palm, which has been cut down at an auspicious moment, and with the formal sanction of the Tandān of the tara. This inner pandal is tastefully decorated with pictures and flowers. It is important to note that this little pandal must not be begun until the first day of the ceremony. On this day, the carpenter of the tara brings a low wooden seat, rather long and narrow, made from the pala tree (Alsionia scholaris), which must be cut at an auspicious moment, for which he receives one fanam. This seat is called mana.*ref>*Manavalan=bridegroom; Manavati = bride. </ref> A grass mat is spread in the middle room of the house, with a white cloth over it, on which the mana is placed. A lamp, vessel of water, and the usual paraphernalia are arranged on the ground to the south close by. When these preliminaries have been completed, the girl is brought by the uncle's wife to the pandal, and seated on a stool. In front of her, a lamp, and other things which are a feature in all ceremonials, and a measure of paddy are placed on the ground, a gold fanam is put on her head, and over it gingelly oil is poured. As the coin falls from the forehead, it is caught in a cup. It is important which side falls uppermost. The girl is then taken to a pool for bathing, and returns to the pandal. She is conducted to the middle room of the house in procession, with a silk canopy over her head and women carrying lamps, etc. She is confined in this room, which is decorated in the manner described when speaking of the menstruation ceremony, until the third day. She sleeps on a mat, surrounded by a little ridge of rice and paddy, cocoanut and areca palm flowers, and near her head is a copper pot marked with vertical daubs of white. The blacksmith of the tara brings a little stick, called charathkot, with
