Behind the pedestal, leaving a passage-way and space for an altar, commences a wall ten or twelve feet in breadth and five or six in height, extending thence exactly two hundred yards, or one Olympic stadium. At the farther, or westward, extremity of the wall there is another pedestal, surmounted with pillars which mark the second goal.
The racers will enter the course on the right of the first goal, and keep the wall all the time to their left. The beginning and ending points of the contest lie, consequently, directly in front of the consul across the arena; and for that reason his seat was admittedly the most desirable in the Circus.
Now if the reader, who is still supposed to be seated on the consular tribunal over the Porta Pompæ, will look up from the ground arrangement of the interior, the first point to attract his notice will be the marking of the outer boundary-line of the course—that is, a plain-faced, solid wall, fifteen or twenty feet in height, with a balustrade on its cope, like that over the carceres, or stalls, in the east. This balcony, if followed round the course, will be found broken in three places to allow passages of exit and entrance, two in the north and one in the west; the latter very ornate, and called the Gate of Triumph, because, when all is over, the victors will pass out that way, crowned, and with triumphal escort and ceremonies.
At the west end the balcony encloses the course in the form of a half-circle, and is made to uphold two great galleries.
Directly behind the balustrade on the coping of the balcony is the first seat, from which ascend the succeeding benches, each higher than the one in front of it; giving to view a spectacle of surpassing interest the spectacle of a vast space ruddy and glistening with human faces, and rich with vari-colored costumes.
The commonalty occupy quarters over in the west, beginning at the point of termination of an awning, stretched, it would seem, for the accommodation of the better classes exclusively.
Having thus the whole interior of the Circus under view at the moment of the sounding of the trumpets, let the
