User: PseudoSkull
File: The Unchastened Woman (1925).webm
Author: James Young (1872-1948)
Publisher: Chadwick Pictures
Year: 1925
PD: PD/US|1948
Note: ''The Unchastened Woman'' is a 1925 American silent drama film starring vamp Theda Bara, directed by James Young, the former husband of Clara Kimball Young, and released by start-up studio Chadwick Pictures. The film is based on a 1915 Broadway play, The Unchastened Woman, which starred Emily Stevens.
* Storyline intertitles which do not use a drop initial, and use three dots (...), were probably reconstructed.
Cat: Drama film, Films based on plays
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00:01
{{ft/s|
{{c|
{{smaller|CHADWICK PICTURES CORPORATION}}
<br>
{{x-smaller|''PRESENTS''}}
<br>
{{larger|THED BARA}}
<br>
{{x-smaller|IN}}
<br>
{{x-larger|''The'' {{sc|Unchastened Woman}}}}
<br>
{{x-smaller|''FROM THE FAMOUS PLAY by''}} {{fine|{{uc|[[Author:Louis K. Anspacher|Louis K. Anspacher]]}}}}
<br><br>
{{x-smaller|DIRECTED BY}}
<br>
JAMES YOUNG
<br><br>
{{xx-smaller|''COPYRIGHT MCMXXV<br>PASSED BY THE NATIONAL BOARD OF REVIEW''}}
}}
}}
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00:09
{{ft/s|
{{c|
{{x-smaller|SCREEN VERSION BY}}
<br>
DOUGLAS Z. DOTY
<br><br>
{{x-smaller|PHOTOGRAPHY BY}}
<br>
WILLIAM O'CONNELL
<br><br>
{{x-smaller|EDITED BY}}
<br>
SAM ZIMBALIST
<br><br>
{{x-smaller|ART DIRECTION BY}}
<br>
CLIFFORD P. SAUM<br>& EARL SIBLEY
}}
}}
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00:24
{{ft/s|
{{c|{{di|A}}n old proverb says that when two people marry, if they would be happy, they must take two little bears to live with them—their names are ''Bear'' and ''Forbear.'' Consider then the case of Caroline and Hubert Knollys.}}
}}
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00:51
{{ft/s|
{{c|{{di|I}}n the library of his town house. Hubert Knollys was working late—but not too hard.}}
}}
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01:11
{{ft/s|
{{bc|{{di|H}}ubert Knollys—<br><br>{{right|{{smaller|''WYNDHAM STANDING''}}}}}}
}}
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01:22
{{ft/s|
{{c|{{di|E}}mily Madden, a corresponding secretary.<br><br>{{right|offset=2em|{{smaller|''EILEEN PERCY''}}}}}}
}}
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01:41
{{ft/s|
{{c|{{di|I}}n her own room, upstairs, Mrs. Knollys was smiling—smiling at a vision, which was soon to become a reality.}}
}}
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02:15
{{ft/d|
{{c|"Oh, no doctor—I want to tell him myself—"}}
}}
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06:07
{{ft/s|
{{c|{{di|M}}orning follows a sleepless night of retrospection and brings with it a vital decision.}}
}}
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07:06
{{ft/s|
{{bc|{{c|{{di|P}}oor dear dependent Aunt Susan—with the airs of a lady and the soul of a servant!}}<br>{{right|offset=2em|{{smaller|''MAYME KELSO''}}}}}}
}}
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07:23
{{ft/d|
{{c|"Aunt Susan, can you be ready to sail with me this Thursday?"}}
}}
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08:52
{{ft/d|
{{c|"Why aren't you more careful with your powder, my dear?"}}
}}
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09:10
{{ft/d|
{{c|"Don't blame me, darling—it's whitening——some women use it to hide their freckles!"}}
}}
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09:29
{{ft/d|
{{c|"Aunt Susan and I are sailing on the Leviathan Thursday——please see about tickets."}}
}}
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09:44
{{ft/s|
{{c|When Aunt Susan came...}}
}}
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10:04
{{ft/d|
{{c|"I don't blame you, dear—but why not tell Hubert your precious secret and—"}}
}}
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10:18
{{ft/d|
{{c|"I refuse to bargain for his loyalty and faithfulness—he's forfeited his right to know."}}
}}
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10:31
{{ft/d|
{{c|"But it's ''madness'' to leave him here with that Madden person!"}}
}}
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10:41
{{ft/d|
{{c|"Then there's method in my madness!"}}
}}
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10:54
{{ft/d|
{{c|"I shall find a way to make him suffer—as I have suffered."}}
}}
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11:27
{{ft/d|
{{c|"Mr. Knollys was ''so'' busy—he sent me up with your tickets."}}
}}
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12:13
{{ft/d|
{{c|"You have meant ''so much'' to Mr. Knollys—I want to give you this almost new frock!"}}
}}
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12:44
{{ft/d|
{{c|"Why are you so kind to me, Mrs. Knollys?"}}
}}
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12:51
{{ft/d|
{{c|"Virtue has its own reward, dear——among women."}}
}}
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13:11
{{ft/d|
{{c|"That hussy—how could you be so generous!"}}
}}
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13:23
{{ft/d|
{{c|"I wasn't—she'll wear that gown ''just once!''"}}
}}
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14:05
{{ft/d|
{{c|"Shall we say dinner at seven?"}}
