
{{ft/d|
{{c|"I'll roll you the dice—for the whole ten thousand!"}}
}}
----
1:20:15
{{ft/d|
{{c|"High dice wins—two out of three!"}}
}}
----
1:20:56
{{ft/d|
{{c|"Did you see that—I <u>tied</u> him!"}}
}}
----
1:24:28
{{ft/d|
"Little Woman—you've played the squarest game with your husband that a wife ever played—but Destiny has set you free!"
}}
----
1:24:52
{{ft/s|
{{di|T|fl="}}ime" softens the sharp edges of the Human Experience.
>/b
And Mary finds that Life's Springtime surely comes—but only <u>after</u> the long Winter.
}}
----
1:25:22
{{ft/d|
{{c|"This is the unworthy Prince—who is still seeking to find his Lady of the Slipper!"}}
}}
----
1:26:27
{{ft/s|
{{c|{{xxxx-larger|The End}}}}
}}
