User: PseudoSkull
File: Torrent (1926).webm
Author: Monta Bell
Publisher: Metro-Goldwyn-Mayer
Year: 1923
PD: PD/US|1958
Note:
Cat: Drama film
----
00:04
{{ft/s|
{{Ars Gratia Artis}}
}}
----
00:19
{{ft/s|
{{c|
{{x-larger|Metro-{{cursive|Goldwyn}}-Mayer}}<br>
{{smaller|''PRESENTS''}}<br>
{{x-larger block|''[[Author:Vicente Blasco Ibáñez|{{SIC|Ibañez|Ibáñez}}]]{{'}}'' {{xx-larger|TORRENT}}<br>
A {{uc|[[Author:Monta Bell|Monta Bell]]}} PRODUCTION<br>
{{smaller|''WITH''}}<br>
RICARDO CORTEZ {{fine|and}} GRETA GARBO<br>
{{xx-smaller block|
COPYRIGHT MCMXXVI IN U.S.A. BY METRO-GOLDWYN-MAYER<br>
ALL RIGHTS RESERVED UNDER<br>
{{uc|[[International Convention of Buenos Aires|International Convention of Buenos Aires]]}}<br>
CONTROLLED BY LOEW'S INCORPORATED<br>
PASSED BY THE NATIONAL BOARD OF REVIEW}}
}}
}}
}}
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00:32
{{ft/s|
{{c|
{{x-smaller|''ADAPTED FOR THE SCREEN<br>BY''}}
<br>
{{smaller|DOROTHY FARNUM}}
<br><br>
{{x-smaller|''FROM THE NOVEL BY''}}
<br>
{{smaller|{{uc|[[Author:Vicente Blasco Ibañez|Vicente Blasco {{SIC|Ibañez|IBÁÑEZ}}]]}}}}
}}
}}
----
00:41
{{ft/s|
{{c|
{{x-smaller|''WARDROBE BY''}}
<br>
{{smaller|KATHLEEN KAY & MAUDE MARSH}}
<br>
{{x-smaller|''AND''}}
<br>
{{smaller|MAX RÉE}}
<br><br>
{{x-smaller|''TITLES BY''}}
<br>
{{smaller|KATHARINE HILLIKER & H. H. CALDWELL}}
<br><br>
{{x-smaller|''SETTINGS BY''}}
<br>
{{smaller|CEDRIC GIBBONS & MERRILL PYE}}
<br><br>
{{side by side|left=
{{x-smaller|''PHOTOGRAPHY BY''}}
<br>
{{smaller|WILLIAM DANIELS}}
|right=
{{x-smaller|''FILM EDITOR''}}
<br>
{{smaller|FRANK SULLIVAN}}
}}
}}
}}
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00:58
{{ft/s|
{{c|A COSMOPOLITAN<br>PRODUCTION}}
}}
----
01:03
{{ft/s|
{{c|CAST}}
{{TOC begin}}
{{TOC row 2dot-1|{{larger|''DON RAFAEL BRULL''}}|{{larger|RICARDO CORTEZ}}}}
{{TOC row 2dot-1|{{larger|''LEONORA''}}|{{larger|GRETA GARBO}}}}
{{TOC row 2dot-1|''REMEDIOS''|GERTRUDE OLMSTED}}
{{TOC row 2dot-1|''PEDRO MORENO''|EDWARD CONNELLY}}
{{TOC row 2dot-1|''CUPIDO''|LUCIEN LITTLEFIELD}}
{{TOC row 2dot-1|''DOÑA BERNARDA BRULL''|MARTHA MATTOX}}
{{TOC row 2dot-1|''DOÑA PEPA''|LUCY BEAUMONT}}
{{TOC row 2dot-1|''DON ANDRÉS''|TULLY MARSHALL}}
{{TOC row 2dot-1|''DON MATÍAS''|MACK SWAIN}}
{{TOC row 2dot-1|''SALVATTI''|ARTHUR EDMUND CAREW}}
{{TOC row 2dot-1|''ISABELLA''|LILLIAN LEIGHTON}}
{{TOC end}}
}}
----
01:31
{{ft/s|
{{di|S}}pain——<br>
{{di|S}}pringtime under the blue skies of Valencia——cobbled streets and hanging balconies—hot sunlight and orange-blossoms——the soft air drenched with sweetness——
}}
----
02:05
{{ft/s|
{{c|{{di|T}}hrough the fragrant valley about Alcira winds the Júcar; unruffled, placid now, but a raging torrent of death when the rains come down.}}
}}
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02:37
{{ft/s|
{{c|{{di|F}}or a hundred years the Moreno farmhouse had defied storm and flood—}}
}}
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02:56
{{ft/s|
{{di|T}}he farmer Moreno——and Cupido, the town barber and singing master.
