Harlem has been called the center of the American Negroes' cultural renaissance and the mecca of the New Negro. If this is so, it so only because Harlem is a part of New York, the cultural and literary capital of America. And Harlem becomes the mecca of the so-called New Negro only because he imagines that once there he can enjoy the cultural contact and intellectual stimulation necessary for his growth.
This includes the young Negro writer who comes to Harlem in order to be near both patrons and publishers of literature, and the young Negro artist and musician who comes to Harlem in order to be near the most reputable artistic and musical institutions in the country.
These folk, along with the librarians employed at the Harlem Branch of the New York Public Library, a few of the younger, more cultured professional men and women and the school teachers, who can be found in the grammar and high schools all over the city, constitute the Negro intelligentsia. This group is sophisticated and small and more a part of New York's life than of Harlem's. Its members are accepted as social and intellectual equals among whites downtown, and can be found at informal and formal gatherings in any of the five boroughs that compose greater New York. Har-
