INTERPRETATION IN CONDUCTING
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plainly see where expression must start. It has to be from the words, of course. The performer puts in the feeling of gladness or sadness without regard to the notes, paying attention only to the text."
Expression in choral music is dependent upon the text to just as great an extent as in the case of solo singing; and choral conductors may well ponder upon the above words of one of the world's greatest singers, and apply the lesson to their own problems. The average audience is probably more interested in the words of vocal music than in anything else; and since both vocal and choral performances are usually given before "average audiences" it behooves the conductor to look into the minds of those before whom he is directing, and to adapt the performance to the attitude of the listeners.