{{right|{{smaller|. . . ''Edward Connelly''}}<br>{{smaller|. . . ''Lucien Littlefield''}}}}
}}
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03:11
{{ft/s|
{{di|D}}oña Pepa Moreno—
{{right|{{smaller|. . . ''Lucy Beaumont''}}}}
}}
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03:24
{{ft/s|
{{di|L}}eonora's prayers were simple: That Don Rafael Brull would that day pass her way——
}}
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03:36
{{ft/s|
—That the voice which God had given her might bring wealth and ease to her parents.
{{right|{{smaller|. . . ''Greta Garbo''}}}}
}}
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04:38
{{ft/d|
{{c|"My Leonora has a nightingale in her throat!"}}
}}
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04:45
{{ft/d|
{{c|"Bah! She has a frog in her throat!"}}
}}
----
05:01
{{ft/d|
{{c|"I tell you to sing from the diaphragm and you—you sing from the tonsils!"}}
}}
----
05:52
{{ft/d|
{{c|"Dios mio! Are you a barber or a prima donna?"}}
}}
----
06:01
{{ft/d|
{{c|"I am an artist! When art calls me, whiskers can wait!"}}
}}
----
06:23
{{ft/s|
{{c|{{di|F}}or generations the family of Brull had dominated that smiling countryside——}}
}}
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06:34
{{ft/s|
{{di|D}}oña Bernarda Brull rode like a queen through her wide-spread acres, taking advice when it pleased her from the family lawyer, Don Andrés.
{{right|{{smaller|. . . ''Martha Mattox''<br>. . . ''Tully Marshall''}}}}
}}
----
06:54
{{ft/d|
{{c|"Tell the Morenos that old story about the banker wanting his money. They can't blame you then——"}}
}}
----
07:07
{{ft/s|
{{di|D}}on Rafael Brull followed his mother like a young crown prince learning to rule.
{{right|{{smaller|. . . ''Ricardo Cortez''}}}}
}}
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07:57
{{ft/d|
{{c|"Wine of Spain! It would make a bullfrog sing tenor!"}}
}}
----
09:05
{{ft/d|
{{c|"Doña Bernarda has called about the mortgage money."}}
}}
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09:13
{{ft/d|
{{c|"That old buzzard!"}}
}}
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09:57
{{ft/d|
{{c|"It breaks my heart to bring you sad news—"}}
}}
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10:08
{{ft/d|
{{c|"——But the heartless banker who advanced the money demands that you be put out of your home."}}
}}
----
10:22
{{ft/d|
{{c|"Señora, give us time! Leonora and I can sleep under the hedges, but my wife——"}}
}}
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10:47
{{ft/d|
{{c|"I will try to arrange for her to remain. She can scrub for her keep."}}
}}
----
11:04
{{ft/d|
{{c|"Hush, Pedro! I am sure Doña Bernarda has done all she can for us."}}
}}
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12:24
{{ft/d|
{{c|"Trust me, Leonora! When I can win my mother's consent, we will go to the priest."}}
}}
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14:01
{{ft/d|
{{c|"Thank God for tragedy! It forces us to go forward."}}
}}
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14:28
{{ft/d|
{{c|"We shall somehow get to Paris and Leonora's voice will make our fortunes!"}}
}}
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14:39
{{ft/d|
{{c|"A cattle-boat leaves Valencia tonight! You can catch it if you hurry!"}}
}}
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14:53
{{ft/d|
{{c|"Will you carry a note to Don Rafael?"}}
}}
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15:41
{{ft/d|
{{c|"No answer——you needn't wait."}}
}}
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16:13
{{ft/i|
{{cursive block|
My Rafael:<br>
We are homeless and my father wants me to leave for Paris within the hour. Remember your vows, my Rafael. Come to me.
