to please an audience; but what always galls the average theatre-goer most in a new work of genius is not the subject but the treatment. Euripides' treatment of his subject was calculated to irritate the plain man in two ways. First it was enigmatic. He did not label half his characters bad and half good; he let both sides state their case and seemed to enjoy leaving the hearer bewildered. And further, he made a point of studying closely and sympathetically many regions of thought and character which the plain man preferred not to think of at all. When Jason had to defend an obviously shabby case, no gentleman cared to hear him; but Euripides insisted on his speaking. He enjoyed tracking out the lines of thought and feeling which really actuate men, even fine men like Jason, in Jason's position. When Medea was revealed as obviously a wicked woman the plain man thought that such women should simply be thrashed, not listened to. But Euripides loved to trace all her complicated sense of injustice to its origins, and was determined to understand and to explain rather than to condemn. The plain man had a kind of justification for saying that Euripides actually seemed to like these traitors and wicked
