Page:A Study of Fairy Tales.djvu/330

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INDEX
Classes of tales, 204–44: accumulative, 205–11; animal, 211–17; humorous, 217–23; realistic, 223–28; romantic, 228–34; old and modern, compared, 234–43; references, 243–44.
Classic, fairy tale as a, 38–39.
Cock, the Mouse, and the Little Red Hen, 238–39.
Coherence, principle of, 58–59; illustrated, 62, 65.
Complicated or insincere, the, 36.
Composition: general qualities of, 57–58; precision, 57; energy, 57–58; delicacy, 58; personality, 58; principles of, 58–59; sincerity, 58–59; unity, 59; mass, 59; coherence, 59; style in, 59–60.
Comte de Caylus, 182.
Concrete situation, placing of story in, 94–95, 110–11.
Connotation, 54–57.
Consciousness, development of, 122–23.
Construction, expression of instinct of, 129–30.
Conversation, expression of instinct of, 125–27.
Country Mouse and City Mouse, 144–45.
Crayon-sketching, as expression, 132.
Creative return, illustrated, 144–54. See Return.
Criticism: of life, teaching, a, 120–21; of Oeyvind and Marit, 60–64; of Three Billy-Goats Gruff, 64–65; of How the Sun, Moon, and West Wind went out to Dinner, 84–86; of Straw Ox, 86–87; of Steadfast Tin Soldier, 135–38; of Musicians of Bremen, 219–20; of Drakesbill, 221–23; of Puss-in-Boots and Norse Lord Peter, 275–78; of Tom Thumb and Little Thumb, 278–82; of Snow White and Rose Red, 282–86; and of Elephant's Child, 287–90.
 
Danish tales, 194.
Dasent, Sir George W., tales by, as literary form, 68–69; Norse tales by, 194, 247, 257.
Delicacy, or emotional harmony, quality of, 57–58; illustrated, 60, 61, 64.
Denotation, 54.
Description, 75.
Dick Whittington, illustrating oral transmission of tales, 169; a chap-book, 185, 188, 196, 198.
Diminutive, the, 25–26.
Dragon tales, 31.
Drakesbill, 221–23.
Dramatic game: Elves and the Shoemaker, 145; Sleeping Beauty, 146–47.
Dramatization, as expression, 138–54; virtues of, 138, 143; dangers of, 139–43; of Sleeping Beauty, 146–47; of Bird and the Trees, 149–51; of Fir Tree, 152–53; of Little Two Eyes, 265–66; of Snow White, 266–67; of How the Birds came to have Different Nests, 270–72; and of Puss-in-Boots, 276.
Drawing, as expression, 132.
Dwarf's Tailor, 237.
 
Editions, main fairytale, 256–58; fairy tale, of all nations, 258–59; illustrated, 254–55; miscellaneous, of fairy tales, 259–62: school, of fairy tales, 262–64.
Elements to be avoided, 30–36.
Elephant's Child, illustrating: repetition, 27–28; suggestion, 56–57; form, 100–01; modern animal tale, 239, 287–90.
Elves and the Shoemaker, illustrating: structure and short-