all the popular wits? And how was it that the Athenian public never tired of this incessant poet-baiting, these incessant appeals to literary criticism in the midst of farce? The attacks are sometimes rough and vicious, sometimes acute and searching, often enough they hide a secret admiration. And the chief enemy, Aristophanes, must, to judge from his parodies, have known a large number of Euripides' ninety-two plays by heart, and been at least half fascinated by the object of his satire. However that may be, the hostility of the comic writers had evidently a general hostility behind it. Our tradition states this definitely and the persistency of the attacks proves it. You cannot go on constantly deriding on the stage a person whom your audience does not wish derided. And the unpopularity of Euripides, as we shall see later, is not hard to understand. The Satyrus tradition puts it down to his personal aloofness and austerity. He avoided society, and he "made no effort to please his audience." So that at least he did not soften by personal pleasantness the opposition they felt to his whole view of life. It was not only that he was utterly alienated from the War Party and the mob leaders: here he only agreed with Aristophanes. It
