class, 1876. Works: Dante and Virgil (1875), Cambrai Museum; Rebellious Angels (1876), bought by State; Prometheus (1877); Christ in the Tomb (1878); The Little Giggler (1879); The Angelus (1880); Orpheus torn by the Bacchantes (1881); Death of a Hog, Autumn Night (1883); The Laundress (1884).
DELAHAYE, ERNEST JEAN, born in
France; contemporary. Genre and portrait
painter, pupil of Gérôme. Medals: 3d
class, 1882; 2d class, 1884. Works: Lavatory
(1881); Shoeing, Farriery (1882); Jewish
Easter (1883); Gas-Works at Courcelles
(1884); Farriery, Portrait of Henri Maret
(1885).
DELANCE, PAUL LOUIS, born in
Paris; contemporary. Genre and portrait
painter, pupil of Gérôme. Medal, 3d
class, 1881. Works: Faith, Hope, and
Charity (1878); The three Ages (1879);
Louis XVI. and Parmentier (1880); Return
of the Flag (1881); Revery (1882); Departure
(1883); Upon the Stockade, Portrait
(1884); Nurses' Bench at Orphanage of St.
Valéry (1885).
DELANOY, HIPPOLYTE PIERRE,
born in Glasgow, Scotland, of French parents;
contemporary. Genre painter, pupil
of Jobbé-Duval, F. Barrias, Bonnat, and
Vollon. Medal, 3d class, 1879. Works:
Pride and Impudence, Gilliflowers and
Thoughts (1877); Booty, Breakfast on the
the Turf (1878); At Don Quixote's, The
Koran (1879); Preparation for Breakfast,
Peaches and Flowers (1880); Breakfast
(1881); A Corner in Willem Kalf's Studio,
The Gospel (1882); To the Glory of a General
of the Past or the Future, India and
the East (1883); Luncheon in the Park,
Things of the Past (1884); With Jacques
d'Anville, In Time of Chivalry (1885).
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DELAROCHE, PAUL (Hippolyte), born
in Paris, July 17, 1797, died there, Nov.
4, 1856. History and portrait painter. Began
by painting landscapes under Watelet,
which he gave up for history after entering
the studio of Baron Gros. First attracted
attention by his picture of Joash saved from
death by Jehosheba (1822). Received the
great gold medal
in 1824, became
Knight of the
Legion of Honour
in 1828, Officer
in 1834, Member
of the Institute
in 1832, and
Professor at the
Academy in 1833.
In the following
year he went to
Italy, and on his return showed the idealizing
effect upon his style of his study of the
old masters in the famous Hemicycle which
he painted at the École des Beaux Arts. At
the time of his second visit to Italy in 1844
he was made a member of the Academy of
St. Luke, as he had previously been of the
academies of Amsterdam and St. Petersburg.
Works: Naphtali in the Desert
(1819); Joash saved from death by Jehosheba
(1822), Death of Queen Elizabeth (1827),
Children of Edward IV., or Princes in the
Tower (1830), Louvre, Paris; Filippo Lippi
(1822); St. Vincent de Paul preaching before
Louis XIII. (1823); Joan of Arc in Prison,
St. Sebastian (1824); Children caught in
Storm (1825); Death of Agostino Carracci
(1826); Massacre of St. Bartholomew (1826),
Königsberg Museum; Flora Macdonald
(1826); Death of Duranti (1827), painted for
Conseil d'État; Capture of the Trocadero
(1827); Richelieu on the Rhône (1829),
Death of Mazarin (1830), Sir R. Wallace,
London; Cromwell beside Coffin of Charles
I. (1831), Nîmes Museum; Execution of Lady
Jane Grey (1834), H. W. Eaton, M.P.; Galileo
(1834); Assassination of Duc de Guise
(1835), Duc d'Aumale, Chantilly; Strafford
going to Execution (1835), Duke of Sutherland;
Charles I. insulted by Cromwell's
Soldiers (1836), Bridgewater Gallery; Napoleon
in his Study (1837), Countess of
Sandwich; Portrait of Peter the Great
(1838); Hemicycle (1838-41), École des