}}
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14:27
{{ft/s|
{{c|{{di|S}}omewhere on Broadway where married couples dine—but not always together.}}
}}
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15:22
{{ft/d|
{{c|"How do you like my new gown with the little birdies on it?"}}
}}
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16:05
{{ft/d|
{{c|"I don't like that gown on you—don't ever wear it again."}}
}}
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16:46
{{ft/i|
{{smaller|RADIO CORPORATION OF AMERICA}}
<br>
{{x-smaller block|
{{monospace block|[...] KNOLLYS<br>{{gap}}RIVERSIDE DRIVE NEW YORK<br><br>[...]AND A GLORIOUS NOON IT IS NIGH TO KNOW [...]<br>AND NOT TOO LONELY TONIGHT}}
}}
}}
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17:18
{{ft/s|
{{c|{{xxxx-larger|I}}n Paris.<ref>{{ua|Due to technical issues with [[Template:Dropinitial]] being used twice in a single element, [[Template:xxxx-larger]] was used in its place.}}</ref><br>{{di|O}}n a certain June day, Hubert Knollys, Jr. appeared upon the scene.}}
}}
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18:04
{{ft/s|
{{c|{{di|S}}ummer, Winter and Summer again—and Mrs. Knollys has become the toast of Venice.}}
}}
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18:51
{{ft/s|
{{di|V}}enice!<br>The most talked about woman in Europe!
}}
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19:11
{{ft/s|
{{c|{{di|L}}awrence Sanbury has come to study architecture and lingered to admire—Mrs. Knollys.<br><br>—''John Miljan''}}
}}
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19:38
{{ft/d|
{{c|"Could anything be more romantic than moonlight in Venice?"}}
}}
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20:22
{{ft/d|
{{c|"Sorry, gentlemen—I have an urgent engagement!"}}
}}
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20:26
{{ft/d|
{{c|"You elusive woman—there is always another man!"}}
}}
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20:35
{{ft/d|
{{c|"Yes, a young man."}}
}}
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22:15
{{ft/d|
{{c|"And now, mother's little man, we're going back—home."}}
}}
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22:29
{{ft/i|
{{xx-smaller block|
{{monospace block|
[...] KNOLLYS
<br>{{gap}}BROADWAY NEW YORK
<br><br><br>[...] WEDNESDAY OLYMPIC DONT BOTHER TO [...]
}}
}}
}}
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22:44
{{ft/d|
{{c|"My wife's returning—I think it would be more discreet, Emily, if you secured another position."}}
}}
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23:04
{{ft/s|
{{c|{{di|S}}o Emily seeks her friend Michael Krellin—the next best thing.}}
}}
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23:19
{{ft/s|
{{bc|{{di|M}}ichael Krellin, Chief Inspector of customs—<br><br>{{right|offset=2em|''HARRY NORTHRUP''}}}}
}}
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23:29
{{ft/d|
{{c|"You once offered me a job, is it still open?"}}
}}
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23:41
{{ft/d|
{{c|"I'll make you a special inspector."}}
}}
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23:54
{{ft/s|
{{c|{{di|M}}rs. Knollys returns, resolved to keep the secret of her son from her husband and carry the war into the enemy's camp.}}
}}
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24:17
{{ft/d|
{{c|"Aunt Susan has gone ahead to my country place—you will join her at once."}}
}}
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25:30
{{ft/d|
{{c|"''I'' know Krellin—I'll introduce him—and you do the rest."}}
}}
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26:01
{{ft/s|
{{c|{{di|M}}iss Emily Madden, special inspector.}}
}}
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26:29
{{ft/d|
{{c|"That woman is fooling you—''I'm'' going through her baggage!"}}
}}
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27:27
{{ft/d|
{{c|"What about this Paris gown?"}}
}}
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27:35
{{ft/d|
{{c|"I gave you my engagement dress so I brought you this for a wedding gown."}}
}}
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27:58
{{ft/i|
{{c|{{cursive|{{fine|Madame Helen}}}}<br>{{xx-smaller|NEW YORK}}}}
}}
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28:19
{{ft/s|
{{c|And so Hubert and Caroline were together again...}}
}}
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29:05
{{ft/d|
{{c|"Cheating the government, eh?"}}
}}
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29:14
{{ft/d|
{{c|"Is that any worse than cheating your wife?"}}
}}
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29:26
{{ft/d|
{{c|"I tell you that's done with, but if you still hold it against me—why don't you divorce me?"}}
}}
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29:44
{{ft/d|
{{c|"Because your name gives me such complete protection."}}
}}
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29:57
{{ft/d|
{{c|"You have ''broken'' all your marriage vows but ''one.''"}}
}}
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30:11
{{ft/d|
{{c|"And you have ''kept'' all of yours ''but'' one!"}}
}}
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30:25
