Quicksand
dainful, as she sat there, listening to the preacher praying for her soul. But though she was contemptuous, she was being too well entertained to leave. And it was, at least, warm and dry. So she stayed, listening to the fervent exhortation to God to save her and to the zealous shoutings and groanings of the congregation. Particularly she was interested in the writhings and weepings of the feminine portion, which seemed to predominate. Little by little the performance took on an almost Bacchic vehemence. Behind her, before her, beside her, frenzied women gesticulated, screamed, wept, and tottered to the praying of the preacher, which had gradually become a cadenced chant. When at last he ended, another took up the plea in the same moaning chant, and then another. It went on and on without pause with the persistence of some unconquerable faith exalted beyond time and reality.
Fascinated, Helga Crane watched until there crept upon her an indistinct horror of an
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