{{right|offset=2em|Leonora}}
}}
}}
----
16:39
{{ft/d|
{{c|"You were hanging around that Moreno girl again today."}}
}}
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16:52
{{ft/d|
{{c|"Is that why you are sending them away?"}}
}}
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17:02
{{ft/d|
{{c|"He got that letter from her!"}}
}}
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17:10
{{ft/d|
{{c|"So! She writes to you!"}}
}}
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17:20
{{ft/d|
{{c|"Is honorable love a crime?"}}
}}
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17:28
{{ft/d|
{{c|"Are you sure it is ''honorable'' love?"}}
}}
----
17:48
{{ft/d|
{{c|"Have you no respect for your mother—when I starve and slave—"}}
}}
----
18:02
{{ft/d|
{{c|"—To make you a great man—a deputy—like your sainted father!"}}
}}
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18:13
{{ft/d|
{{c|"I don't want to be a saint! I want to be myself!"}}
}}
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18:38
{{ft/d|
{{c|"Rafael! For your own good—listen!—"}}
}}
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18:51
{{ft/d|
{{c|"——She would drag you down!—Ruin your career!——"}}
}}
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19:03
{{ft/d|
{{c|"——The disgrace would kill me!——"}}
}}
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20:37
{{ft/d|
{{c|"It will keep you from harm."}}
}}
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20:58
{{ft/d|
{{c|"The devil loves a beautiful woman—who is poor. My last peseta to keep him from you!"}}
}}
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21:17
{{ft/d|
{{c|"Rafael did not come, Cupido."}}
}}
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22:19
{{ft/s|
{{c|{{di|T}}hen a curtain of gray years. Behind it Leonora Moreno vanished; from it emerged a new star—La Brunna, the idol of Paris.}}
}}
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23:14
{{ft/d|
{{c|"Not before the stagehands, Salvatti!"}}
}}
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23:46
{{ft/d|
{{c|"They say that after her father died, Salvatti trained her voice for nothing."}}
}}
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23:57
{{ft/d|
{{c|"Tenors never do anything for nothing."}}
}}
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24:07
{{ft/s|
{{c|{{di|L}}a Brunna's fame reached Alcira, but none dreamed she was the lost Leonora; least of all Rafael Brull—who went the way his mother wished.}}
}}
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24:23
{{ft/i|
{{c|{{smaller|'''VOTE FOR<br><br>RAFAEL BRULL'''<br><br><br>{{xx-smaller|OUR<br>DEPUTY}}}}}}<!--Vertical text purposefully not given. Add if all of the text can be selected in this order.-->
}}
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24:49
{{ft/s|
{{di|H}}is mother's choice——the gentle Remedios, heiress to the pork king.
{{right|{{smaller|. . . ''Gertrude {{SIC|Olmsted|Olmstead}}''}}}}
}}
----
25:03
{{ft/d|
{{c|"I said a prayer for your election."}}
}}
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25:17
{{ft/s|
{{di|D}}on Matías loved his daughter but the real passion of his life was hogs.
{{right|{{smaller|. . . ''Mack Swain''}}}}
}}
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25:32
{{ft/d|
{{c|"When will your father give his consent to our betrothal?"}}
}}
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25:45
{{ft/d|
{{c|"Wait and see if he's elected."}}
}}
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25:57
{{ft/d|
{{c|"Next week—surely."}}
}}
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26:18
{{ft/d|
{{c|"Don't give in to a man before you marry him—"}}
}}
----
26:29
{{ft/d|
{{c|"——Or afterward, either."}}
}}
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26:37
{{ft/s|
{{c|{{di|T}}he Café Américain in Paris——}}
}}
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26:57
{{ft/d|
{{c|"They say she was deserted by a young Spaniard—and since then she has had many affairs."}}
}}
----
27:55
{{ft/d|
{{ib|
{{ppoem|
I'm a-goin' home!
I'm a-goin' home!
