of complying with the request of my friends, than from any hopes I had of answering their expectations. I was not unsuccessful, considering how much the compositions of ancient times have been neglected, for some time past, in the north of Scotland. Several gentlemen in the Highlands and isles generously gave me all the assistance in their power; and it was by their means I was enabled to complete the epic poem. How far it comes up to the rules of the epopee, is the province of criticism to examine. It is only my business to lay it before the reader, as I have found it. As it is one of the chief beauties of composition, to be well understood, I shall here give the story of the poem, to prevent that obscurity which the introduction of characters utterly unknown might occasion.
Artho, supreme king of Ireland, dying at Temora the royal palace of the Irish kings, was succeeded by Cormac, his son, a minor. Cuchullin, the son of Semo, lord of the Isle of Mist, one of the Hebrides, being at that time in Ulster, and very famous for his great exploits, was, in a convention of the petty kings and heads of tribes assembled for that purpose at Temora, unanimously chosen guardian to the young king. — He had not managed the affairs of Cormac long, when news was brought, that Swaran, the son of Starno, king of Lochlin, or Scandinavia, intended to invade Ireland. Cuchullin immediately dispatched Munan, the son of Stirmal, an Irish chief, to Fingal, king of those Caledonians who inhabited the western coast of Scotland, to implore his aid. Fingal, as well from a principle of generosity, as from his connection with the royal family of Ireland, resolved on an expedition into that country; but before his arrival, the enemy had landed in Ulster. Cuchullin in the meantime had gathered the flower of the Irish tribes to Tura, a castle ofUlster