User: M-le-mot-dit
File: The Four Horsemen of the Apocalypse (1921).webm
Author: Rex Ingram
Publisher: Metro Pictures Corporation
Year: 1921
PD: PD/US|1950
Note: A 1921 American silent epic war film directed by Rex Ingram, and based on [[Author:Vicente Blasco Ibanez|Vicente Blasco Ibáñez]]'s 1916 Spanish novel ''[[The Four Horsemen of the Apocalypse]]''.
Cat: War film, Drama film, Films based on books, Silent film
----
00:00
{{ft/s|{{Center|{{X-larger|METRO}}<br />
{{Xx-smaller|PRESENTS}}<br />
{{Larger|REX INGRAM'S}}<br />
{{Xx-smaller|PRODUCTION OF}}<br />
{{Larger|VICENTE BLASCO IBAÑEZ'}}<br />
{{Xx-smaller|LITERARY MASTERPIECE}}<br />
{{Larger block|THE FOUR HORSEMEN<br />
OF THE APOCALYPSE}}
{{Xx-smaller block|COPYRIGHT 1920<br />
BY METRO PICTURES CORPORATION<br />
CONTROLLED BY LOEW INCORPORATED}}}}
}}
----
00:20
{{ft/s|
{{Center|{{Fine block|Produced by<br />
METRO PICTURES<br />
CORPORATION}}
{{Dhr}}
{{X-smaller block|PASSED<br />BY THE<br />NATIONAL<br />BOARD OF<br />REVIEW}}}}
}}
----
00:28
{{ft/s|
{{Center|{{X-smaller|DIRECTED AND SUPERVISED BY}}<br />
{{X-larger|REX INGRAM}}}}
}}
----
00:35
{{ft/s|
{{Center|{{Fine|Written for the screen by}}<br />{{Larger|JUNE MATHIS}}}}
}}
----
00:42
{{ft/s|
{{Center|{{Fine|Photography by}}<br />{{Larger|JOHN F. SEITZ}}}}
}}
----
00:48
{{ft/s|
{{Center|{{Fine block|Film Editor<br />
GRANT WHYTOCK
<p>Technical Staff<br />
AMOS MYERS<br />
JOSEPH CALDER</p>
<p>Assistant Director<br />
WALTER MAYO</p>
Art Title by<br />
JACK W. ROBSON}}}}
}}
----
01:03
{{ft/s|
{{Center|{{X-larger|{{sp|CAST}}}}}}
{{{!}} {{ts|sm90}}
{{!}}{{ts|width:12em;}}{{!}}
''Madariaga''<br />
''Marcelo Desnoyers''<br />
''Doña Luisa''<br />
''Julio Desnoyers''<br />
''Chichí''<br />
''Karl von Hartrott''<br />
''Elena''<br />
''Otto von Hartrott''<br />
''Etienne Laurier''
{{!}}{{ts|ar|width:9em;}}{{!}}
Pomeroy Cannon<br />
Josef Swickard<br />
Bridgetta Clark<br />
Rudolph Valentino<br />
Virginia Warwick<br />
Alan Hale<br />
Mabel Van Buren<br />
Stuart Holmes<br />
John St. Polis
{{!}}}
}}
----
01:23
{{ft/s|1=
{{{!}} align=center {{ts|sm90}}
{{!}}{{ts|width:12em;}}{{!}}
''Marguerite Laurier''<br />
''Senator Lacour''<br />
''René Lacour''<br />
''Tchernoff''<br />
''Argensola''<br />
''Lodgekeeper''<br />
''Lieut. Col. von Richthosen''<br />
''The General''<br />
''Lieut. Schnitz''
{{!}}{{ts|ar|width:9em;}}{{!}}
Alice Terry<br />
Mark Fenton<br />
Derrick Ghent<br />
Nigel de Brulier<br />
Bowditch Turner<br />
Edward Connelly<br />
Wallace Beery<br />
Harry Northrup<br />
Arthur Hoyt
{{!}}}
}}
----
01:45
{{ft/s|
{{Initial|I|}}{{uc|n}} a world old in hatred and bloodshed, where nation is crowded against nation and creed against creed, centuries of wars have sown their bitter seed, and the fires of resentment smouldering beneath the crust of civilization but await the breaking of the Seven Seals of Prophecy to start a mighty conflagration.
}}
----
02:12
{{ft/s|
{{Center|{{Larger|W}}hile in the New World, boundless space offers a haven to the alien, and ancient hatreds are forgotten.}}
}}
----
02:26
{{ft/s|
{{Center|{{Larger|A}}nd from Spain to the new land of the Argentine had come Madariaga, the centaur. Years of toil had yielded their reward until his vast grazing lands rivaled a king's domain.}}
}}
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03:05
{{ft/s|
{{Center|{{Larger|S}}tarting life in savage poverty, he became a fearless trader, acquiring boundless fields and populating them with blooded stock.}}
}}
----
03:29
{{ft/s|
{{Center|{{Larger|C}}apricious and despotic, he was both loved and feared by his workers.}}
}}
----
04:00
{{ft/d|
{{Center|"{{Larger|A}}y padres! Ay padres!"}}
}}
----
04:08
{{ft/s|
{{Center|{{Larger|M}}any of the hybrid youths in his employ bore a strange resemblance to the Spaniard.}}
}}
----
04:39
{{ft/s|
{{Center|{{Larger|M}}adariaga's tastes were simple. He still clung to his primitive abode—sharing it with his two daughters and their husbands, one—a Frenchman, the other—a German.}}
}}
----
05:01
{{ft/s|
{{Center|{{Larger|T}}he Frenchman, Marcelo Desnoyers, the old centaur's favorite, managed his gigantic enterprises.}}
}}
----
05:13
{{ft/s|
{{Center|{{Larger|T}}he day was filled with expectancy. For seven years, Desnoyers's wife had been childless.}}
}}
----
05:26
{{ft/s|
{{Center|{{Larger|W}}hile the German's heart was filled with misgivings.}}
}}
----
05:38
{{ft/s|
{{Center|{{Larger|K}}arl von Hartrott had married Elena, Madariaga's younger daughter, against her father's will and was tolerated only through the Frenchman's influence.}}
}}
----
06:00
{{ft/d|
{{Center|"{{Larger|A}}t any moment—now. Perhaps my sister's child will be a girl. Then, after all—father's millions will go to our three sons—"}}
}}
----
06:46
{{ft/d|
{{Center|"{{Larger|A}}ny news?"}}
}}
----
07:02
{{ft/d|
{{Center|"{{Larger|I}}t shall be a boy! I shall call him Julio and make him my heir!"}}
}}
----
07:12
{{ft/d|
{{Center|"{{Larger|I}} need one of my own breed."}}
}}
----
07:27
{{ft/d|
{{Center|"{{Larger|D}}own with Napoleon!"}}
}}
----
07:35
{{ft/d|
{{Center|"{{Larger|A}} boy!"}}
}}
----
07:44
{{ft/d|
{{Center|"{{Larger|H}}ooray!"}}
}}
----
07:53
{{ft/s|
{{Center|{{Larger|M}}adariaga's dream had come true! From far and wide his workers came to share his joy.}}
}}
----
08:28
{{ft/s|
