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CANTO III.]
HUDIBRAS.
421
Or letting out to hire their ears
To affidavit customers, 730
At inconsiderable values,
To serve for jurymen or tales.[1]
Altho' retain'd in th' hardest matters
Of trustees and administrators.
For that, quoth he, let me alone; 735
We've store of such, and all our own,
Bred up and tutor'd by our teachers,
Th' ablest of all conscience-stretchers.[2]
That's well, quoth he, but I should guess,
By weighing all advantages, 740
Your surest way is first to pitch
On Bongey for a water-witch;[3]
And when y' have hang'd the conjurer,
Y' have time enough to deal with her.
In th' int'rim spare for no trepans, 745
To draw her neck into the banns;
Ply her with love-letters and billets,
And bait 'em well for quirks and quillets,[4]
With trains t' inveigle, and surprise
Her heedless answers and replies; 750
And if she miss the mouse-trap lines,
They'll serve for other by designs;
And make an artist understand,
To copy out her seal or hand;
Or find void places in the paper, 755
To steal in something to entrap her;

  1. Tales, or Tales de circumstantibus, are persons of like rank and quality with such of the principal pannel as are challenged, but do not appear; and who, happening to be in court, are taken to supply their places as jurymen.
  2. Downing and Stephen Marshall, who absolved from their oaths the prisoners released at Brentford. See note at pages 82 and 177, 178.
  3. On Sidrophel the reputed conjurer. The poet nicknames him Bongey, from a Franciscan friar of that name, who lived in Oxford about the end of the thirteenth century, and was by some classed with Roger Bacon, and therefore deemed a conjurer by the common people. "A water-witch" means probably one to be tried by the water-ordeal.
  4. Subtleties. Shakspeare frequently used the word quillet, which is probably a contraction from quibblet. See Wright's Glossary.