Rogers's ‘Lyra Britannica,’ 1867; Martineau's ‘Hymns,’ 1873; Prout's ‘Psalmist,’ 1878; and the ‘Scottish Evangelical Hymnal,’ 1878. Those on prayer, on the death of children, for those at sea, and for use at sea, are deservedly popular. Her longer poems are earnest and graceful.
[Information from Mrs. Simpson's daughter, Mrs. Napier (Aberdeen), and Mr. Beatson (Royal Exchange, Glasgow); Edwards's Modern Scottish Poets, 8th and 9th ser.; Christian Leader, 24 June 1896; Julian's Dict. of Hymnology.]
SIMPSON, JOHN (1746–1812), biblical critic, youngest son of Nathaniel and Elizabeth Simpson, was born at Leicester on 19 March 1746. After being at school at Kibworth, Leicestershire, under John Aikin (1713–1780) [q. v.], and at Market Harborough, he entered Warrington academy in 1760 (see for his account of its tutors Monthly Repository, 1813, pp. 166, 229). In 1765 he migrated to Glasgow University, where he was a pupil of William Leechman [q. v.] Leaving Glasgow in 1767, he spent some years in home study. In April 1772 he succeeded Thomas Bruckshaw as junior minister of High Pavement Chapel, Nottingham. He became sole minister on the death of John Milne in the following September; in 1774 George Walker (1735–1807) [q. v.] became his colleague. Simpson and Walker got back a section of the congregation which had seceded in 1760. In August 1777 Simpson removed to Walthamstow, Essex, to assist Hugh Farmer [q. v.] as afternoon preacher. He resigned this office in 1779, retired from active duty, married, and removed to Yorkshire, living at Cottingham, East Riding; Little Woodham, near Leeds; and Leeds itself. In 1791 he settled at Bath for the remainder of his days. He died on 18 Aug. 1812, and was buried on 31 Aug. at Lyncomb, near Bath. He married, in 1780, Frances, daughter of Thomas Woodhouse of Gainsborough, and widow of Watson of Cottingham, and left one son, John Woodhouse Simpson of Rearsby, Leicestershire.
Simpson lived much among his books, and made few friends; among them was Joseph Stock (d. 1812), bishop of Waterford, the translator of Job and Isaiah. He published a few sermons and a number of essays. Those on topics of biblical criticism were collected as ‘Essays on the Language of Scripture,’ Bath, 1806, 8vo; enlarged, Bath, 1812, 8vo, 2 vols. Of these the most important is ‘An Essay on the Duration of a Future State of Punishments and Rewards,’ 1803, 8vo; an argument for universal restoration, commended by Priestley in his last days. Other publications include: 1. ‘An Essay to show that Christianity is best conveyed in the Historic Form,’ Leeds, 1782, 12mo. 2. ‘Thoughts on the Novelty, the Excellence, and the Evidence of the Christian Religion,’ Bath, 1798, 8vo. Posthumous were: 3. ‘Two Essays … on the Effects of Christianity … on the Sabbath,’ &c., 1815, 8vo. 4. ‘Sermons,’ 1816, 8vo (ed. by his son).
[Funeral Sermons by Hunter and Jervis, 1813; Monthly Repository, 1814, pp. 80 sq.; Rutt's Memoirs of Priestley, 1832, i. 50, 215, ii. 530; Carpenter's Presbyterianism in Nottingham [1862], pp. 160 sq.]
SIMPSON, JOHN (1782–1847), portrait-painter, born in London in 1782, was a student at the Royal Academy and for some years an assistant to Sir Thomas Lawrence, P.R.A. He obtained some success as a portrait-painter, and eventually a very large practice. From 1807 to his death he was a frequent exhibitor at the Royal Academy and other exhibitions. In 1834 he received a commission to go to Portugal, and painted portraits at Lisbon, where he was appointed painter to the queen of Portugal. Simpson was rather a skilful portraitist than an artist. His portraits are not without power, but lack instinct and penetration. One of John Burnet [q. v.], the engraver, is in the National Portrait Gallery. William IV and many notable persons in his day sat to him. Simpson died at Carlisle House, Soho, in 1847. He left two sons, who practised as artists, of whom Charles Simpson died young in 1848, having contributed a few landscapes to the London exhibitions. The other, Philip Simpson, was a student at the Royal Academy, and obtained some success for small domestic subjects from 1824 to 1857. One of these, called ‘I will fight,’ exhibited in Suffolk Street in 1824, is in the Townshend collection at the South Kensington Museum.
[Redgrave's Dict. of Artists; Graves's Dict. of Artists; catalogues of the South Kensington Museum, National Portrait Gallery, &c.]
SIMPSON, JOHN PALGRAVE (1807–1887), dramatist and novelist, was the second of the four sons of William Simpson, town clerk of the city of Norwich and treasurer of Norfolk, by his wife Katherine, daughter of William Palgrave of Coltishall. Both parents descended from old families long resident in the county. His younger brother Palgrave, a mercantile lawyer of Liverpool,
