the Venetian Government with the history of their Republic. The loss of another historian—Girolamo Borgia, who wrote the history of Italy in the days of Alexander VI. and Julius II.—is greatly to be deplored, not because he was distinguished as a writer, but because he was a Borgia.
The historian of Florence had given the first example of really classic Italian history, and Florence, though backward in comparison with Venice in the diffusion of literature by the art of printing, still took the lead among Italian cities in literary as well as artistic cultivation. A group of Florentine annalists sprung up, whose pens were chiefly exerted for the honour of their birthplace. Their candour generally prevented the publication of their works in their lifetime. Such is the case with Jacopo Nardi, who wrote the history of Florence from the expulsion of the Medici in 1494 to their final restoration in 1530, "with sincerity of intention and painstaking accuracy" (Symonds), but also with the acrimony to be expected from a banished patriot who fought for liberty to the last, and for the remainder of his life ate the bread of exile at Venice. The style is accused of aridity; but his translation of Livy is regarded as one of the best in the Italian language. His own history was not published until 1582, nor that of his continuator Segni until 1713, although this elegant historian, whose work occupies the period from 1527 to 1555, was a partisan of the Medici. A portion of the same epoch, from 1527 to 1538, is described much more diffusely by Benedetto Varchi, one of the most prolific men of letters of his time. Varchi, though a devotee of the liberty of whose restoration he despaired, wrote by the special commission of the Grand Duke Cosmo, which neither affected
