guarded by Poodle, Game and Flowers (1712), do. (1712), Zette (dog of Louis XIV., 1714), Bonne, Nonne, and Ponne (do.), Folle and Mite (do.), Tane (do.), Pompey and Florissart (do., 1739), Dog and Partridges (1720), and 10 others, Louvre, Paris. Others in Grenoble Museum, Hermitage at St. Petersburg, and Stockholm, Brunswick, and Carlsruhe Galleries. His son, Claude François (1695-1774), was an animal painter; member of Academy, 1723. Nicolas, nephew and pupil (1718-1787), painted animals and portraits; member of Academy, 1757.—Ch. Blanc, École française; Villot, Cat. Louvre; Lejeune, Guide, iii. 300.
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DESTREM, CASIMIR, born at Toulouse; contemporary. Landscape painter, pupil of Bonnat. Medal: 3d class, 1879. Works: St. Roch (1878); Unstitching, Jean Calas (1879); Rustic Scene (1880); Midday Rest (1881); Père la Brume (1882); Fishermen (1883); Wind Storm, Entry of Village at Evening (1884); Close of Day, Entrée de Bullier (1885).
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DETAILLE, (JEAN BAPTISTE) ÉDOUARD,
born in
Paris, Oct. 5,
1848. Genre
painter, pupil of
Meissonier; exhibited
at Salon
in 1868 his Halt
of Infantry, which
received much
praise, and in 1869
the Rest during
Drill at Camp St. Maur, which established
his reputation as one of the most popular
military painters of the day. Medals: 1869,
1870; 2d class, 1872; L. of Honour, 1873;
Officer, 1881. Works: Engagement between
Imperial Guards and Cossacks in 1814 (1870);
The Conquerors (1872); Bonaparte in Egypt,
Opening of the Grand Opera (1878); Champigny
in December, 1870 (1879); Distributing
Flags (1881); Evening of Rezonville
(1884). Works in United States: Saluting
the Wounded (1877), Samuel Hawk Collection,
New York; Cossacks attacked by Royal
Guard, Cuirassier, Miss C. L. Wolfe, New
York; Rifle Practice, Souvenir des Grandes
Manœuvres, A. Belmont, New York; Scene
of Franco-German War, Les Incroyables,
Forest of St. Germain, J. H. Stebbins, New
York; French Infantry (monochrome), J.
H. Warren, Hoosac Falls, New York; Cossack
of the Don, G. I. Seney, Brooklyn;
Sentry, M. Graham, New York; Vidette, W.
Rockefeller, New York; Cavalry Officer, Incident
in Franco-Prussian War, J. J. Astor,
New York; Autumn Manœuvres, R. C. Taft,
Providence; Austrian Cavalryman, J. A.
Brown, Providence; Prussian Soldiers, G.
Whitney, Philadelphia; Scene in a Cabaret,
C. H. Clark, Philadelphia; Shaving in Camp,
Sapeur, H. R. Bishop, New York; Les Profonds
Politiques, J. C. Runkle, New York;
Hussar, M. K. Jesup, New York; Aide-de-Camp,
J. T. Martin, Brooklyn; Hungarian
Hussar, Trumpeter, F. Harper, New York;
Halt, Calling the Roll, Soldier off Duty,
Mounted Hussar, C. S. Smith, New York;
Study of Horses, F. Rogers, Philadelphia;
Les Incroyables, R. L. Cutting, New York;
Ready to March (1874), The Picket (1875),
W. T. Walters, Baltimore; Ambulance Corps,
Skirmishing near Paris, 1870, W. H. Vanderbilt,
New York; Ambulance Corps at Longchamps,
The Retreat (1873), William Astor,
New York; Charge of 9th Regiment of Cuirassiers,
Aug. 6, 1870 (1874), H. C. Gibson,
Philadelphia; Prussian Sentinel, A. E. Borie
Collection, Philadelphia; Passing Regiment
(1875), French Cuirassiers bringing in Ba-
