Jump to content

Anne's Terrible Good Nature (Collection)

From Wikisource
Anne's Terrible Good Nature and Other Stories for Children (1908)
by E. V. Lucas, illustrated by Arthur Herbert Buckland
Edition: New York, The Macmillan Company, 1908 (reprinted 1928).

Mr. E. V. Lucas keeps this freshness and perfect understanding, and writes stories as though they were told under the open gaze of a child, who listens "with all his ears." ... Though their adventures may be rather unusual, as children they always keep their own place—and that is in our hearts. —The Outlook, 28 Nov 1908 [Full review in the Discussion page]

E. V. LucasArthur Herbert Buckland4128190Anne's Terrible Good Nature and Other Stories for Children1908

..........

ANNE'S TERRIBLE GOOD NATURE

OTHER BOOKS FOR CHILDREN
BY THE SAME AUTHOR

  • A BOOK OF VERSES FOR CHILDREN
  • ANOTHER BOOK OF VERSES FOR CHILDREN
  • THE FLAMP
  • THE AMELIORATOR
  • THE SCHOOLBOY'S APPRENTICE
  • OLD-FASHIONED TALES
  • FORGOTTEN TALES OF LONG AGO
  • THREE HUNDRED GAMES AND PASTIMES
  • RUNAWAYS AND CASTAWAYS
  • THE "ORIGINAL POEMS" OF ANN AND JANE TAYLOR
  • THE SLOW-COACH: A Story. Illustrated in Colour by M. V. Wheelhouse
  • A CAT BOOK. Illustrated by Pat Sullivan

..........

TO THE OLD WOMAN'S INTENSE ASTONISHMENT, SHE GAVE HER ONE HUNDRED AND FOUR OF HER THREEPENNY BITS. [p. 42

..........

ANNE'S TERRIBLE GOOD
NATURE

AND OTHER STORIES FOR CHILDREN

BY

E. V. LUCAS

WITH 12 ILLUSTRATIONS
BY A. H. BUCKLAND


NEW YORK
THE MACMILLAN COMPANY

..........

First published, August 1908; Reprinted December 1908,
July 191 1, March 1915, December 1919,
June 1923, December 1924,
and January 1928.

PRINTED IN GREAT BRITAIN: ALL RIGHTS RESERVED

..........

PREFACE

ſ the eleven stories in this book, seven now appear for the first time. For permission to reprint "Sir Franklin and the Little Mothers," I have to thank Messrs. Bradbury, Agnew & Co.; and Messrs. George Allen & Sons allow me to include "The Miss Bannisters' Brother." "The Monkey's Revenge" was printed first in Messrs. Dent's Christmas Treasury, and "The Anti-burglars" in The Woman at Home for December 1902 The motive of the title story was given to me by Mrs. Charles Bryant, and that of "The Ring of Fortitude" by Mrs. W. M. Meredith. The suggestion as to organs and street cries in "The Notice-Board" was made to me by Oxford's Professor of Poetry. The autobiographies of coins, I might add, are a commonplace in old books for children; but one is at liberty, I think, to adapt the idea to one's own time without being guilty of very serious want of originality.

E. V. L.

..........

CONTENTS

  1. ................................................................................................................................................................................................................................................................................................................................................................................................
    1
  2. ................................................................................................................................................................................................................................................................................................................................................................................................
    27
  3. ................................................................................................................................................................................................................................................................................................................................................................................................
    55
  4. ................................................................................................................................................................................................................................................................................................................................................................................................
    73
  5. ................................................................................................................................................................................................................................................................................................................................................................................................
    73
  6. ................................................................................................................................................................................................................................................................................................................................................................................................
    109
  7. ................................................................................................................................................................................................................................................................................................................................................................................................
    143
  8. ................................................................................................................................................................................................................................................................................................................................................................................................
    169
  9. ................................................................................................................................................................................................................................................................................................................................................................................................
    203
  10. ................................................................................................................................................................................................................................................................................................................................................................................................
    217
  11. ................................................................................................................................................................................................................................................................................................................................................................................................
    237
 (not listed in original)

Opinions of the Press

..........

ILLUSTRATIONS

  1. TO FACE PAGE
  2. TO THE OLD WOMAN'S INTENSE ASTONISHMENT, SHE GAVE HER ONE HUNDRED AND FOUR OF HER THREEPENNY BITS frontispiece
  3. "PLEASE DON'T TROUBLE TO GO BACK. I'LL LEND YOU THE CUPS AND SAUCERS" 19
  4. THESE TOMMY CATHCART AND SHE SLIPPED INTO THE HANDS OF THE SANDWICH-MEN 44
  5. THE PRESENCE OF SO SMALL A CRICKETER MADE A GREAT SENSATION AMONG THE PORTERS 64
  6. "DO LOOK AT THAT QUEER LITTLE MAN!" 80
  7. "WE HAD IT MADE ON PURPOSE" 103
  8. THERE WAS CHRISTINA 114
  9. WHILE MARY HELD THE LANTERN, HE WORKED AWAY AT THE FASTENINGS 162
  10. A LITTLE PROCESSION PASSED THE DOORWAY 181
  11. "YES, NURSE, BUT DO TELL ME WHAT SPEKE DID?" 206
  12. "A BLUE RIBBON WAS THREADED THROUGH ME, AND I WAS HUNG ROUND A LITTLE GIRL'S NECK" 229
  13. "WILL YOU TELL ME WHAT MR. DEAR IS LIKE?" 255

This work is in the public domain in the United States because it was published before January 1, 1929.


The longest-living author of this work died in 1938, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 85 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

Public domainPublic domainfalsefalse