consider a coral necklace an essential. In her right hand she holds a vālkannādi (brass hand mirror), and in her left a charakkal (a highly ornate arrow). In front of the girl are placed, in addition to the five-wicked lamp and nirachaveppu, a metal dish or talam of parched rice, and the eight lucky things known as ashtamangalyam. A woman, termed Brahmini or Pushpini, usually of the Nambissan caste, sits facing her on a three-legged stool (pidam), and renders appropriate and lengthy songs, at the close of which she scatters rice over her. About midday there is a feast, and in the evening songs in the macchu are repeated. Next morning, the ceremonial in the macchu is repeated for the third time, after which the paraphernalia are removed to the nearest tank or to the east of the household well, where the Pushpini sings once more, goes through the form of making the girl's toilet, and ties a cocoanut frond round each of her wrists (kappōla). The girl has then to rise and jump over a kindi (vessel) of water with an unhusked cocoanut placed on the top, overturning it the third time. The party then proceed to the pandal, two men holding a scarlet cloth over the girl as a canopy, and a Chāliyan (weaver) brings two cloths (kōdi vastiram), which the girl puts on. In the evening, the previous day's ceremonial is repeated in the macchu. The third day is the most important, and it is then that the central act of the ceremony is performed. For this the girl sits in the inner pandal richly adorned. In some cases she is carried from the house to the pandal by her karnavan or brother, who makes a number of pradakshinams round the pandal (usually 3 or 7) before he places her in her seat. Before the girl are the various objects already specified, and the hymeneal ditties of the Pushpini open the proceedings. At the auspicious moment the
