That in an eyelid's beat
Him whom it raised it maketh low and vile.
None was, nor is, nor shall be of such guile,
Who could, or can, or shall, I say, at length
Prevail against my strength.
But still those men that are my questioners
In bitter torment own their hearts perverse.
"Song, that wast made to carry high intent
Dissembled in the garb of humbleness,—
With fair and open face
To Master Thomas let thy course be bent.
Say that a great thing scarcely may be pent
In little room: yet always pray that he
Commend us, thee and me,
To them that are more apt in lofty speech:
For truly one must learn ere he can teach."
74. This old Rabbinical tradition of the "Regents of the Planets" has been painted by Raphael, in the Capella Chigiana of the Church of Santa Maria del Popolo in Rome. See Mrs. Jameson, Sacred and Legendary Art, I. 45. She says: "As a perfect example of grand and poetical feeling I may cite the angels as 'Regents of the Planets' in the Capella Chigiana. The Cupola represents in a circle the creation of the solar system, according to the theological (or rather astrological) notions which then prevailed,—a hundred years before 'the starry Galileo and his woes.' In the centre is the Creator; around, in eight compartments, we have, first, the angel of the celestial sphere, who seems to be listening to the divine mandate, 'Let there be lights in the firmament of heaven'; then follow, in their order, the Sun, the Moon, Mercury, Venus, Mars, Jupiter, and Saturn. The name of each planet is expressed by its mythological representative; the Sun by Apollo, the Moon by Diana; and over each presides a grand, colossal winged spirit, seated or reclining on a portion of the zodiac as on a throne."
The old tradition may be found in Stehelin, Rabbinical Literature, I. 157. See [[../../Volume 2/ Canto 16|Purgatorio, XVI.]] 69.
98. Past midnight.
103. Perse, purple-black. See Canto V., Note 89.
115. "Is not this a cursed vice?" says Chaucer in The Persones Tale, p. 202, speaking of wrath. "Yes, certes. Alas! it benimmeth fro man his witte and his reson, and all his debonaire lif spirituel, that shulde keepe his soule. Certes it benimmeth also Goddes due lordship (and that is mannes soule) and the love of his neighbours; it reveth him the quiet of his herte, and subverteth his soule."
And farther on he continues: "After the sinne of wrath, now wolle I speke of the sinne of accidie, or slouth; for envie blindeth the herte of a man, and ire troubleth a man, and accidie maketh him hevy, thoughtful, and wrawe. Envie and ire maken bitternesse in herte, which bitternesse is mother of accidie, and benimmeth him the love of alle goodnesse; than is accidie the anguish of a trouble herte."
And Burton, Anatomy of Melancholy, I. 3. i. 3, speaking of that kind of melancholy which proceeds from "humors adust," says: "For example, if it proceeds from flegm (which is seldom, and not so frequent as the rest) it stirs up dull symptomes, and a kind
