lem to most of them is just a place of residence; they are not "fixed" there as are the majority of Harlem's inhabitants.
Then there are the college youngsters and local intellectuals, whose prototypes can found in any community. These people plan to attend lectures and concerts, given under the auspices of the Y. M. C. A., Y. W. C. A., churches, and public school civic centers. They are the people who form intercollegiate societies, who stage fraternity go-to-school campaigns, who attend the course of lectures presented by the Harlem Branch of the New York Public Library, during the winter months, and who frequent the many musical and literary entertainments given by local talent in Harlem auditoriums.
Harlem is crowded with such folk. The three great major educational institutions of New York, Columbia, New York University and the College of the City of New York, have a large Negro student attendance. Then there are many never-will-be-top-notch literary, artistic and intellectual strivers in Harlem as there are all over New York. Since the well advertised "literary renaissance," it is almost a Negro Greenwich Village in this respect. Every other person one meets is writing a novel, a poem or a drama. And there is seemingly no end to artists who do oils, pianists who pound out Rachmaninoff's Prelude in C Sharp Minor, and singers, with long faces and rolling eyes, who sing spirituals.