{{ft/d|
{{c|"You ''devil!''"}}
}}
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30:31
{{ft/d|
{{c|"You ''saint!''"}}
}}
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30:49
{{ft/s|
{{c|Emily has made considerable progress with her new love affair...}}
}}
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31:34
{{ft/d|
{{c|"Darling, you have made me the happiest man in the world—I only wish I were worthy of you."}}
}}
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31:52
{{ft/s|
{{c|{{di|M}}rs. Knollys plays Flame to the moths who have fluttered after her from Europe.}}
}}
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32:16
{{ft/s|
{{c|{{di|W}}hile upstairs Mr. Knollys dines, largely, on bitter thoughts.}}
}}
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33:17
{{ft/d|
{{c|"I can't see you alone—you're too adorably dangerous!"}}
}}
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34:03
{{ft/d|
{{c|"Mr. Sanbury is going to remodel the east wing at Westmoore."}}
}}
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34:17
{{ft/d|
{{c|"We shall be so busy, Hubert—it wouldn't amuse you to come along."}}
}}
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34:50
{{ft/s|
{{c|{{di|A}}s the evening wore on—principally ''on'' Mr. Knollys!}}
}}
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36:04
{{ft/d|
{{c|"I have to attend a late lecture!"}}
}}
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36:42
{{ft/d|
{{c|"Tell her I haven't been here—and I left a half hour ago!"}}
}}
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37:33
{{ft/d|
{{c|"May I speak to Hubert—it's very important."}}
}}
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37:57
{{ft/d|
{{c|"Your Emily is on the phone—so it isn't all over with after all!"}}
}}
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38:23
{{ft/d|
{{c|"I'm going to marry Krellin."}}
}}
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38:31
{{ft/d|
{{c|"Great! Congratulations—"}}
}}
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39:55
{{ft/d|
{{c|"I can't live like this any longer—I want you."}}
}}
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40:25
{{ft/d|
{{c|"Careful, Hubert, powder shows so on your coat, remember."}}
}}
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41:00
{{ft/s|
{{c|Mrs. Sanbury and Emily and her new lover gang up on Mrs. Knollys...}}
}}
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41:46
{{ft/d|
{{c|"We have plenty of reason to believe, Mr. Knollys, that your wife is more than friendly with Mr. Sanbury!"}}
}}
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42:06
{{ft/d|
{{c|"We intend to give your wife a surprise visit—and serious charges may {{SIC|follow.|follow." }}}}
}}
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42:16
{{ft/d|
{{c|"I want my husband back!"}}
}}
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42:24
{{ft/d|
{{c|"I want my good name back!"}}
}}
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42:33
{{ft/d|
{{c|"If you want to save your wife from public scandal you will help us to make her bow her haughty head!"}}
}}
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42:49
{{ft/d|
{{c|"I, too, Mrs. Sanbury, have stood enough—together we'll see this through to a finish."}}
}}
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43:11
{{ft/s|
{{c|{{di|T}}he best laid plans of mice and men——}}
}}
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44:14
{{ft/d|
{{c|"You poor egotistical boy, please go back to your wife. She needs you——I don't—anymore."}}
}}
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46:14
{{ft/d|
{{c|"Caroline, you have played havoc with the happiness of us all—you are facing scandal and divorce."}}
}}
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46:38
{{ft/d|
{{c|"Give me back my husband!"}}
}}
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46:46
{{ft/d|
{{c|"You can have him, if you can find him. I'm through with him!"}}
}}
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47:06
{{ft/d|
{{c|"Before these witnesses, I demand an apology to this innocent girl!"}}
}}
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47:18
{{ft/d|
{{c|"I apologize—"}}
}}
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47:24
{{ft/d|
{{c|"—for having so ''harshly'' told the ''truth.''"}}
}}
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47:40
{{ft/d|
{{c|"Please go, I'll settle this matter myself."}}
}}
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48:06
{{ft/d|
{{c|"There's a man in there!"}}
}}
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48:12
{{ft/d|
{{c|"Yes, there is a man in there."}}
}}
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49:29
{{ft/d|
{{c|"Please, Caroline——"}}
}}
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51:10
{{ft/d|
{{c|"All men are simply children——and I guess I can take care of both my boys."}}
}}
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51:24
{{ft/s|
{{c|{{xxxx-larger|{{cursive|The End}}}}<br>{{xx-larger|{{cursive|A}}<br>{{sc|Chadwick Picture}}}}<br><br><br>{{smaller|A PRODUCTION {{cursive|and}} ACHIEVEMENT}}}}
}}
