moulding above the architrave and of the frieze nothing
remains." I believe that they never existed, and that the
entablature was of the traditional Ionian form which Choisy
calls "the Architrave Order."
We must turn to the order of the Temple of Priene, which obviously much resembled Ephesus, and where the carved gutter, as will be shown, is a copy of that, to elucidate this point. When it was explored by the Dilettanti Society we are told that here again no moulding was found which would have occupied a place above the architrave, and although the order had been restored with a frieze until quite lately, the latest German researches show that it, the great altar to the east of the temple, and the second temple were all examples of the architrave order. The authors An image should appear at this position in the text.Fig. 20.—Ionian Cornice. of the work cited[1] say that the temple, in fact, did not have a frieze, but, instead, directly above the egg and tongue moulding, which crowned the architrave, lay the powerfully projecting dentil course." These Priene entablatures are now set up the Persjamos Museum.
The dentil course resting on the architrave is the essential part of the earlier Ionian en- tablatures. A fragment of a cornice from Xanthus in the British Museum consists of a representation of a row of round poles, set close and far projecting, carrying a band. The two Lycian tombs have cornices made up of an architrave, a row of projecting blocks, representing ends of timbers, and a plate above of two facias. This type of cornice, consisting of architrave, dentils, and corona, is general in the Lycian rock tombs. (Fig. 20.) Choisy has pointed out that this is the true Asiatic (Ionic) type. At Athens, he says, dentils are only known at the Caryatide porch, and there, again, there was no frieze.[2] At Miletus a frieze of sculptured