{{Center|{{Larger|S}}teeped in Old World sin, harboring the dregs of humanity, the famous Boca quarter of Buenos Aires was a port of last resort.}}
}}
----
08:46
{{ft/s|
{{Center|{{Larger|A}}nd with the passing of a score of years, senile and old, living again in his grandson, Madariaga still clung to life and its pleasures.}}
}}
----
09:02
{{ft/s|
{{Center|{{Larger|E}}ncouraged by an indulgent grandfather who was his ideal, what chance had Julio Desnoyers to be other than a youthful libertine?}}
}}
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14:01
{{ft/d|
{{Center|"{{Larger|T}}hat's Madariaga—the richest man in the Argentine! Last week he shipped thirty thousand head of cattle to Europe."}}
}}
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14:24
{{ft/d|
{{Center|"{{Larger|T}}he boy is part French and the old man's idol. He has no use for his three German grandsons."}}
}}
----
15:09
{{ft/d|
{{Center|"{{Larger|T}}ake me home, Peoncito! I am too old to come with you any more."}}
}}
----
15:25
{{ft/s|
{{Center|{{Larger|A}}nd so Madariaga remained at his own fireside, amusing himself with Julio's young sister Chichí.}}
}}
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16:13
{{ft/s|
{{Center|{{Larger|L}}uisa, Magariaga's elder daughter, the Frenchman's wife.}}
}}
----
17:06
{{ft/d|
{{Center|"{{Larger|I}}s it not enough to lead my son into wild ways without teaching my daughter the tango?"}}
}}
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17:25
{{ft/d|
{{Center|"{{Larger|W}}ould you have the boy grow up like those glass-eyed carrot-topped sharks of your sister's?"}}
}}
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17:48
{{ft/d|
{{Center|"{{Larger|P}}or Dios! Women are the plague of our existence, but we cannot get along without them—eh, Frenchy?"}}
}}
----
18:09
{{ft/d|
{{Center|"{{Larger|T}}here's no need to worry about Julio. You're too miserly—youth must have its fling!"}}
}}
----
18:21
{{ft/s|
{{Center|{{Larger|V}}on Hartrott had reared his sons to respect the teachings of his Fatherland.}}
}}
----
18:49-18:58
{{ft/i|{{Block center|
{{Smaller block|{{Dent|0|1.5em|Der Mann soll zum Kriege erzogen werden, und<br />
das Weib zur Erholung des Kriegers : alles Andre ist<br />
Thorheit.}}}}
{{Padded page break}}
{{Smaller block|{{Dent|0|1.5em|Man shall be trained for war, and women for the<br />
recreation of the warrior: all else is folly.
<p>Too sweet fruits—these the warrior liketh not</p>}}}}
}}}}
----
19:03
{{ft/d|
{{Center|"{{Larger|G}}randfather gave Julio the strip of land south of the shearing shed today!"}}
}}
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19:31
{{ft/d|
{{Center|"{{Larger|I}} heard him tell the lawyer he was growing old—that he wanted to make the changes in his will. Do you think he will leave Julio {{Underline|all}} his money?"}}
}}
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19:50
{{ft/d|
{{Center|"{{Larger|D}}o you worry! Julio is wasting his youth—our day will come!"}}
}}
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20:04
{{ft/s|
{{Center|{{Larger|A}}nd when the morrow's sun had reached the western horizon.}}
}}
----
20:31
{{ft/s|
{{Center|{{Larger|T}}hus died the centaur, as he has lived, with the lash hanging from his wrist—with his legs bowed by the saddle.}}
}}
----
20:58
{{ft/i|
{{Center|{{Cursive block|{{X-larger|~~ {{Underline|Will}} ~~}}<br />
{{Fine|1== of Don =}}<br />
{{Larger|{{Underline|Julio Madariaga}}}}}}}}
}}
----
21:13
{{ft/d|
{{Center|"{{Larger|A}}nd it is my will that my entire fortune be divided between my two daughters, Luisa and Elena."}}
}}
----
21:37
{{ft/s|
{{Center|{{Larger|T}}he shattering of youth's ideal—thinking only of his grandfather's broken promise.}}
}}
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22:25
{{ft/d|
{{Center|"{{Larger|I}} shall dispose of my share and return to my own country to resume my rightful position—so that my sons may have the advantage of education and culture."}}
}}
----
22:44
{{ft/d|
{{Center|"{{Larger|B}}ut you can't do that, Karl! Madariaga always preached that where a man makes his fortune and raises his family—there is his {{Underline|true}} country!"}}
}}
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23:03
{{ft/d|
{{Center|"{{Larger|O}}ne owes his first duty to his Fatherland—that his children may grow up in allegiance with the advantages of super-culture."}}
}}
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23:53
{{ft/d|
{{Center|"{{Larger|K}}arl is right! We owe something to our children. Chichí could make a more suitable marriage in Paris and Julio study art. Why should you not return to {{Underline|your}} country?"}}
}}
----
24:17
{{ft/s|
{{Center|{{Larger|M}}arcelo Desnoyers had guarded the secret of his flight to the New World with fear and humiliation.}}
}}
----
24:39-25:00
{{ft/i|
{{Center|{{Smaller|'''LE FIGARO — VENDREDI 5 AOÛT 1870'''}}
{{Rule|height=2px}}{{Rule}}
{{Larger block|{{lsp|-1px|'''LES ETUDIANTS SOCIALISTES SE'''<br />'''REVOLTENT'''}}}}}}
{{Rule|4em}}
{{Smaller block|{{Block center|
{{Dent|0|1em|Pendant que les Allemands enva-<br />
hissent nos provinces, les étudiants<br />
dont les noms suivent ont refusé de<br />
prendre les armes pour la défense du<br />
territoire. Ils auraient fui à l'étran-<br />
ger pour échapper aux poursuites.}}}}
{{Block center|Jean Giraud<br />
Etienne Grossier<br />
