Clignancourt; Temptation of Christ (1872); Our Lady of the Seven Troubles (1878).
DUNCAN GRAY, Sir David Wilkie, South
Kensington Museum; canvas, H. 2 ft. 1 in.
× 1 ft. 9 in. Called also The Refusal. Scene
from Burns's "Duncan Gray." Meg, seated
beside a table at left, refusing Duncan Gray,
who is seated at right; behind her is her
mother sitting, and her father standing.
Exhibited at Royal Academy in 1814; bought
by Lord Charles Townshend, who sold it to
Mr. Sheepshanks. Mulready is said to have
sat for Duncan Gray, and his father for the
father of Meg. Meg herself is Wilkie's sister.
Engraved by F. Engleheart.—Heaton,
Works of Sir D. W.
DUNCAN, THOMAS, born at Kinclaven,
Perthshire, May 24, 1807, died in Edinburgh,
May 25, 1845. Student in 1827 in Royal
Scottish Academy, of which became a member
in 1830; exhibited in Royal Academy,
London, his Prince Charles Edward entering
Edinburgh after Preston Pans (1840); Auld
Robin Gray (1841), and Deerstalkers (1842);
and elected A.R.A. in 1843. The first-named
picture and his Prince Charles Asleep after
Culloden, which are well engraved, are his
best works.—Redgrave; Ch. Blanc, École
anglaise; Sandby, ii. 213.
DÜNTZE, JOHANNES (BARTHOLOMÄUS),
born at Rablinghausen, near Bremen,
May 6, 1823. Landscape painter, pupil
of Munich Academy, then in Berlin of
Krause and in 1851-55 in Geneva of Calame;
studied then in Paris. In 1845, and again
later, he visited Norway, Switzerland, Tyrol,
and the Netherlands, and in 1856 settled in
Düsseldorf. Works: Sogne Fjord (1860);
Winter Landscapes with Architecture (1860);
Lake in Norwegian Mountains. Others in
Galleries of Hanover, Stuttgart, Berne, and
Sidney, Australia.—Dioskuren, 1860, 146;
Müller, 147.
DÜNWEGGE, HEINRICH, and VICTOR,
16th century, in Dortmund about 1521.
German school. Two able but second-rate
painters of religious pictures. Works: Holy
Kith and Kin, Antwerp Museum; Triptych,
Dominican Church, Dortmund (1521); Crucifixion,
Münster Museum; Do not Bear
False Witness, Town Hall, Wesel; Predella,
Parish Church, Calkar; Crucifixion, Munich
Gallery; Bewailing Christ, St. Maurice
Chapel, Nuremberg; Madonna, Darmstadt
Gallery.—Lübke, Kunst in Westfalen, 360;
W. & W., ii. 500; Förster, ii. 164; Kunstblatt
(1841), 102; (1843), 90.
DUPAIN, EDMOND (LOUIS), born at
Bordeaux, Jan. 13, 1847. Genre painter,
pupil of Cabanel and Gué. Medals: 3d
class, 1875; 1st class, 1877. Works: Death
of the Nymph Hesperis (1870); In the Arbor
(1872); The Aged Hunter (1873); A Huntress
(1874); Youth and Death (1875); Sleep
(1876); Good Samaritan, St. Gervais and St.
Protaïs led out to Martyrdom (1877); Export
Duty at Bordeaux (1878); The Girondists
Pétion and Buzot (1880); Springtime
driving away Winter (1881); The Choice of
Weapons, Adrift (1882); The Hard Road, A
Parisian Woman (1883).—Montrosier, ii.
DÜPPEL AFTER THE STORMING,
Wilhelm Camphausen, National Gallery,
Berlin; canvas, H. 6 ft. 2 in. × 9 ft. 4 in.
The German Crown Prince, with his staff,
rides upon the field after the storming of
Düppel in the Schleswig-Holstein war,
April 18, 1864, and congratulates Prince
Frederick Charles on his victory.
DUPRAY, HENRI LOUIS, born at Sedan
(Ardennes), Nov. 3, 1841. History painter,
pupil of Pils and of Léon Cogniet; ranks
with Detaille and De Neuville as a leader of
the new school of military painters. Medals:
2d class, 1872; 3d class, 1874; L. of Honour,
1878. Works: Cuirassier (1865); Marshal
Ney at Waterloo (1869); Battle of Waterloo
(1870); Marines of the Pothuan Division
(1872); Visiting the Advanced Posts (1874);
Regiment of Hussars going to the Front of
a Convoy, Troops in the Market-Place of St.
Denis (1876); Great Autumn Manœuvres,
Light Artillery going into Position (1877);
Arrival of the Staff (1878); A Capitalist
(1879); A Horse Unshod (1880); Departing
Incognito (1884).—Montrosier, ii.
