Marlborough and other poems/Behind the Lines

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1991640Marlborough and other poems — Behind the Lines1919Charles Hamilton Sorley

XXXVIII

BEHIND THE LINES

We are now at the end of a few days' rest, a kilometre behind the lines. Except for the farmyard noises (new style) it might almost be the little village that first took us to its arms six weeks ago. It has been a fine day, following on a day's rain, so that the earth smells like spring. I have just managed to break off a long conversation with the farmer in charge, a tall thin stooping man with sad eyes, in trouble about his land: les Anglais stole his peas, trod down his corn and robbed his young potatoes: he told it as a father telling of infanticide. There may have been fifteen francs' worth of damage done; he will never get compensation out of those shifty Belgian burgomasters; but it was not exactly the fifteen francs but the invasion of the soil that had been his for forty years, in which the weather was his only enemy, that gave him a kind of Niobe's dignity to his complaint.

Meanwhile there is the usual evening sluggishness. Close by, a quickfirer is pounding away its allowance of a dozen shells a day. It is like a cow coughing. Eastward there begins a sound (all sounds begin at sundown and continue intermittently till midnight, reaching their zenith at about 9 p.m. and then dying away as sleepiness claims their masters)—a sound like a motor-cycle race—thousands of motor-cycles tearing round and round a track, with cut-outs out: it is really a pair of machine guns firing. And now one sound awakens another. The old cow coughing has started the motor-bykes: and now at intervals of a few minutes come express trains in our direction: you can hear them rushing toward us; they pass going straight for the town behind us: and you hear them begin to slow down as they reach the town: they will soon stop: but no, every time, just before they reach it, is a tremendous railway accident. At least, it must be a railway accident, there is so much noise, and you can see the dust that the wreckage scatters. Sometimes the train behind comes very close, but it too smashes on the wreckage of its forerunners. A tremendous cloud of dust, and then the groans. So many trains and accidents start the cow coughing again: only another cow this time, somewhere behind us, a tremendous-sized cow, θαυμάσιον ὅσον, with awful whooping-cough. It must be a buffalo: this cough must burst its sides. And now someone starts sliding down the stairs on a tin tray, to soften the heart of the cow, make it laugh and cure its cough. The din he makes is appalling. He is beating the tray with a broom now, every two minutes a stroke: he has certainly stopped the cow by this time, probably killed it. He will leave off soon (thanks to the "shell tragedy"): we know he can't last.

It is now almost dark: come out and see the fireworks. While waiting for them to begin you can notice how pale and white the corn is in the summer twilight: no wonder with all this whooping-cough about. And the motor-cycles: notice how all these races have at least a hundred entries: there is never a single cycle going. And why are there no birds coming back to roost? Where is the lark? I haven't heard him all to-day. He must have got whooping-cough as well, or be staying at home through fear of the cow. I think it will rain tomorrow, but there have been no swallows circling low, stroking their breasts on the full ears of corn. Anyhow, it is night now, but the circus does not close till twelve. Look! there is the first of them! The fireworks are beginning. Red flares shooting up high into the night, or skimming low over the ground, like the swallows that are not: and rockets bursting into stars. See how they illumine that patch of ground a mile in front. See it, it is deadly pale in their searching light: ghastly, I think, and featureless except for two big lines of eyebrows ashy white, parallel along it, raised a little from its surface. Eyebrows. Where are the eyes? Hush, there are no eyes. What those shooting flares illumine is a mole. A long thin mole. Burrowing by day, and shoving a timorous enquiring snout above the ground by night. Look, did you see it? No, you cannot see it from here. But were you a good deal nearer, you would see behind that snout a long and endless row of sharp shining teeth. The rockets catch the light from these teeth and the teeth glitter: they are silently removed from the poison-spitting gums of the mole. For the mole's gums spit fire and, they say, send something more concrete than fire darting into the night. Even when its teeth are off. But you cannot see all this from here: you can only see the rockets and then for a moment the pale ground beneath. But it is quite dark now.

And now for the fun of the fair! You will hear soon the riding-master crack his whip—why, there it is. Listen, a thousand whips are cracking, whipping the horses round the ring. At last! The fun of the circus is begun. For the motor-cycle team race has started off again: and the whips are cracking all: and the waresman starts again, beating his loud tin tray to attract the customers: and the cows in the cattle-show start coughing, coughing: and the firework display is at its best: and the circus specials come one after another bearing the merry-makers back to town, all to the inevitable crash, the inevitable accident. It can't last long: these accidents are so frequent, they'll all get soon killed off, I hope. Yes, it is diminishing. The train service is cancelled (and time too): the cows have stopped coughing: and the cycle race is done. Only the kids who have bought new whips at the fair continue to crack them: and unused rockets that lie about the ground are still sent up occasionally. But now the children are being driven off to bed: only an occasional whip-crack now (perhaps the child is now the sufferer): and the tired showmen going over the ground pick up the rocket-sticks and dead flares. At least I suppose this is what must be happening: for occasionally they still find one that has not gone off and send it up out of mere perversity. Else what silence.

It must be midnight now. Yes, it is midnight. But before you go to bed, bend down, put your ear against the ground. What do you hear? "I hear an endless tapping and a tramping to and fro: both are muffled: but they come from everywhere. Tap, tap, tap: pick, pick, pick: tra-mp, tra-mp, tra-mp." So you see the circus-goers are not all gone to sleep. There is noise coming from the womb of earth, noise of men who tap and mine and dig and pass to and fro on their watch. What you have seen is the foam and froth of war: but underground is labour and throbbing and long watch. Which will one day bear their fruit. They will set the circus on fire. Then what pandemonium! Let us hope it will not be to-morrow!


15 July 1915