{{fqm|'''{{Cursive|X}}'''{{em}}}}{{Underline|Marcelo Desnoyers}}<br />
Julien Craven<br />
Raoul Chambre<br />
Robert Sermont}}}}
{{Padded page break}}
{{Center|{{Smaller|'''LE FIGARO — VENDREDI 5 AOÛT 1870'''}}
{{Rule|height=2px}}{{Rule}}
{{Larger block|{{lsp|-1px|'''SOCIALISTIC STUDENTS BODY'''<br />'''REVOLTS'''}}}}}}
{{Rule|4em}}
{{Smaller block|{{Block center|
{{Dent|0|1em|With Germany within our borders,<br />
the following list of students refused<br />
to defend their country. It is report-<br />
ed that they have fled to other lands<br />
to escape punishment.}}}}
{{Block center|Jean Giraud<br />
Etienne Grossier<br />
{{fqm|'''{{Cursive|X}}'''{{em}}}}{{Underline|Marcelo Desnoyers}}<br />
Julien Craven<br />
Raoul Chambre<br />
Robert Sermont}}}}
}}
----
25:50
{{ft/d|
{{Center|"{{Larger|I}}'ll risk it!"}}
}}
----
26:00
{{ft/d|
{{Center|"{{Larger|W}}hen one leaves one's home to go to another land, one always risks his happiness. What may come to us on the other land{{Bar|2}}we cannot tell."}}
}}
----
26:20
{{ft/s|
{{Center|{{Larger|T}}he Old World.}}
}}
----
26:27
{{ft/s|
{{Center|{{Larger|A}}fter a few years in Paris, discontent crept into the hearts of the Desnoyers family.}}
}}
----
26:46-27:09
{{ft/i|{{Block center|
{{Fine block|{{Cursive block|{{Dent|0|2em|Quisiera que mi hermana fuera la<br />
primera in felicitarme. Carlos a recibido<br />
un reconocimiento especial del Emperador<br />
mientras que il joven Carlos ha sido nombrado<br />
profesor y Otto la ahora teniente en el}}}}}}
{{Padded page break}}
{{Fine block|{{Cursive block|{{Dent|0|2em|I wish my sister to be the first to<br />
congratulate me. Karl has received special<br />
recognition from the Emperor while young<br />
Karl has been appointed to a professorship<br />
and Otto is now First-Lieutenant in the}}}}}}
}}}}
----
27:21
{{ft/d|
{{Center|"{{Larger|C}}hichí, something tells me that your father has been to another auction! We will be bankrupt if he persists this crazy bargain-hunting!"}}
}}
----
27:53
{{ft/d|
{{Center|"{{Larger|M}}ore purchases for the castle on the Marne{{Bar|2}}where will it all end?"}}
}}
----
28:27
{{ft/d|
{{Center|"{{Larger|M}}other! You look like a pawnbroker's lady!"}}
}}
----
28:52
{{ft/d|
{{Center|"{{Larger|Y}}ou indulge your own foolish whims, yet deny Julio and me the things we care for!"}}
}}
----
29:07
{{ft/d|
{{Center|"{{Larger|I}} mean that you are miserly! If mother did not give Julio money, he could not continue his studies!"}}
}}
----
29:18
{{ft/d|
{{Center|"{{Larger|C}}ontinue his studies! Continue his debauches at Montmartre—"}}
}}
----
29:24
{{ft/d|
{{Center|"—his tango teas—his pretext of painting as an excuse to surround himself with women!"}}
}}
----
29:35
{{ft/s|
{{Larger|J}}ulio was a true grandson of the old Spaniard. Women were the "plague" of his existence.
}}
----
30:05
{{ft/s|
{{Center|{{Larger|A}}rgensola, Julio's secretary{{Bar|2}}an indolent Spanish artist.}}
}}
----
30:16
{{ft/d|
{{Center|"{{Larger|F}}rom the ladies at the Tango Palace."}}
}}
----
30:28
{{ft/d|
{{Center|"{{Larger|B}}ills that must be paid at once—or they will appeal to your father."}}
}}
----
31:05
{{ft/d|
{{Center|"{{Larger|P}}erhaps your mother will let you have the money. You know she would give you her last centime!"}}
}}
----
32:01
{{ft/i|
{{Xx-smaller|{{Smaller|DESNOYERS}}}}
}}
----
32:22
{{ft/d|
{{Center|"{{Larger|I}}t is the Stranger—who lives on the floor above."}}
}}
----
32:45
{{ft/s|
{{Center|{{Larger|D}}esnoyers had made two friends in the Old World, Senator Lacour and Etienne Laurier.}}
}}
----
32:57
{{ft/d|
{{Center|"{{Larger|N}}ow, Senator, you have seen my treasures destined for the castle, but this is my pride—a golden bath that once belonged to an emperor!"}}
}}
----
33:13
{{ft/d|
{{Center|"{{Larger|T}}o Laurier there is but {{Underline|one}} treasure—his beautiful wife. We were to meet her here, and she is late."}}
}}
----
33:40
{{ft/s|
{{Center|{{Larger|T}}he Senator's son, René, preferred Youth to Antiques.}}
}}
----
35:05
{{ft/d|
{{Center|"{{Larger|Y}}our papa has forbidden my giving you any more money, and I decided to obey him when I saw those na—undressed ladies in your studio."}}
}}
----
35:45
{{ft/d|
{{Center|"{{Larger|Y}}our papa will never miss it."}}
}}
----
35:50
{{ft/d|
{{Center|"{{Larger|N}}aughty boy! One at a time!"}}
}}
----
36:19
{{ft/d|
{{Center|"{{Larger|M}}arguerite Laurier."}}
}}
----
36:44
{{ft/d|
{{Center|"{{Larger|I}} have seen you dance very often at the Tango Palace."}}
}}
----
37:27
{{ft/d|
{{Center|"{{Larger|P}}erhaps some afternoon—you will come and dance with me?"}}
}}
----
37:59
{{ft/d|
{{Center|"{{Larger|I}} stopped at mother's. My brother is on leave of absence."}}
}}
----
39:16
{{ft/d|
{{Center|"{{Larger|P}}oor little Marguerite! Laurier is a fine fellow—but too old. Her heart yearns for youth's companionship and{{Bar|2}}romance."}}
}}
----
39:33
{{ft/s|
{{Center|{{Larger|S}}pring smiled on the peaceful village of Villeblanche, and in the distance towered Desnoyers' most recent purchase.}}
}}
----
40:06
{{ft/s|
{{Center|{{Larger|T}}he castle on the Marne had become a colossal treasure palace—an altar to Desnoyers' miserly bargain worship.}}
}}
----
40:18
{{ft/s|
{{Center|{{Larger|T}}he von Hartrott family accepted Desnoyers's hospitality with good-natured superiority.}}
}}
----
40:42
{{ft/d|
