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THE STORY BY MACK McMACK
97

there since long before man came to the trackless wilds, also, of course, the ocean, but still, in the old days, even after the state was settled by white and civilized men, there was nobody there to advertise them—to, you might say, correlate them with the rest of our American life.

Way I understand it: in the former and earlier days, the whole state was just filled with a lot of lazy ranchereros, partly descended from the Spanish, which of course let them out from the start. You certainly could by no stretch of the imagination see the Spanish as contributing constructively to Americanization. And then around San Francisco there was a lot of these artists and painters and all like that, and writers, and they just sat around and did nothing constructive, you might say, but just sit around and drink a lot of wine and chew the rag and do a lot of talking—lot of these fellows like Jack London and Frank Norris and Bret Harte and Upton Sinclair and Eugene Debs—no, Eugene Field I think his name was.

But aside from nothing but scenery, what did