milk, sugar, fruits, etc., all substantial food being eschewed. On the day appointed, a common cart is brought out, painted in alternate strips with white and red ochre, and adorned with gay flags, flowers, etc., in imitation of a car. Sheep or pigs are slaughtered before it, their number being generally governed by the number of children borne by the sacrificing woman. The cart is then dragged by bullocks, preceded by music, the woman and her husband following, with new pots filled with water and small pieces of silver money, borne on their heads, and accompanied by a retinue of friends and relatives. The village washerman has to spread clean cloths along the path of the procession, which stops near the boundary of the village, where a leafy bower is prepared, with three pieces of stone installed in it, symbolising the god Siva. Flowers, fruits, cocoanuts, incense, etc., are then offered, varied occasionally by an additional sheep or pig. A wooden seat is placed before the image, and the sacrificing woman places upon it her right hand with the fingers spread out. A man holds her hand firmly, and the village carpenter, placing his chisel on the first joints of her ring and little fingers, chops them off with a single stroke. The pieces lopped off are thrown into an ant-hill, and the tips of the mutilated fingers, round which rags are bound, are dipped into a vessel containing boiling gingily (Sesamum indicum) oil. A good skin eventually forms over the stump, which looks like a congenital malformation. The fee of the carpenter is one kanthirāya fanam (four annas eight pies) for each maimed finger, besides presents in kind. The woman undergoes the barbarous and painful ceremony without a murmur, and it is an article of the popular belief that, were it neglected, or if nails grow on the stump, dire ruin and misfortune will overtake the