{{Center|"{{Larger|Y}}ou may have your treasures, Marcelo, but I have my sons."}}
}}
----
41:06
{{ft/s|
{{Center|{{Larger|T}}he world was dancing. Paris had succumbed to the mad rhythm of the Argentine tango.}}
}}
----
41:22
{{ft/s|
{{Center|{{Larger|A}}nd Julio's boyhood pastime had brought him glory, and with it, many pupils to satisfy his extravagant tastes.}}
}}
----
41:54
{{ft/d|
{{Center|"{{Larger|J}}ulio Desnoyers has neglected all his pupils since Madame Laurier began coming here."}}
}}
----
42:49
{{ft/d|
{{Center|"{{Larger|S}}omeone should inform her husband—our young tango hero would have another duel on his hands."}}
}}
----
43:00
{{ft/d|
{{Center|"{{Larger|T}}hat is Laurier's wife!"}}
}}
----
43:09
{{ft/d|
{{Center|"{{Larger|E}}veryone is watching us! I—I am afraid—it is unwise to come here any more."}}
}}
----
43:33
{{ft/d|
{{Center|"{{Larger|I}}—I could not bear it if I were not to see you!"}}
}}
----
43:47
{{ft/d|
{{Center|"{{Larger|B}}ut my husband{{Bar|2}}if he should hear—"}}
}}
----
44:22
{{ft/d|
{{Center|"{{Larger|W}}hy not come to my studio? There would be no harm—I promise to be good!"}}
}}
----
44:37
{{ft/d|
{{Center|"{{Larger|Y}}ou—you promise?"}}
}}
----
44:46
{{ft/s|
{{Center|{{Larger|W}}omen were not strange to Julio's studio, but never before had there been one{{Bar|2}}like Marguerite.}}
}}
----
45:32
{{ft/d|
{{Center|"{{Larger|A}} woman?"}}
}}
----
45:37
{{ft/d|
{{Center|"{{Larger|A}} lady!"}}
}}
----
46:05
{{ft/s|
{{Center|{{Larger|A}}nd as the days passed the hours spent together became their only happiness.}}
}}
----
46:21-46:29
{{ft/i|
{{Center|{{Larger block|{{lsp|-1px|'''L'ARCHIDUC'''{{em}}<br />'''FRANÇOIS FERDINAND'''<br />'''D'AUTRICHE'''<br />{{Gap}}'''ASSASSINÉ'''}}}}}}
{{Rule|3em}}
{{Smaller block|{{Block center|
{{Dent|0|1em|VIENNE, le 28 juin. (Havas).—<br />
L'archiduc héritier d'Autriche Fran-<br />
çois Ferdinand a été tué aujour-<br />
d'hui à coups de revolver par un anar-<br />
chiste serbe à Sarajevo, (Bosnie).<br />
La situation politique, déjà si tendue<br />
aux Balkans, se compliquera encore<br />
davantage et devient une menace<br />
pour la situation de l'Alliance des}}}}}}
{{Padded page break}}
{{Center|{{Larger block|{{lsp|-1px|'''ARCHIDUKE'''{{em}}<br />'''FRANCIS FERDINAND'''<br />'''OF AUTRIA'''{{em}}<br />{{Gap}}'''ASSASSINATED'''}}}}}}
{{Rule|3em}}
{{Smaller block|{{Block center|
{{Dent|0|1em|VIENNA, June 28th. (Havas).—<br />
Archiduke Francis Ferdinand, heir<br />
to the throne of Austria, was shot<br />
and killed today by a Serbian an-<br />
archist at Sarajevo, (Bosnia). The<br />
political situation, already so tense<br />
in the Balkans, will become still<br />
more complicated and threatens the<br />
Europeans nations' alliance which}}}}}}
}}
----
46:35
{{ft/i|
{{Center|{{Smaller|'''2351'''}}}}
}}
----
47:17
{{ft/i|
{{Center|{{Smaller|'''Le Figaro'''}}}}
}}
----
48:47
{{ft/d|
{{Center|"{{Larger|I}}t is the beginning of the end{{Bar|2}}the brand that will set the world ablaze"}}
}}
----
49:21
{{ft/d|
{{Center|"{{Larger|I}}t does not seem wrong for me to come here now."}}
}}
----
49:43
{{ft/d|
{{Center|"{{Larger|D}}o you remember the first day I came and you held me in your arms?"}}
}}
----
49:53
{{ft/d|
{{Center|"{{Larger|T}}hat night{{Bar|2}}"}}
}}
----
50:13
{{ft/d|
{{Center|"{{Larger|I}}t does not seem right when {{Underline|he}} kisses me. My parents arranged the marriage—I do not love him."}}
}}
----
50:49
{{ft/d|
{{Center|"{{Larger|Y}}ou do not belong to him—you belong to me!"}}
}}
----
51:20
{{ft/d|
{{Center|"{{Larger|T}}he symbol of the original sin. Do you wonder that the apple—with its brilliant coloring, was chosen to represent the forbidden fruit?"}}
}}
----
51:52
{{ft/d|
{{Center|"{{Larger|B}}ut when the beautiful covering is removed, how unlovely—how like a woman bereft of her cloak of virtue."}}
}}
----
52:10
{{ft/s|
{{Center|{{Larger|H}}istory in the making is like a stream overflowing its banks.}}
}}
----
52:21
{{ft/s|
{{Center|{{Larger|A}}nd during the fateful month of July, startling events overlapped each other—drawing nations into a swirling maelstrom which threatened to engulf all Europe.}}
}}
----
52:39 P
{{ft/i|
{{Center|{{Smaller block|EXPOSITION<br />???<br />MADRID}}
{{Dhr}}
COGNAC<br />
{{X-smaller|Rémy Martin}}}}
}}
----
52:42
{{ft/i|
{{Center|[PE]INTURES}}
}}
----
52:44
{{ft/i|
{{Center|{{X-larger|'''Petit Parisien.'''}}<br />
{{Xx-smaller|5 {{X-smaller|centimes}}{{Gap}}Le plus fort tirage des journaux du monde entier{{Gap}}5 {{X-smaller|centimes}}}}
{{Rule|20em}}
{{Fine block|'''RUSSIAN DUMA DECLARES MOBILIZATION'''
{{Rule|8em}}
'''Germany resents Russian movement'''<br />'''on frontier'''}}
{{Rule|5em}}
{{Smaller|'''{{lsp|-1px|France fears she will be drawn into conflict}}'''}}}}
}}
----
52:56 P
{{ft/i|
{{Right|{{Smaller|BYRRH}}}}
}}
----
53:00
{{ft/i|
{{Center|{{X-smaller block|{{Smaller|CHARBON}}<br />BOIS}}}}
}}
----
53:01
{{ft/d|
{{Center|"{{Larger|D}}o you think they will drag us into it?"}}
}}
----
53:12
{{ft/d|
{{Center|"{{Larger|T}}wo generations have come into the world informed that as soon as they reach a reasonable age—there will be war."}}
}}
----
53:33
{{ft/d|
{{Center|"{{Larger|W}}ar will go hard with them. He is a Frenchman—she is German—and their child—God pity it!"}}
}}
----
53:57
{{ft/s|
{{Larger|T}}he turbulent situation had brought the Desnoyers family back to Paris.
