way of preliminary, a high kick in the air, followed by squatting on the haunches, bounding high, turning, twisting, pirouetting, and all the time swinging the sword unceasingly above, below, behind the back, under the arm or legs, in ever so many impossible ways. Nāyar shields are made of wood, covered with leather, usually coloured bright red. Within the boss are some hard seeds, or metal balls loose in a small space, so that there is a jingling sound like that of the small bells on the ankles of the dancer, when the shield is oscillated or shaken in the hand. The swords are those which were used ordinarily for fighting. There are also swords of many patterns for processional and other purposes, more or less ornamented about the handle, and half way up the blade."
"The Nāyars," Mr. N. Subramani Aiyar writes, "have a distinct feudal organisation, and the division of their territories had an unmistakeable reference to it. The territorial unit was the dēsam, presided over by a Dāsavazhi. A number of desams adjoining one another constituted a nādu, which was under the jurisdiction of a chieftain called the Nāduvazhi. Above the Nāduvazhis was the Rājah, the highest suzerain in the country. In course of time, each nādu split itself up into a certain number of taras, over the affairs of which a Karanavan, or elder, presided. An assembly of these Karanavans constituted the six hundred — an old socio-military organisation of the Nāyars in mediæval times. These six hundred are referred to in two places in the second Syrian Christian document, which bears the date 925 A.D. In a South Travancore inscription, dated 371 M.E., the same organisation is referred to as Venattarunuru, or the six hundred of Venad, and one of their duties evidently related to the supervision of the
