house where he is a quarter of an anna, which is tied up between two spoons. The spoons are tied to the roof of the girl's house. This represents the betrothal ceremony. A day is fixed for the marriage, and, on the appointed day, two figures, representing the bride and bridegroom, are drawn on the floor, with the hands lying one on the other. A quarter-anna, black beads, bangles, and a nose-screw, are placed on the hands, and water is poured on them. This is symbolical of the dhāre ceremony, and completes the marriage.
The pūjāris of all the bhūthasthānas and garidis are Billavas. The bhūtha temples called garidis belong to the Billavas, and the bhūthas are the Baidērukulu (Koti and Chennayya), Brimmeru (or Brahmeru) Gunda, Okka Ballāla, Kujumba Ganja, and Dēvanajiri. The Baidērkulu are believed to be fellow castemen of the Billavas, and Koti and Chennayya to be descended from an excommunicated Brāhman girl and a Billava. The legend of Koti and Chennayya is recorded at length by Mr. A. C. Burnell in the Indian Antiquary.*[1] The bhūthas are represented by idols. Brimmeru is the most important, and the others are subordinate to him. He is represented by a plate of silver or other metal, bearing the figure of a human being, which is kept within a car-like stone structure within the shrine. On its left are two human figures made of clay or stone, which represent the Baidērukulu. On the right are a man on horseback, and another figure, representing Okka Ballala and Kujumba Ganja. Other idols are also set up at the garidi, but outside the main room. They seem to vary in different localities, and represent bhūthas such as Jumadi, Pancha Jumadi, Hosabhūtha, Kallurti, etc.
- ↑ * Devil worship of the Tuluvas, Ind, Ant. XXIII, XXIV, and XXV, 1894-96.