}}
----
54:10-54:29
{{ft/i|{{Block center|
{{Fine block|{{Cursive block|{{Italic block|Cela vous intéressera<br />
sans doute d'apprendre<br />
que Madame Laurier<br />
ne fréquente plus le<br />
Tango Palace avec Monsieur<br />
Julio Desnoyers, mais<br />
passe le quatre à cinq<br />
chez lui dans son<br />
atelier.
{{Padded page break}}
It will undoubtedly<br />
interest you to know that<br />
Madame Laurier no longer<br />
frequents the Tango Palace<br />
with Mr Julio Desnoyers,<br />
but spends the hour<br />
from four to five at<br />
his studio}}}}}}
}}}}
----
54:39
{{ft/d|
{{Center|"{{Larger|I}} will trouble you to conduct me to your son's studio!"}}
}}
----
55:01
{{ft/d|
{{Center|"{{Larger|J}}ust imagine what war will mean! No parties—no pretty chothes—women in mourning{{Bar|2}}nothing but misery!"}}
}}
----
55:13
{{ft/d|
{{Center|"{{Larger|B}}ut we will have each other!"}}
}}
----
57:29
{{ft/i|
{{Center|{{Cursive|ML}}}}
}}
----
57:57
{{ft/d|
{{Center|"{{Larger|T}}here is no need of an explanation from either of us!"}}
}}
----
58:51
{{ft/d|
{{Center|"{{Larger|Y}}ou may send your seconds to me at your earliest convenience!"}}
}}
----
59:20
{{ft/d|
{{Center|"{{Larger|F}}or God's sake, Laurier, let there be no scandal!"}}
}}
----
1:00:09
{{ft/d|
{{Center|"{{Larger|I}} shall take you to your mother and tomorrow arrange for a divorce."}}
}}
----
1:00:29
{{ft/s|
{{Center|{{Larger|T}}he Old World hatreds had burst their bonds, and for the next forty-eight hours the electric web encircling the continent vibrated incessantly with its transmission of hopes and fears until{{Bar|2}}}}
}}
----
1:00:48
{{ft/i|
{{Center|{{X-larger block|{{lsp|-2px|ARMEE {{Smaller|DE}} TERRE {{Smaller|ET}} ARMEE {{Smaller|DE}} MER}}
{{Dhr}}
{{Smaller|'''ORDRE'''}}<br />
{{lsp|-2px|DE MOBILISATION GENERALE}}}}}}
{{Rule|6em}}
{{X-smaller block|{{Dent|0|2em|Par décret du Président de la République, la mobilisation<br />
des armées de terre et de mer est ordonnée, ainsi que la<br />
réquisition des animaux, voitures et harnais nécessaires au<br />
complément de ces armées.<br />
Le premier jour de la mobilisation est le dimanche 2 août 1914.
}}}}
{{Padded page break}}
{{Center|{{X-larger block|{{lsp|-2px|ARMY AND NAVY FORCES}}
{{Dhr}}
{{Smaller|'''ORDER'''}}<br />
{{lsp|-2px|FOR GENERAL MOBILIZATION}}}}}}
{{Rule|6em}}
{{X-smaller block|{{Dent|0|2em|By decree of the President of the Republic, mobilization<br />
for the army and navy is ordered, as well as the requisition of<br />
animals, vehicles and equipment necessary for the completing of<br />
these branches.
<p>The mobilization begins on Sunday, August 2, 1914.</p>}}}}
}}
----
1:02:08
{{ft/s|
{{Larger|W}}hile the spirit of France responded to the call—the tango idol was forgotten.
}}
----
1:03:14
{{ft/d|
{{Center|"{{Larger|L}}ittle sister—take good care of our mother."}}
}}
----
1:03:52
{{ft/d|
{{Center|"{{Larger|G}}ood looks do not count now! All one needs is a uniform—gold braid—"}}
}}
----
1:04:19
{{ft/d|
{{Center|"{{Larger|M}}y master is never home so early—"}}
}}
----
1:06:13
{{ft/d|
{{Center|"{{Larger|I}}n the enemy's land they too are singing and shouting as they wave {{Underline|their}} flag—believing {{Underline|they}} are also right and that God rules for them."}}
}}
----
1:06:33
{{ft/d|
{{Center|"{{Larger|A}}nd when the sun rises in a few hours the world will behold the Four Horsemen{{Bar|2}}enemies of mankind!"}}
}}
----
1:06:53
{{ft/d|
{{Center|"{{Larger|T}}hose who go before the Beast{{Bar|2}}the Four Horsemen of the Apocalypse! John foresaw it all two thousand years ago."}}
}}
----
1:07:12
{{ft/d|
{{Center|"{{Larger|I}} have a book—a rare book—"}}
}}
----
1:07:28
{{ft/d|
{{Center|"{{Larger|T}}o 'him' nothing is a mystery. He holds the key to every language—living or dead."}}
}}
----
1:08:24
{{ft/d|
{{Center|"{{Larger|T}}he Revelations of St. John, as conceived by the great master—Albrecht Dürer."}}
}}
----
1:08:35
{{ft/i|
{{Center|{{Larger block|{{Blackletter block|{{Largeinitial|A}}pocalipſis<br />cũ Figuris}}}}}}
}}
----
1:08:46
{{ft/d|
{{Center|"{{Larger|I}}t is the age of fulfillment. The Angel of Prophecy is revealed."}}
}}
----
1:09:04
{{ft/d|
{{Center|"{{Larger|T}}he voice of the Beast shall be heard, commanding the Four Ill-omened Horsemen as they ride forth{{Bar|2}}to scatter desolation throughout the world!"}}
}}
----
1:09:48
{{ft/d|
{{Center|"{{Larger|T}}he first Horseman to lead Prophecy's devastating forces is—Conquest!"}}
}}
----
1:10:30
{{ft/d|
{{Center|"{{Larger|T}}he second—War, in all his hideousness!"}}
}}
----
1:10:56
{{ft/d|
{{Center|"{{Larger|T}}he third, trailing in their wake—Pestilence, carrying the Scales of Famine!"}}
}}
----
1:11:34
{{ft/d|
{{Center|"{{Larger|A}}nd in relentless pursuit, the fourth Horseman—Death!"}}
}}
----
1:12:46
{{ft/d|
{{Center|"{{Larger|T}}he agony of humanity under the brutal sweep of the Four Horsemen has already begun!"}}
}}
----
1:13:03
{{ft/s|
{{Center|{{Larger|F}}or fourteen ill-omened days, the scorching breath of the Beast has seared the earth as nation rose against nation.}}
}}
----
1:13:20
{{ft/i|
{{X-smaller|{{sp|[…] DE LA ROTONDE}}}}
}}
----
1:13:28
{{ft/s|
{{Larger|W}}hile all France answered the call to arms, Desnoyers was haunted by the unpaid debt to his country.
