STEENWYCK Surgical Operation, Tobias healing his Fa- ther, Old Man Cutting Pen, Rotterdam Muse- um ; Dentist, Menagerie (1660), Sick-Room, similar subject, Steen's Family, The Inn, Hague Museum ; St. Nicholas's Day, Sur- gical Operation, Rotterdam Museum ; do., Twelfth Night, Gallant Proposal, Rhetori- cians, Museum, Brussels ; Marriage of Cana, Arenberg Gallery, ib. ; Samson insulted by Philistines, Country Wedding, Antwerp Mu- seum ; Artist's Portrait, Suermondt Muse- um, Aix-la-Chapelle ; Philosopher Reading, Aschaffenburg Gallery ; Jan Steen in a Tav- ern Garden, Quarrel at Play, Frivolous Par- ty, Berlin Museum ; Wedding Contract, Merry Party, Brunswick Museum ; Tavern Garden, Carlsnihe Gallery ; Feast of the Bean, Tavern Scene, Cassel Gallery ; Miser surprised by Death, Triumphal Entry of Saul into Jerusalem (1671), Copenhagen Gallery ; Morning after Wedding, Gallery, Dessau ; Boy and Dog, Old Woman and Dog, Amalienstift, ib. ; Marriage at Cana, Woman feeding Child, Expulsion of Hagar, Dresden Museum ; Moses striking the Rock, Man joking with Servant Girl, Alchemist, Fish Market at Leyden, Stiidel Gallery, Frankfort ; Jolly Company, Gotha Museum ; Peasants in a Landscape, Interior with mer- ry Peasants, Kunsthalle, Hamburg ; Coveted Tid-Bits, Konigsberg Museum ; Quarrel be- tween Card Players (1664), Doctor's Visit, Old Pinakothek, Munich ; Music Assembly in Open Air, Oldenburg Gallery ; Lovesick Maiden, Tavern Scene, Schwerin Gallery ; Peasant Wedding, Dutch Interior (1G63), Museum, Vienna ; Devotee, Baron Roths- child, ib.; Peasant Party, Schonborn Gal- lery, ib.; Esther and Ahasuerus, Doctor's Visit, Musical Entertainment in a Garden, Game of Tric-Trac (1667), Tavern Scene, Wedding, Gouty Old Man, The Drinkers, Hermitage, St. Petersburg ; Young Violin- ist, Peasants at Table, Uffizi, Florence ; The Old Rat comes to the Trap at last, Dutch Kirmess, Metropolitan Museum, New York. Ch. Blanc, cole hollandaise ; Bode, Stu- dien, 193 ; Burger, Musees, i. 104, 252 ; ii. 107, 262 ; Dohme, lii. ; Gower, Figure Paint- ers, 49 ; Graph. K, iii. 28 ; Immerzeel, iii. 110; Kramm, v. 1562; Kugler (Crowe), ii. 401 ; Kunst-Chronik, xvii. 267, 283, 574 ; Nederlandsche Kunstbode (1881), 225; Eie S e1 ' Bei - trage, ii. 326 ; Wed- more, Masters of Genre Painting, 106 ; Westrheene, Jan Steen (Hague, 1856); Zeit- schr. f. b. K, iii. 190 ; v. 228 ; viii. 353 ; xiv. 253, 315, 343. STEENWYCK, HENDRIK VAN, the elder, born at Steenwyck about 1550, died at Frankfort in 1604. Flemish school ; ar- chitecture painter, pupil of Jan Fredeman de Vries ; master at Antwerp in 1577. Went to Germany in 1579. Painted chiefly church interiors, generally with figures by some of the Francken family. The first to repre- sent the effect of the light of torches and tapers on architectural forms. Works : Vesti- bule Interior, National Gallery, London ; Il- luminated Cathedral, Amsterdam Museum ; Buildings, Hague Museum ; Interior of St. Peter's at Louvain, Brussels Museum ; A Market (1598), Brunswick Gallery ; Court- Yard of a Palace (1588), Amalienstift, Des- sau ; Interior of Aix-la-Chapelle Cathedral (1573), Schleissheim Gallery ; Liberation of St. Peter (1604), Gothic Church Interior, Vi- enna Museum ; Prison of St. John the Bap- tist, Uffizi, Florence ; others in Aschaffen- burg (2), Cassel (5), Christiania, St. Peters- Hetir.V. burg (3), and Stuttgart Galleries. Kramm, v. 1568 ; Michiels, vi. 203 ; Riegel, Bei- trage, ii. 34 ; Siret (1883), ii. 294. STEENWYCK, HENDRIK VAN, the younger, born in Amsterdam (?) or in Frank- foi-t about 1580, died in London, after 1649. Flemish school ; architecture painter, son 330
