Page:Papers on Literature and Art (Fuller).djvu/135

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THE MODERN DRAMA.
119

As commonly they have, susceptible
Of all impressions, lavish most their love
Upon the blithe and sportive, and on such
As yield their want, and chase their sad excess,
With jocund salutations, nimble talk,
And buoyant bearing.

All herself is in the line,

Which is not nothing, though I prize it not.

And in her song,

Down lay in a nook my lady’s brach.

This song I have heard quoted, and applied in such a way as to show that the profound meaning, so simply expressed, has sometimes been understood.

See with what a strain of reflection Van Artevelde greets the news that makes sure his overthrow.

It is strange, yet true,
That doubtful knowledge travels with a speed
Miraculous, which certain cannot match;
I know not why, when this or that has chanced,
The smoke should come before the flash; yet ’t is so.

The creative power of a soul of genius, is shown by bringing out the poetic sweetness of Van Artevelde, more and more, as the scene assumes a gloomier hue. The melancholy music of his speech penetrates the heart more and more up to the close.

The gibbous moon was in a wan decline,
And all was silent as a sick man’s chamber,
Mixing its small beginnings with the dregs
Of the pale moonshine, and a few faint stars,
The cold uncomfortable daylight dawned;
And the white tents, topping a low-ground fog,
Showed like a fleet becalmed.

At the close of the vision:

And midmost in the eddy and the whirl,
My own face saw I, which was pale and calm
As death could make it,—then the vision passed,