}}
----
1:13:43
{{ft/d|
{{Center|"{{Larger|I}} served in eighteen-seventy!"}}
}}
----
1:13:47
{{ft/i|
{{Center|{{Xx-smaller|REPUBLIQUE FRANÇAISE - 1870 -}}}}
}}
----
1:14:14
{{ft/s|
{{Center|{{Larger|T}}he flames of war had singed the butterfly's wings and in its place there was—a woman, awakening to the call of France.}}
}}
----
1:15:12
{{ft/d|
{{Center|"{{Larger|I}}t is wrong to love like this—to be happy{{Bar|2}}when there is so much sorrow around us!"}}
}}
----
1:15:24
{{ft/d|
{{Center|"{{Larger|A}}re we not to be married as soon as you are free?"}}
}}
----
1:15:43
{{ft/d|
{{Center|"{{Larger|A}} letter—from my brother!"}}
}}
----
1:15:55-1:16-06
{{ft/i|{{Block center|
{{Fine block|{{Cursive block|{{Italic block|
{{Gap|5em}}Tu ne pourrais<br />
reconnaître Laurier. C'est<br />
un grand héros, aucun acte<br />
de courage trop audacieux,<br />
aucun risque trop grand.}}}}}}
{{Padded page break}}
{{Fine block|{{Cursive block|{{Italic block|
{{Gap|7em}}You would<br />
not recognize Laurier. He<br />
is a great hero, no deed<br />
of bravery too daring,<br />
no risk too great.}}}}}}
}}}}
----
1:16:23
{{ft/d|
{{Center|"{{Larger|I}}t is fortunate you are a foreigner and do not have to go. How horrible it would be to know you were in danger!"}}
}}
----
1:17:05
{{ft/d|
{{Center|"{{Larger|I}} shall be late for my class—it will not be long before I have my nurse's diploma."}}
}}
----
1:17:18
{{ft/s|
{{Center|{{Larger|T}}he last of the Lacours had received an appointment in the auxiliary service.}}
}}
----
1:17:32
{{ft/d|
{{Center|"{{Larger|H}}ow nice that it has been arranged for you to remain at home! I shall call you my little sugar soldier!"}}
}}
----
1:17:45
{{ft/d|
{{Center|"{{Larger|I}} wanted to go to the front—only father{{Bar|2}}"}}
}}
----
1:18:17
{{ft/d|
{{Center|"{{Larger|H}}ere is your passport to Villeblanche, but I warn you it is dangerous to attempt the journey at this time."}}
}}
----
1:18:52
{{ft/d|
{{Center|"{{Larger|I}} came to say good-bye to mother before she leaves for Biarritz. She tells me you are going to the castle."}}
}}
----
1:19:11
{{ft/d|
{{Center|"{{Larger|B}}y the way, Senator, can you tell me where Madame Laurier has gone?"}}
}}
----
1:19:20
{{ft/d|
{{Center|"{{Larger|E}}veryone is leaving Paris at this time. She may have gone with her mother to Bordeaux."}}
}}
----
1:19:53
{{ft/s|
{{Center|{{Larger|T}}he ceaseless rumble of distant cannon echoing the ominous hoof-beats of Prophecy's Horsemen, was heard in Villeblanche.}}
}}
----
1:20:10
{{ft/s|
{{Center|{{Larger|A}}nd for days, a stunned, panic stricken horde of homeless beings had drifted toward the French capital.}}
}}
----
1:20:43
{{ft/s|
{{Center|{{Larger|W}}hile another horde marched with relentless iron-shod feet, borne by the impetus of the Apocalyptic Beast.}}
}}
----
1:21:07
{{ft/s|
{{Center|{{Larger|H}}is family safely dispatched to Biarritz—thinking only of his treasures, Desnoyers journeyed toward Villeblanche.}}
}}
----
1:21:41
{{ft/s|
{{Center|{{Larger|T}}he straggling remnants of an army that for days had endured a continued indefinite retreat.}}
}}
----
1:22:11
{{ft/s|
{{Center|{{Larger|O}}nly the lodgekeeper and his family remained at the castle.}}
}}
----
1:23:15
{{ft/s|
{{Center|{{Larger|O}}nly a flimsy shell of defence against the oncoming tide of invasion, but behind it, the spirit of the immortal words—"They shall not pass."}}
}}
----
1:24:05
{{ft/s|
{{Center|{{Larger|I}}n retaliation, a hot hurricane of death swept across the valley.}}
}}
----
1:24:28
{{ft/i|
{{Center|{{X-smaller block|ERNEST<br />
FOIN<br />
{{X-larger|P}}LOMBIER}}}}
}}
----
1:24:49
{{ft/i|
{{Center|{{Smaller|[RE]STAURANT}}}}
}}
----
1:25:11
{{ft/s|
{{Center|{{Larger|T}}he serpent had uncoiled itself{{Bar|2}}twinning its gray-green body through the fertile valley of the Marne, and Villeblanche was invaded.}}
}}
----
1:28:12
{{ft/d|
{{Center|"{{Larger|Y}}our castle was spared because you are to have the honor of entertaining the General of our Division."}}
}}
----
1:28:26
{{ft/s|
{{Center|{{Larger|A}} grim warning.}}
}}
----
1:28:49
{{ft/d|
{{Center|"{{Larger|T}}hey resisted and killed two of our Uhlans!"}}
}}
----
1:29:13
{{ft/i|
{{Center|{{X-smaller|DE}}<br />1{{Sup|{{X-smaller|ER}}}} CHOIX}}
}}
----
1:29:50
{{ft/s|
{{Center|{{Larger|A}}fter a night of terror.}}
}}
----
1:32:16
{{ft/d|
{{Center|"{{Larger|Y}}ou do not know me, Uncle? I am Otto—Captain Otto von Hartrott."}}
}}
----
1:32:34
{{ft/d|
{{Center|"{{Larger|M}}y nephew__you have come to help me? Look around—see what your comrades have done! Tell them to leave!"}}
}}
----
1:32:48
{{ft/d|
{{Center|"{{Larger|W}}hat else can you expect? This is war!"}}
}}
----
1:33:29
{{ft/d|
