women; for such thorough understanding as this involves always a good deal of sympathy.
This charge could with even more reason be brought against another masterpiece of drama, which followed three years after the Medea. The Hippolytus (428 B.C.) did indeed win the first prize from the official judges, besides establishing itself in the admiration of after ages and inspiring Seneca and Racine to their finest work. But it profoundly shocked public opinion at the same time. The plot is a variant of a very old theme found in ancient Egypt and in the Pentateuch. Theseus, not here the ideal democrat on the Athenian throne, but the stormy and adventurous hero of the poets, had early in life conquered the Amazons and ravished their virgin Queen. She died, leaving a son like herself, Hippolytus. Theseus some twenty years after married Phaedra, the young daughter of Minos, king of Crete, and she by the evil will of Aphrodite fell in love with Hippolytus. She told no one her love, and was trying to starve herself to death, when her old Nurse contrived to worm the secret from her and treacherously, under an oath of secrecy, told it to Hippolytus. Phaedra,
