in ancient history, a constant butt for the attacks of comedy. And we find, oddly enough, that most of the anecdotes about Euripides in Satyrus are simply the jokes of comedy treated as historical fact. For instance, in Aristophanes' play, The Women at the Thesmophoria, the women, while alone at this private festival, agree to murder Euripides because, by his penetrating study of female character on the stage, he has made life too difficult for them. Euripides, hearing of the plot, persuades his elderly father-in-law to go in disguise to the forbidden celebration and defend him—which he does in a ruinously tactless way. Some scenes of brilliant farce are succeeded by a solemn truce between Euripides and the women of Athens. It shows what our tradition is worth when we find that both the "Life and Race," and Gellius and Satyrus himself, give as sober fact this story which we know—and if we did not know could surely see—to be comic invention. There is another class of fabulous anecdote which plays an even larger part in the Satyrus tradition. In Aristophanes' Frogs (1.1048), in a scene where Euripides is defending his plays against the attacks of Aeschylus, there occurs the