{{Center|"{{Larger|I}}t is well you are speaking in Spanish. If you persist is such denunciation—a bullet will be the answer!"}}
}}
----
1:33:57
{{ft/s|
{{Center|At Lourdes
<p>In the shadow of the sacred grotto.</p>}}
}}
----
1:34:11
{{ft/s|
{{Center|{{Larger|V}}ictims of the war-god's lust find rest and peace from the din of battle.}}
}}
----
1:34:34
{{ft/i|
{{Center|{{Smaller|'''37'''}}}}
}}
----
1:34:40
{{ft/d|
{{Center|"{{Larger|Y}}ou are not the nurse who was with me this morning. Who are you?"}}
}}
----
1:34:52
{{ft/d|
{{Center|"{{Larger|J}}ust one who is trying to do her duty."}}
}}
----
1:35:08
{{ft/i|
{{Center|{{X-smaller|'''Le Petit Journal'''}}}}
}}
----
1:36:37
{{ft/d|
{{Center|"{{Larger|I}} traced you here! So this is why you left Paris without a word{{Bar|2}}and you pretended to love me!"}}
}}
----
1:36:50
{{ft/d|
{{Center|"{{Larger|J}}ulio{{Bar|2}}he{{Bar|2}}he is blind"}}
}}
----
1:37:17
{{ft/d|
{{Center|"{{Larger|A}}s yet, he does not know who I am. You are a man—you could never understand a woman's desire for atonement!"}}
}}
----
1:37:37
{{ft/d|
{{Center|"{{Larger|W}}hat of our happiness? You{{Bar|2}}you cannot do this!"}}
}}
----
1:38:02
{{ft/d|
{{Center|"{{Larger|L}}ife is not what we thought. Had it not been for the war, we might have realized our dream. But now, my destiny beside him is marked out forever."}}
}}
----
1:39:13
{{ft/d|
{{Center|"{{Larger|H}}ow could I dare hope for your love? I have been a coward!"}}
}}
----
1:39:25
{{ft/d|
{{Center|"{{Larger|B}}ut I will be one no longer! This country is yours—my father's{{Bar|2}}I will fight for it"}}
}}
----
1:40:12
{{ft/s|
{{Center|{{Larger|F}}of three days the unwelcome guests had held their revels with all the destructive glory of war.}}
}}
----
1:40:32
{{ft/d|
{{Center|"{{Larger|A}}ch! Du lieber Augustin! Augustin! Augustin!"}}
}}
----
1:40:42
{{ft/i|
{{Smaller|{{Cursive|Kind}}}}
}}
----
1:42:05
{{ft/d|
{{Center|"{{Larger|W}}e will drink, mine host, to an early meeting{{Bar|2}}in Paris!"}}
}}
----
1:42:37
{{ft/d|
{{Center|"{{Larger|V}}andals! Murderers! Fiends!"}}
}}
----
1:43:37
{{ft/d|
{{Center|"{{Larger|I}} warned you not to interfere! You will probably be shot at daybreak!"}}
}}
----
1:43:55
{{ft/s|
{{Center|{{Larger|T}}he morning light revealed the miracle of the Marne. The long lines of grey were falling back.}}
}}
----
1:44:12
{{ft/s|
{{Center|{{Larger|T}}he French were reclaiming their own.}}
}}
----
1:44:47
{{ft/d|
{{Center|"{{Larger|M}}aster! The brutes have gone! There is a great battle—the castle is filled with dead and dying!"}}
}}
----
1:45:09
{{ft/d|
{{Center|"{{Larger|T}}hey have murdered my husband and—my little girl longs to die!"}}
}}
----
1:47:01
{{ft/s|
{{Center|{{Larger|P}}ride and earthly treasure crumble before the hosts of Prophecy.}}
}}
----
1:48:30
{{ft/d|
{{Center|"{{Larger|F}}ranzosen! Franzosen!"}}
}}
----
1:48:40
{{ft/s|
{{Center|{{Larger|T}}hrough a sea of misery, of dead and dying, Desnoyers returned to Paris.}}
}}
----
1:49:20
{{ft/d|
{{Center|"{{Larger|I}} have been in Hell!"}}
}}
----
1:49:47
{{ft/i|
{{Center|{{X-smaller|'''1'''}}}}
}}
----
1:50:51
{{ft/d|
{{Center|"{{Larger|M}}y son—a soldier—defending ''my'' country when it is not even yours!"}}
}}
----
1:51:11
{{ft/d|
{{Center|"{{Larger|Y}}ou do not know what war is! I have just come from it—it is like a wild beast whose breath scorches and withers humanity!"}}
}}
----
1:51:53
{{ft/d|
{{Center|"{{Larger|T}}his is not your country{{Bar|2}}I cannot let my boy go to war!"}}
}}
----
1:52:28
{{ft/d|
{{Center|"{{Larger|R}}ené is going to the front. He has been transferred to the Artillery!"}}
}}
----
1:52:45
{{ft/d|
{{Center|"{{Larger|I}} could not keep the child away from René at this time and my place is with you. It is enough to be separated from my sister!"}}
}}
----
1:53:14
{{ft/d|
{{Center|"{{Larger|F}}amily ties are not formed to our liking. Men of your own blood are fighting on the other side!"}}
}}
----
1:53:30
{{ft/d|
{{Center|"{{Larger|B}}ut they are your enemies! If you meet them—do not spare them—shoot—kill!"}}
}}
----
1:54:01
{{ft/s|
{{Center|{{Larger|F}}our years had War, Pestilence and Death held sway until the nations of the Old World were torn asunder and lay bleeding, crying out to a just God to free them from the forces of evil.}}
}}
----
1:54:24
{{ft/s|
{{Center|{{Larger|A}}nd then from the New World came men to cheer and help their brothers.}}
}}
----
1:54:56
{{ft/i|
{{Center|{{X-larger block|{{Smaller|{{lsp|-.08em|'''THE'''}}}}<br />{{lsp|-.08em|'''SALVATION'''}}<br />{{lsp|-.08em|'''ARMY'''}}}}}}
}}
----
1:55:07
{{ft/i|
{{Center|{{Smaller|'''THE DAILY JEWISH T'''[IMES]}}
{{Rule|7em}}
{{X-larger|די צייט}}}}
}}
----
1:55:10
{{ft/d|
{{Center|"{{Larger|A}}méricain!"}}
}}
----
1:55:25 P
{{ft/i|
???
