Author:Thomas Lupton
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Works
[edit]- A Moral and Pitieful Comedie intituled All for Money. Plainly representing the Manners of Men and Fashions of the World nowe-a-dayes (1578)
- A Thousand Notable Things of Sundry Sortes. Whereof some are wonderfull, some straunge, some pleasant, diuers necessary, a great sort profitable, and many very precious. At the Signe of the Cradle in Lumbard St. [1579]
- Sivqila [aliquis]. Too good to be true … Herein is shewed by Dialogue the wonderful manner of the people of Mauqsun, with other talk not frivolous (1580)
- The Second Part and knitting up of the Booke entituled Too Good to be True, wherein is continued the Wonderful Lawes, etc. of the people of Mauqsun (1581)
- A Persuasion from Papistrie. Written chiefly to the obstinate, determined, and disobedient English Papists, who are herein named and proued English Enimies, and extreme Enimies to England (1581)
- The Christian against the Jesuite, wherein the secrete or namelesse writer of a pernitious booke intituled A Discouerie of I Nicolls, Minister, priuily printed, couertly cast abrod, and secretly solde is not only justly reprooued: But also a booke dedicated to the Queene's Maiestie, called a Persuasion from Papistrie, therein derided and falsified, is defended by Thomas Lupton. At the Black Beare (1582)
- A Dreame of the Devill and Dives. Most terrible and fearefull to the seruants of Sathan, but right comfortable and acceptable to the Children of God. Licensed 6 May 1583 “provided he get the Bishop of London's allowance to it.” Printed for Henry Car at the signe of the Cat and Fidle [1584]
Works about Lupton
[edit]- "Thomas Lupon," in The Lives and Characters of the English Dramatick Poets (p. 88), by Gerard Langbaine, London: Thomas Leigh (1698)
- "Lupton, Thomas (fl.1583)," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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