Author:Elizabeth Stuart Phelps Ward
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Works
[edit]- The Bend (1864) external link
- My Refugees (1864) external link
- A New Year (1865) external link
- "What did she see with?" in The Atlantic Monthly, 18 (106) (August, 1866)
- The Silent Partner (1871) external link
- The Story of Avis (1877) external link
- The Boys of Brimstone Court (1879) [1]
- The Master of the Magicians (1890) external link
- Come Forth (1890) external link
- Gypsy's sowing and reaping (1890) external link
- A Lost Hero (1891) external link
- Donald Marcy (1893) external link
- A Singular Life (1894) external link
- The Supply at Saint Agatha's (1896) external link
- Confessions of a Wife (1902) [as Mary Adams] (transcription project)
- Though Life Us Do Part (1908) external link
Poetry
[edit]- Songs of the Silent World and Other Poems (1885) (transcription project)
- "Unquenched" in Littell's Living Age, 162 (2095)
Works from periodicals
[edit]- Not a Pleasant Story (1871, Scribner's Monthly) ss
- Since I Died (1872, Scribner's Magazine) ss
- Twenty-four:Four (1895-96, Harper's Magazine) ss
- Jonathan and David (1904, Harper's Magazine) ss
- The Man in the Case (1906 Apr, Ladies' Home Journal) ss
- Christophorus. A Story (1908-09, Harper's Magazine) ss
- His Soul to Keep (1908, Harper's Magazine) ss
- Non-fiction
- A Novelist's View of Novel-writing (1896, McClure's Magazine)
- Recollections of a Literary Life (1896, McClure's Magazine)
Works about Phelps
[edit]- "Elizabeth Stuart Phelps Ward," in A Woman of the Century, (ed.) by Frances Elizabeth Willard and Mary Ashton Rice Livermore, Buffalo: Charles Wells Moulton (1893)
- "Phelps, Elizabeth Stuart (Mrs. H. D. Ward)," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
- "Ward, Elizabeth Stuart Phelps," in Encyclopædia Britannica (11th ed., 1911)
- "Phelps, Elizabeth Stuart," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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