}}
----
1:56:24
{{ft/d|
{{Center|"{{Larger|A}} little surprise from your mother!"}}
}}
----
1:56:46
{{ft/i|
{{Smaller|{{Cursive|ABRI {{Sup|N°}} 8}}}}
}}
----
1:56:55
{{ft/d|
{{Center|"{{Larger|H}}e is a different Julio! One hears everywhere of his unselfishness and his bravery."}}
}}
----
1:57:24
{{ft/i|
{{Center|{{Cursive|ABRI {{Sup|N°}} 1}}}}
}}
----
1:57:59
{{ft/d|
{{Center|"{{Larger|I}} am content—very content."}}
}}
----
1:58:08
{{ft/d|
{{Center|"{{Larger|I}} saw her—the night before I left Paris."}}
}}
----
1:58:25
{{ft/d|
{{Center|"{{Larger|S}}he is very kind to Laurier, but she, too, is suffering."}}
}}
----
1:58:50
{{ft/i|
{{Center|{{Cursive|ABRI {{Sup|N°}} {{X-larger|3}}}}}}
}}
----
1:59:01
{{ft/d|
{{Center|"{{Larger|K}}iss Mama for me!"}}
}}
----
1:59:16
{{ft/d|
{{Center|"{{Larger|N}}o one will kill my boy—my heart tells me so!"}}
}}
----
1:59:27
{{ft/s|
{{Center|{{Larger|F}}ighting against her love for Julio, Marguerite had patiently tried to atone.}}
}}
----
2:00:21
{{ft/s|
{{Block center|{{Larger|O}}h frightful trend of awful dreams,<br />
{{Gap|1.5em}}What shall fiends next contrive?<br />
{{Fine|An open grave—and as it seems}}<br />
{{Gap|1.5em}}{{Fine|Men stand in it—alive.}}}}
}}
----
2:00:59
{{ft/s|
{{Center|{{Larger|W}}hile across the ghostly waste of No Man's Land—another yawning pit of misery.}}
}}
----
2:02:33-2:02:50
{{ft/i|
{{Block center|{{Fine block|{{Cursive block|{{Italic block|
Pardonne-moi, je m'en<br />
vais. Pour moi, c'est une<br />
moquerie que de rester. Au<br />
fond, je suis une friponne,<br />
un mensonge vivant. Mon<br />
coeur appartient encore à<br />
Julio. Encore une fois,<br />
pardonne et oublie.
{{Right|Marguerite|1em}}
{{Padded page break}}
Forgive me—I am going<br />
away. Is is a useless<br />
mockery for me to remain.<br />
At heart, I am a cheat—<br />
a living lie. My heart<br />
still belongs to Julio.<br />
Once more, forgive—<br />
and forget
{{Right|Marguerite|1em}}}}}}}}}}
}}
----
2:03:11
{{ft/s|
{{Center|{{Larger|A}}nd through the muck and mire of a man-created Hell—were sent Madariaga's grandsons—}}
}}
----
2:03:26
{{ft/s|
{{Center|{{Larger|O}}ne—a French soldier—}}
}}
----
2:03:42
{{ft/s|
{{Center|—the other, a German.}}
}}
----
2:07:53
{{ft/s|
{{Center|{{Larger|W}}ar's toll.}}
}}
----
2:08:04
{{ft/d|
{{Center|"{{Larger|M}}y last son."}}
}}
----
2:08:21
{{ft/d|
{{Center|"{{Larger|Y}}ou are to blame! If we had followed my father's teachings—we would not have left the Argentine, and our sons would have been alive today!"}}
}}
----
2:08:53
{{ft/s|
{{Center|{{Larger|T}}he aimless path fades with life's span. Nations mourn, while memory glorifies the brave.}}
}}
----
2:09:33
{{ft/i|1=
{{{!}} align=center {{ts|ac}}
{{!}}
{{!}}{{ts|pb1|lh15}}{{!}}{{Cursive|{{X-smaller|175}}}}
{{Dhr}}
{{Cursive block|{{Rotate|300|{{Gap}}ICI<br />REPOSE}}}}
{{!}}-
{{!}}{{ts|xxs|pr2}}{{!}}{{Cursive|{{sc|Sous-Lieutenant}}}}
{{!}}{{Cursive block|JULIO<br />DESNOYERS}}
{{!}}{{ts|al|xxs|pl2|lh11}}{{!}}{{Cursive block|
72 R{{smaller|{{Sup|T}}}} D'INFANTERIE<br />
4{{Smaller|{{Sup|E}}}} CORPS D'ARMEE<br />
105{{Smaller|{{Sup|E}}}} DIVISION<br />
22{{Smaller|{{Sup|E}}}} BRIGADE
}}
{{!}}-
{{!}}colspan=3 {{ts|xxs}}{{!}}{{Cursive block|
MORT<br />
AU<br />
CHAMP<br />
D'HONNEUR<br />
LE<br />
8 OCTOBRE<br />
1918
}}
{{!}}}
}}
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2:10:38
{{ft/d|
{{Center|"{{Larger|Y}}ou knew my son?"}}
}}
----
2:10:50
{{ft/d|
{{Center|"{{Larger|I}} knew them all!"}}
}}
----
2:11:30
{{ft/d|
{{Center|"{{Larger|P}}eace has come—but the
Four Horsemen will still ravage
humanity—stirring unrest in
the world—until all hatred
is dead and only love reigns
in the heart if mankind."}}
}}
----
2:11:54
{{ft/s|
{{Center|{{Cursive|{{Larger|T}}HE {{Larger|E}}ND}}}}
}}
