Fig. 29. Picture of silnéole, a dry-painting of the night chant.
dancing is always rhythmical and well-timed. Figures are often introduced like those of our quadrilles; but no round dances, like our waltz or polka, have been observed—the rough ground is not suited for such. The dancers and the drummers practise long in private before coming to the public exhibition.
109. Prayer.—In a paper entitled "The Prayer of a Navaho Shaman,"315 the author has published a long composition, called a prayer by the man from whom he received it, which is a simple narrative and does not contain a word of supplication. This is the only prayer of such character obtained from a Navaho. Many other long prayers have been recorded, all of which are formed on a common plan. The name of a god is mentioned, and some flattering attributes are given to him. If it is a god such as Hastséyalti, of which there are more than one of the same name, his residence is mentioned. He is informed that sacrifices have been prepared for him. He is asked to remove the spell of disease. Immediately he is assured that it is removed. Then he is asked to bestow various blessings on the supplicant and all his kindred and people. The