}}
}}
}}
----
28:41
{{ft/d|
{{c|"Why not? You are an artist. This may help you to be a greater one."}}
}}
----
29:01
{{ft/d|
{{c|"Leonora! You are making yourself conspicuous!"}}
}}
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29:11
{{ft/d|
{{c|"He sang of home! Home! The old white house—and orange-blossoms. I am going home, Salvatti!"}}
}}
----
29:33
{{ft/s|
{{c|{{di|A}}nd so a great prima donna came home. Like the tail of a comet, her retinue streamed out behind—}}
}}
----
31:52
{{ft/d|
{{c|"I knew it would keep you from harm!"}}
}}
----
34:17
{{ft/i|
{{c|{{lang|es|{{smaller|'''VOTEN POR<br><br>RAFAEL BRULL'''<br><br><br>{{xx-smaller|NUESTRO<br>DIPUTADO}}}}}}}}<!--Vertical text purposefully not given. Add if all of the text can be selected in this order.-->
}}
----
34:58
{{ft/s|
{{c|{{di|E}}lection night—and the returns had swept a new deputy into office: the Honorable Don Rafael Brull.}}
}}
----
35:15
{{ft/i|
{{c|<!--Only showing individual instances of signs, not duplicates-->
VIVA<br>Rafael Brull
<br><br><br>
{{smaller|NUESTRO<br>DIPUTADO<br>Rafael Brull}}
<br><br><br>
VIVA<br>BRULL
}}
}}
----
36:39
{{ft/i|
{{c|
{{lang block|es|
{{cursive|La Brunna}}<br>
{{smaller|DISCOS}}
<br><br>
{{smaller|NO.{{gap}}A13560
<br>
ARIA De CARMEN}}<br>
{{xx-smaller|CANCION DE}}
<br>
{{smaller|LA BRUNNA}}
<br>
{{xx-smaller block|OCOMPAÑADO AL PIANO<br>POR<br>SR. JUAN VALDEZ}}
}}
}}
}}
----
36:45
{{ft/i|
{{c|
{{cursive|La Brunna}}<br>
{{smaller|RECORDS}}
<br><br>
{{smaller|NO.{{gap}}A-13560
<br>
ARIA FROM CARMEN}}<br>
{{xx-smaller|SUNG BY}}
<br>
{{smaller|LA BRUNNA}}
<br>
{{xx-smaller block|PIANO ACCOMPANIST<br>JUAN VALDEZ}}
}}
}}
----
37:03
{{ft/d|
{{c|"It is your voice! My Leonora—you are the great La Brunna!"}}
}}
----
37:29
{{ft/d|
{{c|"That old vulture, Doña Bernarda, has succeeded in electing her squab to Congress!"}}
}}
----
38:26
{{ft/d|
{{c|"—Your honor shall be mine. I will be in deed and in fact the Honorable Don Rafael Brull!"}}
}}
----
39:02
{{ft/d|
{{c|"Rafael Brull——the ''honorable!''"}}
}}
----
40:03
{{ft/d|
{{c|"You ask too much—an extra hundred head of hogs in my daughter's dowry!"}}
}}
----
40:15
{{ft/d|
{{c|"But—consider my son!"}}
}}
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40:20
{{ft/d|
{{c|"But——consider my hogs!"}}
}}
----
40:40
{{ft/d|
{{c|"Look at the twist in that tail!"}}
}}
----
41:14
{{ft/d|
{{c|"Tell me, Cupido, what did Leonora say when she heard I was deputy?"}}
}}
----
41:26
{{ft/d|
{{c|"She just laughed."}}
}}
----
41:42
{{ft/d|
{{c|"Poor girl——she did not look prosperous. What has she done, Cupido?"}}
}}
----
42:21
{{ft/d|
{{c|"A La Brunna record!"}}
}}
----
43:08
{{ft/d|
{{c|"You are—La Brunna!"}}
}}
----
43:15
{{ft/d|
{{c|"La Brunna is my stage name."}}
}}
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43:30
{{ft/d|
{{c|"So—you have come in search of me, Rafael?"}}
}}
----
43:51
{{ft/d|
{{c|"Still carrying my orange blossoms——"}}
}}
----
44:02
{{ft/d|
{{c|"—But they are dead."}}
}}
----
44:50
{{ft/s|
{{c|{{di|N}}ext day the old garden was filled with melody—}}
}}
----
45:39
{{ft/d|
{{c|"I will get some orange-blossoms for Remedios."}}
}}
----
46:09
{{ft/d|
{{ib|
{{ppoem|
If you love me not, I'll love you!
If I love you, then beware!
