Page:Cyclopedia of painters and paintings - Volume I.djvu/403

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Portrait, Städel Gallery, Frankfort. His nephew, Benjamin Cuyp (1608-about 1690), painted historical subjects and genre.—Kugler (Crowe), ii. 354; Dohme, 1ii.; Vossmaer, 465.


CYCLOPS, MODERN, Adolf Menzel, National Gallery, Berlin; canvas, H. 5 ft. × 8 ft. 3 in.; signed, dated 1875. Scene in a rolling-mill at Laurahütte, Silesia. Five workmen are busy around a loop placed on the first roller; in middle-*ground, machinery and cranes, with many workmen; in background, left, a blast furnace and more workmen; in foreground, right, three workmen eating their meal, brought by a young girl.


CYDIAS, Greek painter of Cythnus, about 364 B.C. His picture of the Argonauts was bought for 144,000 sesterces by the orator Hortensius, who had a building erected for it on his estate at Tusculum. (Pliny, xxxv. 40 [130].) This painting is supposed to have been removed by Agrippa to the Portico of Neptune. (Di. Cass. L. iii. 27.) Cydias is mentioned by Theophrastus (De Lap. 95) as the discoverer of minium (red lead, or vermilion).


CYMON AND IPHIGENIA, Sir Frederic Leighton, Fine Arts Society, London. Scene from Boccaccio's Decameron, Novel I., Fifth Day. Cymon, son of Aristippus, a gentleman of wealth and rank in Cyprus, though excelling in stature and comeliness, was almost a natural fool, and could not be taught anything. One day, in passing through a wood, he discovered a most beautiful damsel asleep, with two maids and a man-servant also sleeping at her feet. At this sight love pierced his heart, and led to such a change in his character that in four years he became the most accomplished gentleman in Cyprus, and, after various adventures, wooed and won Iphigenia for his wife. Royal Academy, 1884.—Art Journal (1884), 129.

By Sir Joshua Reynolds, Buckingham Palace, London; canvas, H. 4 ft. 7 in. × 5 ft. 7 in. Iphigenia, nearly nude, lies asleep on drapery in the wood; in background, Cymon, led by Cupid, leans upon a staff gazing upon her in wonder-stricken admiration. Painted in 1789. Presented to George IV. by the painter's niece, the Marchioness of Thomond. Engraved by S. W. Reynolds.—Waagen, Treasures, ii. 24.

Cymon and Iphigenia, Sir Joshua Reynolds, Buckingham Palace, London.

Subject treated also by Cornelis Corneliszen, Hermitage, St. Petersburg; Rubens, Vienna Museum.


CZACHORSKI, VLADISLAV VON, born at Lublin, Poland, Sept. 22, 1850. Genre painter; studied first in Lublin and Warsaw, then at Dresden Academy under