to indicate the union between the two families. Into one of the large pots a gold and silver ring, and into the other an iron style and piece of palm leaf are dropped. The couple perform the pot-searching ceremony, and whichever gets hold of the gold ring or style is regarded as the more clever of the two. The bridegroom places his right foot, and the bride her left foot on a grindstone, and they look at the star Arundathi. The stone represents Ahalliya, the wife of the sage Gautama, who was cursed by her husband for her misconduct with Indra, and turned into a stone, whereas Arundathi was the wife of Vasishta and a model of chastity. The newly married couple, by placing their feet on the stone, indicate their intention of checking unchaste desires, and by looking at Arundathi, of remaining faithful to each other. The bride decorates a small grindstone with a cloth and ornaments, and takes it round to all her relations who are present, and who bless her with a hope that she will have many children.
In the Marava country, a grown-up Idaiyan girl is sometimes married to a boy of ten or twelve. Among some Idaiyans, it is customary for the tāli to be tied by the sister of the bridegroom, and not by the bridegroom, who must not be present when it is done.
It is said that, in some places, like the Gollas, when an Idaiyan bridegroom sets out for the house of his bride, he is seized by his companions, who will not release him till he has paid a piece of gold. In the Madura Manual it is noted that "at an Idaiyan wedding, on the third day, when the favourite amusement of sprinkling turmeric-water over the guests is concluded, the whole party betake themselves to the village tank (pond). A friend of the bridegroom brings a hoe and a basket, and the young husband fills three baskets with earth from the
