of his own for the English hexameter, he will judge to be a chimerical dream.
When, therefore, Mr. Spedding objects to the English hexameter that it imperfectly represents the movement of the ancient hexameter, I answer: We must work with the tools we have. The received English type, in its general outlines, is, for England, the necessary given type of this metre; it is by rendering the metrical beat of its pattern, not by rendering the accentual beat of it, that the English language has adapted the Greek hexameter. To render the metrical beat of its pattern is something; by effecting so much as this the English hexameter puts itself in closer relations with its original, it comes nearer to its movement, than any other metre which does not even effect so much as this; but Mr. Spedding is dissatisfied with it for not effecting more still, for not rendering the accentual beat too. If he asks me why the English hexameter has not tried to render this too, why it has confined itself to rendering the metrical beat, why, in short, it is itself, and not Mr. Spedding’s new hexameter,–that is a question which I, whose only business is to give practical advice to a translator, am not bound to answer; but I will not decline to answer it nevertheless. I will suggest to Mr. Spedding that, as I have already said, the modern hexameter is merely an attempt to imitate the effect of the ancient hexameter, as read by us moderns; that the great object
