meter, give the immense labour required for a translation of Homer, when one could not wish his work to stand. Rather it is to be wished, that by the efforts of poets like Mr. Longfellow in original poetry, and the efforts of less distinguished poets in the task of translation, the hexameter may gradually be made familiar to the ear of the English public; at the same time that there gradually arises, out of all these efforts, an improved type of this rhythm; a type which some man of genius may sign with the final stamp, and employ in rendering Homer; an hexameter which may be as superior to Voss’s as Shakspeare’s blank verse is superior to Schiller’s. I am inclined to believe that all this travail will actually take place, because I believe that modern poetry is actually in want of such an instrument as the hexameter.
In the meantime, whether this rhythm be destined to success or not, let us steadily keep in mind what originally made us turn to it. We turned to it because we required certain Homeric characteristics in a translation of Homer, and because all other rhythms seemed to find, from different causes, great difficulties in satisfying this our requirement. If the hexameter is impossible, if one of these other rhythms must be used, led us keep this rhythm always in mind of our requirements and of its own faults, let us compel it to get rid of these latter as much as possible. It may be necessary to have
