A Cyclopaedia of Female Biography/Flaxman, Ann
FLAXMAN, ANN,
Wife of John Flaxman, the celebrated sculptor, deserves a place among distinguished women, for the admirable manner in which she devoted herself to sustain her husband's genius, and aid him in his arduous career.
Her maiden name was Denman; she married John Flaxman when he was about twenty-seven years old, and she twenty-two. They had been for some time mutually attached to each other; but he was poor in purse, and though on the road to fame, had no one, but this chosen partner of his life, who sympathized in his success She was amiable and accomplished, had a taste for art and literature, was skilful in French and Italian, and, like her husband, had acquired some knowledge of the Greek. But what was better than all, she was an enthusiastic admirer of his genius, she cheered and encouraged him in his moments of despondency, regulated modestly and prudently his domestic economy, arranged his drawings, managed now and then his correspondence, and acted in all particulars, so that it seemed as if the church, in performing a marriage, had accomplished a miracle, and blended them really into one flesh and one blood. That tranquillity of mind, so essential to those who live by thought, was of his household; and the sculptor, happy in the company of one who had taste and enthusiasm, soon renewed 'With double zeal the studies which courtship and matrimony had for a time interrupted. He had never doubted that in the company of her whom he loved he should be able to work with an intenser spirit; but of another opinion was Sir Joshua Reynolds. "So, Flaxman," said the president, one day, as he chanced to meet him, "I am told you are married; if so, sir, I tell you you are ruined for an artist" Flaxman went home, sat down beside his wife, took her hand, and said, with a smile, "I am ruined for an artist." "John," said she, "how has this happened, and who has done it?" "It happened," said he, "in the church, and Ann Denman has done it; I met Sir Joshua Reynolds just now, and he said marriage had ruined me in my profession."
For a moment, a cloud hung on Flaxman's brow; but this worthy couple understood each other too well, to have their happiness seriously marred by the unguarded and peevish remark of a wealthy old bachelor. They were proud determined people, who asked no one's advice, who shared their domestic secrets with none of their neighbours, and lived as if they were unconscious that they were in the midst of a luxurious city. "Ann," said the sculptor, "I have long thought that I could rise to distinction in art without studying in Italy, but these words of Reynolds have determined me. I shall go to Rome as soon as my affairs are fit to be left; and to shew him that wedlock is for a man's good rather than his harm, you shall accompany me. If I remain here, I shall be accused of ignorance concerning those noble works of art which are to the sight of a sculptor what learning is to a man of genius, and you will lie under the charge of detaining me." In this resolution Mrs. Flaxman fully concurred. They resolved to prepare themselves in silence for the journey, to inform no one of their intentions, and to set, meantime, a still stricter watch over their expenditure. No assistance was proferred by the Academy, nor was any asked; and five years elapsed from the day of the memorable speech of the president, before Flaxman, by incessant study and labour, had accumulated the means of departing for Italy. They went together; and in all his subsequent labours and triumphs, the wife was his good angel.
For thirty-eight years Flaxman lived wedded—his health was generally good, his spirits ever equal; and his wife, to whom his fame was happiness, had been always at his side. She was a roost cheerful, intelligent woman; a collector, too, of drawings and sketches, and an admirer of Stothard, of whose designs and prints she had amassed more than a thousand. Her husband paid her the double respect due to affection and talent; and when any difficulty in composition occurred, he would say, with a smile, "Ask Mrs. Flaxman, she is my dictionary." She maintained the simplicity and dignity of her husband, and refused all presents of paintings, or drawings, or books, unless some reciprocal interchange were made. It is almost needless to say that Flaxman loved such a woman very tenderly. The hour of separation approached—she fell ill, and died in the year 1820; and from the time of this bereavement, something like a lethargy came over his spirit. He survived his wife only six years; and, as his biographer remarks, was "surrounded with the applause of the world."