his impartiality nor protected him from being nearly murdered by some private persons who had been offended by his honesty, nor prevented his history from remaining in MS. until the eighteenth century. In 1570 Scipione Ammirato, a Neapolitan, received a commission from the Grand Duke to write a general history of Florence, which he brought down to 1574. His free access to archives enabled him to be more accurate than any predecessor. He also compiled some valuable genealogical works. The history of Ferrara was written by Pigna, and that of Genoa by Foglietta and Bonfadio, all of whom may be considered standard historians. The same can hardly be said of any other of the numerous local writers whom Italy produced in this age, except Porzio, the historian of the conspiracy of the Neapolitan barons against King Ferdinand; Graziani, who recounted the Venetian wars in Cyprus; and three others who deserve notice not merely as historians but as typical figures.
Never since Petrarch's day had the sceptre of Italian literature rested so unequivocally in one hand as in Pietro Bembo's during the second quarter of the sixteenth century. In one respect Bembo's pre-eminence is even more remarkable than his predecessor's, for Petrarch towered immeasurably above any possible competitor except Boccaccio, while Bembo was so far from being the first man of his day that he was not even a man of genius. His wonderful gift for felicitous imitation, whether in prose or verse, was unaccompanied by any power of original thought. But he possessed beyond any contemporary the formal perfection of style, whether in Latin or Italian, demanded by the age. His History of Venice, which alone concerns us here, was originally
