an iron blade at one end, which is supposed to represent an arrow of Kāma. This the girl keeps constantly at her side, and carries in her hand when compelled by nature to leave the room. While confined in the room, she is not allowed to eat fish, flesh, or salt, or see any animals, especially a cat, dog, or crow. On the third day, the tāli is prepared on the spot by the village goldsmith. The girl's uncle gives him the gold, which he melts, and works at in the pandal at an auspicious moment. The paddy and rice, which, with the lamp and vessel of water, have been in evidence during the operations, are given to the goldsmith, with a fanam for his labour. A weaver brings two new cloths, of a particular kind called mantra-kodi, for which the girl's uncle pays. One is worn by the girl, and the mana is covered with the other. The girl is taken to bathe, and, after the bath, is richly dressed and ornamented, and brought in procession, with a canopy over her head, to the house, where she is conducted to the inner room. The mana is then placed, with the cloth near it, on a grass mat in the inner pandal. The uncle's wife sits on the mat, and the uncle lifts the girl, carries her three times round the pandal, and deposits her in his wife's lap. The astrologer, who is present, indicates the moment when the tāli should be tied. The girl's father gives him a fanam, and receives from him a little rice, called muhurtham (auspicious time). When the psychological moment has arrived he sprinkles the rice on the girl's head, saying "It is time." The tāli is then tied round the girl's neck by the uncle's wife. At the upper end of the tāli is a ring, through which the thread passes. The thread which is used for the purpose is drawn from the cloth with which the mana has been covered. [It is odd that there are some families of Nāyars, who are not allowed to use a tāli with a ring