}}
}}
}}
----
46:31
{{ft/d|
{{c|"Ah! The Honorable Deputy again!"}}
}}
----
46:44
{{ft/d|
{{c|"I came—to pick some orange-blossoms."}}
}}
----
46:55
{{ft/d|
{{c|"Think of it, Jocko! He came to pick orange-blossoms!"}}
}}
----
47:16
{{ft/d|
{{c|"Well——go pick your orange-blossoms!"}}
}}
----
48:10
{{ft/d|
{{c|"Remedios—will you marry me soon?"}}
}}
----
48:23
{{ft/s|
{{c|{{di|T}}hen a torrent—as furious and relentless as the passion that surged in the hearts of the lovers.}}
}}
----
50:24
{{ft/d|
{{c|"Let's go to the Brull house—it's safer there!"}}
}}
----
51:10
{{ft/d|
{{c|"The river is as mad as a wounded bull! Everything is going!"}}
}}
----
51:21
{{ft/d|
{{c|"Leonora! Is she safe?"}}
}}
----
51:28
{{ft/d|
{{c|"The dam is leaking! Her house will be in the path of the torrent!"}}
}}
----
54:19
{{ft/d|
{{c|"I thought you were in danger—the torrent!"}}
}}
----
54:36
{{ft/d|
{{c|"Why, Rafael, this old house has stood for a hundred years!"}}
}}
----
54:51
{{ft/d|
{{c|"I'll find you some dry clothes."}}
}}
----
56:03
{{ft/d|
{{c|"——You are not the same Leonora who went away."}}
}}
----
56:12
{{ft/d|
{{c|"But you—you are the same careless boy who loved and forgot to keep faith!"}}
}}
----
56:27
{{ft/d|
{{c|"Still, you tried to save my life and I am grateful."}}
}}
----
56:40
{{ft/d|
{{c|"Does your mother know you are here?"}}
}}
----
56:55
{{ft/d|
{{c|"My mother has nothing to do with it. I came—because——"}}
}}
----
57:06
{{ft/d|
{{c|"You came—because—"}}
}}
----
57:10
{{ft/d|
{{c|"——You love me!"}}
}}
----
57:16
{{ft/d|
{{c|"I ''do'' love you, Leonora!"}}
}}
----
57:35
{{ft/d|
{{c|"I believed in love once—and love failed me—"}}
}}
----
58:09
{{ft/d|
{{c|"You are more beautiful than ever, Leonora!"}}
}}
----
58:16
{{ft/d|
{{c|"—You like beautiful things?"}}
}}
----
58:38
{{ft/d|
{{c|"——A Russian Grand Duke gave me this."}}
}}
----
59:23
{{ft/d|
{{c|"Why not? A great sculptor modeled it. He admired my figure."}}
}}
----
59:42
{{ft/d|
{{c|"Everything they say about you is true."}}
}}
----
59:56
{{ft/d|
{{c|"Perhaps—and whose fault is it?"}}
}}
----
1:00:31
{{ft/s|
{{c|{{di|T}}he torrent became a memory—and cloudless skies smiled on the betrothal feast of Rafael and Remedios.}}
}}
----
1:01:24
{{ft/d|
{{c|"See, Rafael, this is the mantilla I shall wear on our wedding night."}}
}}
----
1:01:37
{{ft/d|
{{c|"It is very lovely, Remedios."}}
}}
----
1:01:42
{{ft/d|
{{c|"It should be—it cost my father many pesetas."}}
}}
----
1:02:05
{{ft/d|
{{c|"Will you excuse me, Remedios? I have a headache——"}}
}}
----
1:02:34
{{ft/s|
{{c|{{di|T}}wilight and memories—the overpowering scent of orange-blossoms. An irresistible force drew him to the old garden.}}
}}
----
1:04:09
{{ft/d|
{{c|"Rafael, I love you!"}}
}}
----
1:04:42
{{ft/s|
{{ib|
{{ppoem|
{{di|I}}f time lets slip a little, perfect hour,
Oh, take it—for it will not come again.
}}
}}
}}
----
1:05:26
{{ft/s|
{{c|{{di|B}}ut Doña Bernarda was always to be reckoned with.}}
}}
----
1:05:48
{{ft/d|
{{c|"Doña Pepa, disgrace has fallen on your house!"}}
}}
----
1:05:59
{{ft/d|
{{c|"Your daughter! My son was with her here last night——until dawn!"}}
}}
----
1:06:16
{{ft/d|
{{c|"How did she get her fine clothes—her jewels—the things she gives you?"}}
}}
----
1:06:44
{{ft/d|
{{c|"You are a good woman, Doña Bernarda—you would not lie to me."}}
}}
----
1:07:20
{{ft/d|
{{c|"You must go away—and never come back."}}
}}
----
1:07:31
{{ft/d|
{{c|"Don't touch me!"}}
}}
----
1:08:21
{{ft/i|
{{cursive block|
My Rafael,<br>
{{gap}}I will not come between a son and his mother.<br>
{{gap}}I leave today for Madrid.
