Brimmeru has been transformed, by Brăhman ingenuity, into Brahma, and all the bhūthas are converted into Gōnas, or attendants on Siva. In the pardhanas (devil songs) Brimmeru is represented as the principal bhūtha, and the other bhūthas are supposed to visit his sthāna. A bhūthasthāna never contains idols, but cots are usually found therein. A sthāna may be dedicated to a single bhūtha, or to several bhūthas, and the number may be ascertained by counting the number of cots, of which each is set apart for a single bhūtha. If the sthāna is dedicated to more than one bhūtha, the bhūthas are generally Kodamanithāya, Kukkinathāya, and Daiva. All the arrangements for the periodical kōla, or festival of the bhūthasthāna, are made by the pūjāri. During the festival, he frequently becomes possessed. Only such Billavas as are liable to be possessed are recognised as pūjāris. As a sign of their office, they wear a gold bangle on the right wrist. Further details in connection with bhūtha worship will be found in the articles on Bants, Nalkes, and Paravas.
Bilva (jackal). — An exogamous sept of Kondra.
Bindhollu (brass water-pot). — An exogamous sept of Jōgi.
Binu (roll of woollen thread). — An exogamous sept of Kuruba.
Bissoyi.— The Parlakimedi Māliahs are, I am informed, divided up into muttahs, and each muttah contains many villages, all ruled over by a Bissoyi, a sort of feudal chief, who is responsible for keeping them in order. Concerning the Bissoyis, Mr. S. P. Rice writes *[1] that in the Māliahs" are a number of forts, in which the Bissoyis, or hill chieftains, reside. Each of
- ↑ * Occasional Essays on Native South Indian Life.
