carving; the doorways, so rich in sculpture; the rose-windows, with their exquisite tracery; the beautiful lantern-shaped clerestory; the curious double staircase of Diego de Siloe; the wonderful 'retablos' behind the altars, of the finest wood-carving; the magnificent marble and alabaster monuments in the side chapels, vying with one another in beauty and richness of detail; the wonderful wood-carving of the stalls in the choir; the bas-reliefs carved in every portion of the stone; in fact, every detail of this glorious building is equally perfect; and even in Southern Spain, that paradise for lovers of cathedrals, can scarcely be surpassed. The finest of the monuments are those of the Velasco family, the hereditary high-constable of Castile. They are of Carrara marble, resting upon blocks of jasper: at the feet of the lady lies a little dog, as the emblem of 'Fidelity.' Over the doorway of this chapel, leading to a tiny sacristy, are carved the arms of Jerusalem. In the large sacristy is a Magdalen, by Leonardo da Vinci; and some exquisite church plate, in gold and enamel, especially a chalice, a processional cross, a pax, &c. In the first chapel on the right, as you enter by the west door, is a very curious figure of Christ, brought from the Holy Land, with real hair and