{{right|offset=2em|Leonora}}
}}
}}
----
1:08:49
{{ft/s|
{{c|{{di|T}}he life of the great world again. Artists, bankers, noblemen—even royalty paid homage to La Brunna.}}
}}
----
1:09:10
{{ft/d|
{{c|"They tell me you are leaving Madrid."}}
}}
----
1:09:21
{{ft/d|
{{c|"Yes, Your Highness. I am going to America."}}
}}
----
1:09:28
{{ft/d|
{{c|"Spain will miss you!"}}
}}
----
1:09:43
{{ft/d|
{{c|"Don Rafael is here!"}}
}}
----
1:11:04
{{ft/d|
{{c|"Leonora, I can't give you up! We must find a way!"}}
}}
----
1:11:40
{{ft/d|
{{c|"The Paris Express leaves at six. Then Cherbourg——and America!"}}
}}
----
1:12:08
{{ft/d|
{{c|"Bring me a spray of orange-blossoms. I want to be——like a bride."}}
}}
----
1:13:14
{{ft/d|
{{c|"You will need those for your mother's grave if you persist in this madness."}}
}}
----
1:13:31
{{ft/d|
{{c|"You cannot stop me now, Don Andrés! I am going on my own way!"}}
}}
----
1:14:09
{{ft/d|
{{c|"A fortunate man, this Don Rafael!"}}
}}
----
1:14:25
{{ft/d|
{{c|"It will kill your mother as surely as if you drove a dagger into her heart!"}}
}}
----
1:14:57
{{ft/d|
{{c|"He is worthy, Your Highness. Help me to make him a great man."}}
}}
----
1:15:10
{{ft/d|
{{c|"Dear lady, you have but to ask. His career shall be my personal concern."}}
}}
----
1:15:27
{{ft/d|
{{c|"What can this woman do for you—but drag you down?"}}
}}
----
1:15:38
{{ft/d|
{{c|"What of the people who made you deputy? They trusted you! And Remedios—you won her love!"}}
}}
----
1:15:56
{{ft/d|
{{c|"You would blast your honor for a woman whose amours are the talk of all Europe?"}}
}}
----
1:16:14
{{ft/d|
{{c|"It is not too late, Rafael—be a man!"}}
}}
----
1:17:34
{{ft/d|
{{c|"Oh, God! Why can't I hate him?"}}
}}
----
1:17:45
{{ft/s|
{{c|{{di|L}}ife went on—year after year. For Rafael the treadmill of monotony—for Leonora the golden heights of song. Again Madrid——}}
}}
----
1:18:05
{{ft/i|
{{c|
{{lang block|es|
TEATRO REAL<br>
{{xx-smaller|GRAN COMPAÑÍA DE OPERA ESPAÑOLA}}
<br><br>
{{sc|Leonora<br>La Brunna}}
<br><br><br><br>
{{larger|CARMEN}}
}}
}}
}}
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1:19:07
{{ft/i|
{{cursive block|
Through all these years I have been chained to duty—but your memory has never faded. Let me see you for a moment. Rafael
}}
}}
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1:20:28
{{ft/d|
{{c|"You are not—Rafael?"}}
}}
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1:21:09
{{ft/d|
{{c|"You are more beautiful than ever, Leonora! The years have passed you by."}}
}}
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1:21:21
{{ft/d|
{{c|"It is the business of a prima donna to remain young."}}
}}
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1:21:34
{{ft/d|
{{c|"And you——my poor Rafael! What have the years done to you?"}}
}}
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1:22:07
{{ft/d|
{{c|"You married her! The girl your mother chose."}}
}}
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1:22:17
{{ft/d|
{{c|"My wife is a good woman——"}}
}}
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1:22:23
{{ft/d|
{{c|"Children—I suppose?"}}
}}
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1:22:40
{{ft/d|
{{c|"Home—a good wife—money—a career—you have everything to make you happy."}}
}}
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1:22:56
{{ft/d|
{{c|"Everything—but love!"}}
}}
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1:23:08
{{ft/d|
{{c|"Don't be absurd! Would you have me rob a trusting wife of her husband—children of their father?"}}
}}
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1:23:36
{{ft/d|
{{c|"Love comes but once in a lifetime—and it has passed us by."}}
}}
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1:23:51
{{ft/d|
{{c|"Last act!"}}
}}
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1:23:57
{{ft/d|
{{c|"You see, Rafael——the last act! It is all over."}}
}}
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1:24:58
{{ft/s|
{{c|{{di|A}}nd so it goes. For those who miss the best, life deals a second best, in consolation.}}
}}
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1:27:20
{{ft/d|
{{c|"She must be very happy——she has everything she wants."}}
}}
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1:27:37
{{ft/s|
{{c|{{xx-larger|{{sc|The End}}}}}}
}}
