down the centre of the front. On her head hangs a stiff mitred head-dress, the inner rim being outlined with jewels, and her pendent veil reaches nearly to the waist.
Not being content with the weight of brocades and silks they had to carry, the women burdened themselves with canes with handles bearing the image of a bird. They carried fans, too, and collected from Spain perfumed gloves made of kid or silk, with the backs embroidered in gold or silver; the glove, however, was punctiliously removed when the hand was given in greeting.
France exhibited a nice sense of colour, and the most popular combination was a veil of white tissue, a girdle of green wrought with gold, and a glimpse of violet under-skirt below a brocaded dress "set off with black shoes."
The côte hardie was improved by being cut open in a point in front, with revers upon the shoulders, and a lappet of velvet or brocade was used to fill in the opening, and, turning back, revealed some delicate tissue of gauze and lace.
The noble ladies of Germany affected much simplicity, adopting this attitude in contrast to that of the burghers' wives and daughters. Their costume was narrow in cut, the close-fitting skirt widening as it reached the ground. The bodices were cut low off the shoulders, laced in front, with tightly-fitting sleeves that buttoned the whole length, and were finished by cuffs extending over the hands. The over-dress had wide sleeves and a long train laced below the waist behind, the fulness held at the bust with a girdle. Mantles were of a semicircular shape, with a long train fastening to the front with a buckle, or finished
